Editing Rant: Why AI is a No-No

Image acquired from the Internet

A recent contact I got was a “Hi, I am an illustrator who uses AI.” To which I immediately responded my publisher (and I) have a strict no-AI policy. (points to them for admitting the AI use up front.)

Well, they wrote back and asked why? They said they got a lot of responses like that and were wondering why the publishing industry is so against this tool everyone in the business world is embracing.

I needed to present an argument that wasn’t “well, AI is evil and makes Sarah Connor cry.” Because this person is trying to make a living with art, which means creating art fast in a variety of forms. AI can be a tool like the collage-type art of early photoshop. And for some people everything is shareable – I remember early pirate sites for music and books created by those that thought all data should be free. So what argument to use?

I gave the person the “the courts have declared AI-created materials are not copyrightable.” The fact is who do you attached the “creative” part: the people whose materials and skills the database is built-on (whether the material was bought legally or collected for AI training (like most medical interpretation softwares), mass-trained through people licensing the equipment and uploading suggestions (like many editing softwares), or mass-scrapped/stolen (like most artwork and writing softwares)); the assemblers creating the database; the programmer/team/company that created the search engine/AI platform; or the person using the AI to create the image per their specifications.

When publishing companies (and other companies) cannot attribute copyright ownership, they can not go the AI route. Contracts require clear lines of ownership to distribute rights. (Side-thought: Companies using AI-generated marketing materials, really should rethink their choices, because I bet if you can’t get copyright, you can’t get trademark either.)

Anyway, the person thanked me, saying no one explained it that way to them before.

AI isn’t inherently evil, but there are other considerations and maybe we writers and artists should start pointing out the “bottom line” for companies using AI isn’t protected rather than argue the ethical and moral stances. Many people only are able to listen to money. No copyright, no contract, no clink-clink.

That being said, many aspects of how humans are implementing AI are counter-productive to society as a whole and individuals in general, which ethically and morally could be interpreted as evil.

Ethically, the database builders doing the mass-scrapes, stealing materials under copyright is wrong. Especially when the follow-up programming to access that database includes suggesting prompts where copyright is worked around: create a drawing in the Style of Disney or write a horror book in the style of Stephen King. Both are clear violations of society’s agreement to protect people’s intellectual property so their efforts are paid and they have the opportunity to continue to create what people think is worthy of purchase. The owners of the creative materials did not agree to this use. Ethical sourcing of the materials for the databases needs to be required.

Morally, the electric and water required for datacenters, when the infrastructure is already stressed and normal people are constantly being asked to save irreplaceable energy resources like uranium, coal, and oil, is abhorrent.  While on some levels, the mass-use of the AI-products expands the capability and considerations of LLM (large language models) and AIs (artificial intelligences), making developing of productive uses of AI easier. For example, using AI to figure out how to water crops and target pesticides increases food for all. Also using LLMs to look over medical tests and crunch numbers beyond what humans are capable of save lives. Both of these uses are beneficial, and having everyone exploring LLM products is bringing down the price while also encouraging programmers and companies to discover more uses.

But programs like ChatGPT are being used indiscriminately because people aren’t seeing the cost. Right now the companies are underwriting it in the hopes to make even more money later, but “a single 100-word email in Open AI’s ChatGPT is the equivalent of consuming just over one bottle of water.” (Garrison) Making five quick pictures of you as various Disney Princes is equal to a day’s worth of water for one person. And that isn’t even counting the energy use. (The water is used to cool the heat generated by datacenter computers.)

People are using ChatGPT to write grocery lists. Is a grocery list really worth a bottle of water plus energy? The destruction of trees and habitat for the large area needed for these centers?

I know one email doesn’t matter, but just imagine several cities worth middle schoolers figuring out which version of Pokémon is the best version of their pet, with all the twenty-somethings using it for groceries lists, and all the tech bro saying “send out an email on a meeting about using paper straws to save the environment,” and you can see where the waste of limited resources becomes objectionable.

With the present issues with climate change, is the energy and water use of the datacenters for entertainment purposes appropriate ethically and morally? Is it appropriate to build datacenters on an already stressed electric grid with rolling blackouts just so people can have help writing simple 100-word emails? And is AI/LLM programs and apps the best way to write those emails?

TL/DR: Authors, artists, and other creatives have a love-hate relationship with AI, balanced between an exciting new creative tool and the exploitive, illegal tapping of the creative community by scraping intellectual property for training LLMs. Publishers and those whose business model is based on protecting intellectual property cannot put AI-generated material under contract because of legal considerations of rights and ownership. Additional ethical and moral consideration of the wide-spread use of LLM and the related datacenter industry required to support them makes causal business and entertainment uses of LLM and AI questionable.

Final Thought: I want machines to do the boring grinding repetitive tasks so I can make art and write books.

 

Bibliography

Garrison, Anna. “How Does AI Use Water and Energy? Unpacking the Negative Impact of Chatbots.” GreenMatters. 2025 Jan 10. https://www.greenmatters.com/big-impact/how-much-water-does-ai-use – last viewed 6/8/2025.

