Writing Exercise: Listen to the Music

Image courtesy of Stuart Miles at FreeDigitalPhotos.net

Every writer takes in inspiration through their senses, with some senses being stronger than others depending on the author. 

Me. I’m visual and touch. I see the scenes, feel the temperature, touch the surfaces. To write I need to be touching something – a keyboard or pen and paper. I’ve thought about DragonSpeak, but it doesn’t catch me on fire. To write, I just need to sit in my space with no distractions so I reach my inner space where things are happening. Sound is a big no-no for me.

Other people need other cues to write. Some people light a candle a favorite scent. Some people need certain lighting. Fuzzy clothing or other tactile trigger can indicate time to write. A nice cup of tea with a certain flavor not used any other time of day. So many rituals to activate the mind through the strongest sensory channel, letting it know TIME TO WRITE.

A lot of writers depend on music. For some, the music is part of the activation ritual only, not the ongoing process. They just listen to the song and approach the music for inspiration like I do visual prompt. Then turn off the music and write.

But most writers who employ music have it in the background to define the writing space.

David B. Coe listens to jazz. John Hartness has a certain playlist for when he writes fighting scenes. If you visit a coffee shop, you will see several writers with laptops and earbuds playing music. Many writers publish the “soundtrack” of their novel; music they listen to while creating or were inspired by for the story. Gibson House Press describes some in Novel Soundtracks (published November 19. 2018 – .

Me, when I hear words, they come out my fingers from my time doing transcription. But some people swear by it. Others want music without words. Sometimes people need words but can’t write with real ones so they work around the words interfering with their writing by listening to music in foreign languages.

Video game soundtracks are extremely popular because they are internally rewarding; they are built to be addicting and keep people doing the activity. (Looking for an outlet? – try Pandora’s Video Game Music Radio).

I’ve been remiss in not suggesting this sooner. Even though music is no-go for me (I listen to music for everything but writing), it may be the perfect thing for you.

WRITING EXERCISE: Explore Music with Your Writing. Go to Pandora or other music site, if you don’t have one already, and sample different types of music. Can you think of new words when hearing words? Does latino, classical, jazz, or video-game-experimental float your creativity? Think about your senses; which are your strongest for memory and interacting in the word outside of visual? For your starting ritual for writing (if you have one or think you need one), see what happens if you add a particular song or particular type of music. Remember for some writers, they only use music for particular types of writing – like fight scenes. Would that help you?

WRITING EXERCISE BONUS: Randomly pick one song. Can be through a large playlist or a random generator (like and use it as a prompt to write a flash.

Other Cool Blogs: Pictures

ConCarolinas just past and ConGregate is around the corner. I’m rubbing elbows with a whole lot of authors – and, yeah, the below just may be a bit accurate.

(If you want to send some sales my way, go to my Books and buy some through the amazon links. THANKS! – don’t make me resort to the Deadpool advertising method.)

Image acquired from the Internet Hive Mind

Blog: #HoldOntoTheLight – Strategies for Surviving Conventions

Image courtesy of Stuart Miles at FreeDigitalPhotos.net

Strategies for Surviving Conventions

Conventions are a big thing to writers, providing them opportunity to interact with fans while also being intimidating to those with social interaction issues, including shyness, extreme introvertness, and social anxiety. And like most writers, I am no exception to social interaction being a challenge where I go through mental spoons like a middle school cafeteria on ice-cream day.

I fall somewhere on the spectrum in the Asperger area (not formally diagnosed). The plus side means I focus well and am very detailed-oriented – great for bookkeeping and editing. My particular out-of-standard wiring doesn’t adversely affect my life, aside from sucking at job interviews and falling so far into the introvert spectrum it takes me about three years to warm up to a person. I can’t hold down retail or fast food jobs because that type of stress makes me curl into a ball and go into total ennui withdrawal from society for about two months.

Fortunately, I am close enough to “normal” to integrate well at conventions IF I USE A SLEW OF COPING MECHANISMS.

I thought I would share some of them here as the summer convention season takes off as they can be useful to the terminally shy and the socially anxious as well as others with my particular neurology tendencies. For me, the Strategy for Survival is removing as much normal and abnormal stressors as possible, knowing I am immersing myself in a maximum stress environment. My triggers include excessive noise, especially in the high pitch range; too many people close by so I can’t pick out what I should be paying attention to (environmental processing); and feeling crowded (not necessarily being crowded).

Removing stressors is the key to Surviving Conventions. Everyone has a certain level of stress they can absorb. By removing some of the normal, and reducing as much of the abnormal as possible, the Survivor can create a situation where they can function where they would normally not be able to. And not only function, but thrive because they get exposed to one of the things humans need – human interaction.

A final note before we dive into these strategies: You don’t have to use them all. These are particular to me and my needs. And yes, I use them all – every single convention, every single holiday party, and nearly every day I am in public.

But you are you. Do you.

And if you have Strategies for Surviving Conventions of your own, feel free to share them below in the comments.

 

STRATEGIES

Remove All Physical Stressors – These are things that you normally can let slide, but with the added stress of the Convention, must be removed.

  1. Sleep on your regular schedule, and get enough sleep – Don’t go to the bar or room parties. I know you want to see your friends, but sleep is essential for controlling stress and the sleep process also lets the brain process what happened during the day. You need this quiet time, otherwise you won’t make it for the full three days. If you are feeling okay Saturday night, you MIGHT be able to push it; do not attempt Friday night, otherwise Saturday will be a loss.
  2. Eat regular – Do not skip meals. And try to have them close to the normal size and time as you can – avoid overeating and undereating. Pack a snack – trail mix, not candy – for those times when the meal is skipped accidentally. If you normally have cereal for breakfast, pack it and buy some milk rather than eat a load of pancakes.
  3. Avoid stimulants/depressants – This is not a time to play with your brain chemistry. Have only as much stimulants as you would have on a normal day (drink the one cup of coffee and have a soda for lunch, if that is your normal). If you don’t normally drink but want to participate, limit yourself to one beer or glass of wine. Remember sugar and chocolate are also stimulants; I know everyone has candy on their tables – don’t eat it, at least any more than normal. Sugar crashes are not your friend.
  4. Stay warm/cool – Either the panel rooms are going to be arctic or tropical. Usually Neptune Arctic in the morning and the Surface of Venus Tropics in the afternoon. Pack a jacket in the car for backup and wear normal shoes, not sandals. Drink water if hot.
  5. Hydration – The first physical stressor, which most people don’t even notice, is thirst. Drug-laced liquids like coffee and beer don’t help with it. Drink water. Most conventions have water stations setup in rooms – drink a glass every other panel. If you are starting to feel stress and haven’t drunk water in a while, see if that will get you back on track.
  6. Bathroom – Go regularly, so you don’t feel stress during a long panel, especially if you are a panelist. I always try to go right before if I am behind the table instead of the audience.
  7. Pack you Binky – Being in a strange environment is a stress, and hotels are definitely not home. If you have a special pillow or blanket, you might want to bring it. Smelling home when your head hits the pillow may balance out the strange noises outside the door (and at a convention, the noises can be really strange). Have a white noise generator at home, bring it. For me, a heavy blanket really helps. The hotel ones just have the wrong weight. Skin pressure is a primary sensory input for me.

Make Decisions in Advance – This reduces mental stress. Each decision adds to the mental weight, so pop them out of the way before the function. Yeah, it is going to mean a lot of advance planning. This works fine for detail-oriented me, but again, you do you.

  1. Make a List – Create a packing list of what you need for a convention (and update it regularly). Things like clothes, an extra landyard for convention badges, snacks, medicines, deodorant.
  2. Clothes – