Magical Words: Revisions Revisited

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Time to break out the red pen again. An edit is in the door and needs some work.

One of the things I will say, many times is – “this is just a suggestion.” or “It needs fixing, here is an example so you can see how I think it is wrong, but you are the author.”

David B. Coe paraphrased his editor in the Magical Words post from November 29, 2010, “Revisiting Revisions” with:

“You don’t have to use my wording,” he said with maddening equanimity, when I complained about some change he had made to a previous manuscript. “You’re the writer; I’m sure you can come up with something better.  I changed it because the original wording didn’t work.  It wasn’t clear, or it didn’t work with the rest of the scene.  I was just trying to draw your attention to it.”

And that is the horrific thing editors do. They point out what is wrong. Maddening cruel and loving essential, every red mark.

And it isn’t always “wrong – wrong”. It could be “not as good as you are capable of”. Sometimes I think that is the worse, because wrong is an easy fix – “make better” oh boy, that is going to take some effort.

This particular Magical Words is mostly a reminder for ME on how to be the best editor possible. Sometimes ruts happen. Tired happens. And people need to be reminded of best practices. This post by Dr. Coe is full of them.

Again, the URL is: https://www.magicalwords.net/david-b-coe/revisions-revisited/

Magical Words: Cutting Out the Filler

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When writers go back and review their old works, it can be a humbling experience. David B. Coe worked on a re-release of his first series where he found over 20,000 words just taking up print space in his books. Filler that didn’t add anything to the story. He broke them up into the following groups:

  1. Passive and distancing constructions
  2. Adverbs
  3. Weakening words
  4. Beginning and starts.

From reading the May 31, 2016 Magical Word post, “Cutting Out the Filler”, you will discover what things needed to go based on these groups. Remember to bring the same scalpel to your writing.

  1. Passive – Remove copulas (I have mentioned this in other posts).
  2. Distancing constructions

Distancing constructions come in several forms. Any time we use “could” we are possbily adding extra words. And often using “saw” or “felt” or “heard” injects unnecessary words into the perceptions of your point of view character. For example:  “He could hear a horseman approaching” is wordier than “He heard a horseman approaching,” which is wordier than “A horseman approached.” And since we’re in the POV of our narrator, we KNOW that she has heard this.

I’m oversimplifying a bit, of course. Yes, it’s possible that your POV character divined this magically, or saw rising dust — perhaps we need some sensory input. “Hoofbeats shook the ground. A horseman approached.” Now we’re using more words. But we’re saying more as well. We’re showing rather than telling. My larger point stands: eliminate distancing constructions from your writing. Even if this doesn’t save you words in the long run (though trust me, it will) doing so will improve your writing.

3. Adverbs – No need to remove them all; they add beauty and clarity. But are they necessary. Mr. Coe mentions fixing items like “He glanced briefly.” noting that a glance is always brief.

4. Weakening – Drop the waffling words. I (Erin) constantly have to slash out “a lot” or “a bit”, “slightly” and “nearly”. “Tend” keeps getting killed and resurrecting. Sometimes a statement needs to be soften, but usually our storytelling needs stronger stuff.

5. Beginnings and starts – I’ve talked about this a lot before. I hate these for the action genres like thrillers and urban fantasies. “He began to think on things.” “She started to run.” … “He thought on things.” “She ran.” Unless the act of beginning is important, these need killing too.

The URL is: http://www.magicalwords.net/david-b-coe/quick-tip-tuesday-cutting-out-the-filler/ (It may no longer be available. After nearly a decade, Magical Words website has been taken down.