Flash: Second Person

Photo from dreamtime.com (paid)

“That’s far enough now.”

You spin, and behind you are four armed maskers. The end of the world wasn’t bad enough, people had to make it worse. Two automatics, one pistol, and a god-nose – a plasma thrower to burn infected. COVID continues mutate faster than the few scientists not drafted for climate change could keep up.

Putting out your hands, you say, “I’m just scavenging, I don’t mean any harm.”

The one with the pistol says, “We noticed, but, like we said, that’s far enough. Turn around.”

“Please, there is nothing behind.” Hunger makes you dizzy, weak, and whiny. Only the recent rains keeps you upright, your canteens full.

“And nothing ahead.”

The story of everywhere now. The few countries able to claw civilization back from hurricanes, tornados, heat waves, and blizzards took no immigrants. Those without government took no prisoners.

Desperate, you plead, stuttering, “Is … is there … anything … anything you nee—”

“No.” Came back firmly without letting you finish your question.

The stone structures, if fixed up, could offer safety in the winter months. “Could I, maybe—”

“No.” The one with the pistol raises it.

Sighing, you debate eating the bullet, but what has kept you moving the last four years turns you around. Looking over your shoulder, you offer, “May your crops grow well and your water be fresh.”

They don’t move. You walk away from your old college campus wondering if your old professors or classmates are behind those masks.

(words 248, first published 8/27/23)

Book Review: Domesticating Dragons (D is for Dragons)

Amazon Cover

Domesticating Dragons by Dan Koboldt

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BUILD-A-BEAR WORKSHOP MEETS JURASSIC PARK WHEN A NEWLY GRADUATED GENETIC ENGINEER GOES TO WORK FOR A COMPANY THAT AIMS TO PRODUCE CUSTOM-MADE DRAGONS

Noah Parker, a newly minted Ph.D., is thrilled to land a dream job at Reptilian Corp., the hottest tech company in the American Southwest. He’s eager to put his genetic engineering expertise to use designing new lines of Reptilian’s feature product: living, breathing dragons.

Although highly specialized dragons have been used for industrial purposes for years, Reptilian is desperate to crack the general retail market. By creating a dragon that can be the perfect family pet, Reptilian hopes to put a dragon into every home.

While Noah’s research may help Reptilian create truly domesticated dragons, Noah has a secret goal. With his access to the company’s equipment and resources, Noah plans to slip changes into the dragons’ genetic code, bending the company’s products to another purpose entirely . . .

 

MY REVIEW

Domesticating Dragons is a techno-medical pseudo-science near-future science fiction. A nice mix of romance, action, mild humor, and techno-babble gives a good-feel sci-fi read.

The main downside is while the main character can interact with female co-workers just fine and mentally puts them into the “no mix” category … every other female is fair game to find attractive and to hit on. Eventually one of the “hits” sticks – and that one is constantly either being looked at as amazing for her go-get-’em attitude or is described as dirty and sweaty (for her go-get-’em actions), but still beautiful. Mind and emotional states aren’t brought up much. (But there are women, … I don’t think any talk to each other …, and a lot of them are doing things with their brains. So the book has THAT going for it.) This attitude of hitting on everything when you meet them for the first time reminds me a lot of where people are in their twenties; they are finding their lifemates so the questions for the appropriate gender of attraction in order are (1) can I pursue them, (2) do they respond positively to feelers, (3) do they say yes to a date, (4) do I find them attractive and can I hang out with them in a variety of circumstances. All these actions are appropriate to the age of the character. Just at my age, the mating dance is a bit tiresome.

I really enjoyed the dragons – the creating of dragons. Big dragons and little ones, flying ones and attack ones, hot pink birthday custom orders and 3-d printing mistakes. Claws, teeth, wings, and scales all are considered in the build-a-dragon. Most importantly, can they be programmed as domesticated?

The ending comes a little quick, the pacing in some places is off for the build to a big crescendo and my editing brain was trying to figure what places need adjustment to fix the problem. My reader brain kept saying while I was reading “shut UP – this is really good as is, enjoy it!!!”

If you want some good sci-fi on plain-old-Earth, with DRAGONS and three-D printing, this is the ride you are looking for. Enjoy it!!

***

Full Disclosure: I received this book at a Baen’s Road Show at a convention. I love Road Show panels, especially Baen’s. These panels show what my favorite sci-fi/fantasy publisher has just released or is releasing this year. Always with the covers – Baen has AWESOME covers. Seeing the cover art without all the text is artistically satisfying.

Flash: Drone

Photo by Allef Vinicius on Unsplash

The drone returned for a second pass, closer to the fields. Fernando glanced back, disciplining his face to control his worry before returning to watch the group in front of him sweating from their labor. Just one more hour and the harvest would be in. Could the gods and prosperity not give them one more damn hour?

Susanna tossed a bag onto the lorry before jogging over. “We need to leave,” she said in Spanish.

Diez minutos.” Fernando stated. “Diez.

