Book Review: The Polar Terror

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The Polar Terror by Liana Brooks

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Kaddy Chaak’s career is in jeopardy, her social life is non-existent, and instead of spending the holidays at home with everyone she loves, she’s in the hospital with her chronically-ill, probably-dying nephew Everett, wondering if her dead sister could have fixed this. The one bright note in an otherwise bleak winter is a potential visit from the Polar Terror, the only super villain north of the 66th parallel, to make little Everett’s hospital wish come true.

Kaddy’s not really expecting him to show. At best, she expects a lackluster cosplayer with a half-hour to spare.

What she gets is a swoon-worthy stranger full of secrets, who might just sweep her off her feet–and maybe help her leave the past behind, once and for all.

A heart-warming stand-alone addition to the popular Heroes and Villains series.

 

MY REVIEW

Continuing Ms. Brooks supervillain romance series, this novella introduces readers to the Polar Terror – a Canadian villain whose eyes strike terror in all who meet his gaze.

When Everett makes-a-wish of the hospital to meet his favorite comic book character, the wish-organizer inadvertently gets exactly what Everett desires when the Polar Terror shows up in person. Kaddy doesn’t care if he is a villain, hero, or Santa Claus, so long as her cancer-fighting kid gets a smile. Then the Polar Terror turns his gaze on Kaddy – struggling single mom – and things get interesting.

A Sweet Romance novella with characters you root for throughout. The perfect book to get snowed in with.

There are a couple of quick skips in the plot, a common problem with the short form of novellas. This book could easily be twice the length to get all the details in. Instead it focuses on the highlights of the relationship.

POC report – Main characters are primarily of First Nation decent.

Received from publisher for an honest review.

Other Cool Blogs: Magical Words 5/18/2012

Photo by Molly Blackbird on Unsplash

What Maketh a Monster?

In Magical Words, A.J. Hartley explained on May 18, 2012 how he created monsters for his middle grade series Darwen. Being middle grade, he avoided human monsters and, instead, dug deep into the traditional sense of monsters.

An Unsettling Hybrid – two things melded together when they shouldn’t be. Not chocolate and peanut butter; more like pizza and pineapple. The example he gives is Frankenstein’s monster assembled from multiple bodies. The monster doesn’t have to be evil (though it helps), the creature just needs to be feared – troubling our human sensitivities.

And, for Mr. Hartley, it can’t be familiar. Vampires have become habitual. Shifters typical. True monsters make your stomach drop and twist because they are wrong, wrong, wrong. Yet one thing, one horribly right thing, puts them in this reality.

 You can review more on the topic here: (and remember to read the comments for additional ideas)

My take-away is monsters, even human monsters, need something unsettling about them. What makes them a danger to humans beyond simple “they could kill me”? What about being around them makes the human brain skitter and squeal “not right, not right, not right”?

Book Review: Because You Love to Hate Me

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This edgy anthology teams up acclaimed YA authors and popular YouTubers to create 13 fairy tales and 13 inspired works–all from a “villain’s” perspective, in the vein of Maleficent or Wicked.

Leave it to the heroes to save the world–villains just want to rule the world.

In this unique YA anthology, thirteen acclaimed, bestselling authors team up with thirteen influential BookTubers to reimagine fairy tales from the oft-misunderstood villains’ points of view.

These fractured, unconventional spins on classics like “Medusa,” Sherlock Holmes, and “Jack and the Beanstalk” provide a behind-the-curtain look at villains’ acts of vengeance, defiance, and rage–and the pain, heartbreak, and sorrow that spurned them on. No fairy tale will ever seem quite the same again!

MY REVIEW

This is very much a YA of the present (2019) generation. The villains are too sweet; all have justifications and are likable in the extreme. Some you might even rub elbows with. Each of them is someone a reader can understand and identify with.

I guess it is a good introduction to when villains are heroes in their own stories – but this feels more like what an 11 and 12 year old are fed rather than raising the moral questions a 13 and 14, let alone a 16 or 17, should be asking and investigating. The gimmick of the bloggers commenting actually improves the book in this regard. Some of the best writing is from them.