No,” she said firmly, “Ahora.

He watched as the other six people present stuffed their bags as quickly as possible, not checking for disease or insects and climbed onto the lorry with the rest of their scavenging. Fernando nodded. They were right. As much as they needed the food, starving was a step above dead.

Ahora,” he agreed.

Climbing into the front, Fernando pressed his finger onto the sensor and pulled away. Behind them, the drone followed, even when they hit the highway. “Susanna,” he nodded toward to her side of the cab. Frowning, she pulled out the EMP launcher and aimed the rifle-like weapon at the drone.

Two strikes brought it down. A tractor trailer on the other side of the divided highway, heading north to corporate lands, smashed it seconds later.

“We don’t have much juice left.” The woman said in her only language as she tucked the launcher back into its hiding spot. “Maybe one more.”

“We got to find a way to recharge it.” Fernando forced his hands to loosen on the steering wheel.

“All our electric from the solar is going to the medical.”

“I know, I know.” He stared ahead. “We must get more, if only to charge the truck.” He glanced down at the fuel gauge promising another third of a charge. Without the bank of cells on the top of the truck, it would have hit zero long ago. Two weeks between raids to charge the ancient battery took too long.

Si,” she agreed, the other half of the leadership team for their little group of refugees, “pero como?”

“The corporate lands have plenty.”

“No, no, no.” Susanna hit his leg. “You will not go there.”

He looked over, giving her a crooked, sad grin. “Of course.”

“I will hate you forever if you die.” She glared at him before turning her head away.

“I will do my best not to die.”

(words 400;  first published 3/4/2023, from a FB visual prompt for a writing group I belong to – aiming for 50 words)

Book Review: An Absolutely Remarkable Thing

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An Absolutely Remarkable Thing: A Novel by Hank Green

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In his wildly entertaining debut novel, Hank Greencocreator of Crash Course, Vlogbrothers, and SciShowspins a sweeping, cinematic tale about a young woman who becomes an overnight celebrity before realizing she’s part of something bigger, and stranger, than anyone could have possibly imagined.

The Carls just appeared.

Roaming through New York City at three a.m., twenty-three-year-old April May stumbles across a giant sculpture. Delighted by its appearance and craftsmanship—like a ten-foot-tall Transformer wearing a suit of samurai armor—April and her best friend, Andy, make a video with it, which Andy uploads to YouTube. The next day, April wakes up to a viral video and a new life. News quickly spreads that there are Carls in dozens of cities around the world—from Beijing to Buenos Aires—and April, as their first documentarian, finds herself at the center of an intense international media spotlight.

Seizing the opportunity to make her mark on the world, April now has to deal with the consequences her new particular brand of fame has on her relationships, her safety, and her own identity. And all eyes are on April to figure out not just what the Carls are, but what they want from us.

Compulsively entertaining and powerfully relevant, An Absolutely Remarkable Thing grapples with big themes, including how the social internet is changing fame, rhetoric, and radicalization; how our culture deals with fear and uncertainty; and how vilification and adoration spring for the same dehumanization that follows a life in the public eye. The beginning of an exciting fiction career, An Absolutely Remarkable Thing is a bold and insightful novel of now.

 

MY REVIEW

We need more April in the World.

I found this an uncomfortable read in the middle of the COVID-19 pandemic stay-at-home orders in America. I read this July 8, 2020.

“This is the first time a truly international issue had hit our newly borderless world this hard, and no one knew how it might play out.” (page 215 / 65% mark on my kindle)

Copyright 2018. Meaning written no later than 2017. I would say far earlier for a first work, but Mr. Green had major connections.

So many things of this book follow what we are experiencing right now. Social media connections around the world, people using fear as a weapon to raise themselves up and attack other people for a cause, and the need to problem-solve WORLD-WIDE because no one person, no one country has the whole thing sewn up.

It is like a huge metaphor for what is happening right now. Of course, it was meant to use a sci-fi setting to explore insta-fame, relationships, and a variety of day-to-day questions. It’s more a literary work than a genre work.

We are now in a borderless world, but various entities are fighting to reestablish barriers. Some governments try building walls and fences, others locking people out electronically and physically, and still others are removing themselves from treaties and world-wide organizations. But, like in WWII, doing so just mean those barriers will fall at the worst possible time. Children don’t get to climb back into the crib; the world always gets bigger … and scarier.

All of this is in the book, only it isn’t. The subtext hit me hard, making me put down the book several times. If I wasn’t on a deadline for a book club in less than three days, I likely would have set it aside. To recover. But I pushed through in a single day.

The story is there. And I *think* some people can just focus on the story. Which is a problem-solving, literary exploration of fame, science-fiction drama. I just couldn’t see it well through the life I am living right now.

But I do agree with the character, even after one of the worst attacks on her person, she still sent out Hope. Even when fear should have been winning, she tried to make things Better. More inclusive – even for selfish reason – her message was about Building and Growing. In that, I would like to see more April in the world.

(Checked out through the local library system as an eBook. Vivat local libraries!)