The Blood of Imuriv – Selfish boy with anger control issues. No where near as creepy as it should be. Blog commentary is A+.

Jack – A retelling of Jack in the Beanstalk. A lot of these are retelling of old myths and stories, and they suffer in comparison with the creepy, evil of the originals. This one doesn’t; it’s on par with Jack and the Beanstalk.

Gwen and Art and Lance – Another retelling, this one of Camelot. Very teen-angst. You can see where the evil is going to grow, but it isn’t true evil yet.

Shirley & Jim – Sherlock retelling. One of the few without the evil being the POV character. Love the villain and the relationship with the future hero. This one establishes everything which will follow and you can see it unspool in your mind after you are done reading. Great read.

The Blessing of Little Wants – I’m the wrong generation to enjoy this one. M. Night Shyanmalan’s movie is still too fresh in my head, and I saw the twist a mile away which deflated all the magic of this short story.

The Sea Witch – The little mermaid from a different point of view. The blogger questionnaire is interesting to answer.

Beautiful Venom – Medusa in a different mythos. Extra plus for diversity.

Death Knell – An original work, mostly. (I’m too widely read for delaying Death to be truly original.) Southern Gothic feel.

Marigold – Nice. This is how I like my elves in the woods to be. A historic piece that keeps several historic values of age and culture-stratus in place.

(Note that the three furthest from contemporary US culture (and that includes the sci-fi at the start) are grouped together – Beautiful Venom, Death Kneel, and Marigold.)

You, You It’s all about You – Don’t often see second person stories. This one pulls it off fairly well.

Julian Breaks Every Rule – This is one where the blogger gets it 100% right. The story needs to continue. (and yet it doesn’t – ends at a perfect time for a short story.) Captures both YA and villainy perfectly. This is what the whole anthology should have been like.

Indigo and Shade – Beauty and Beast retelling. Way too heavy-handed in trying to get parallels. It felt stiff; like a story constrained by the structure of the story it is emulating rather than a celebration like the previous short story of Jack.

Sera – Birth of a Death God. Has too many POVs to get emotionally invested in the story. This doesn’t disturb the way it should. The characters in the story has no agency – everything was destined from the beginning and no one had any choices. Either fighting or celebrating fate would have been more interesting.

Julian Breaks Every Rule and Marigold are what I hoped for the whole anthology to be like, with Jack, Shirley & Jim, You You It’s All About You, and Sera being close. The “villain” POV stories are a popular anthology sub-genre. This villain anthology concentrated on making the bad guys identify as good guys and neutered them too much in order to keep the YA feel. Villains don’t have to be likable; their willingness to do what needs doing is how a reader identifies with and envies them. Power has its own draw.

Read for book club; borrowed book from another member.

Other Cool Blogs: Liana Brooks

Snape "Detention, Saturday night, my office."

Meme from the Internet

At the beginning of January I reviewed a book by Liana Brooks. She is one of my favorite authors, and I follow her blog. Back in 2014 (when she updated her blog it was moved to a June 25, 2016 post) she wrote an amazing piece about villains; more precisely how to layer the villains in a story. If you are a writer of mysteries, superhero prose, or other genre where the character has people-type conflict, this blog is an absolute must-read. Her breakdown of the immediate villain, the intermediate villain, and the big bad really helped clarify writing for me.

For Harry Potter the immediate villain was his family (uncle, cousin, etc), the intermediate villain was Professor Snape, and the Big Bad was He-who-should-not-be-named. I never really thought about this formula before so I found this advice really good. … Sometimes formulas are bad because authors follow them mechanically; other times they are a reveal how the masterpiece was created. 

You can find the blog post here: https://www.lianabrooks.com/nanowrimo-boot-camp-day-3-the-antagonist/

WRITING EXERCISE: Think about your Work-In-Progress or other story you have read and watched. Is there a progression of villains within the story? I broke down Harry Potter – what other stories can you think of? Comment below.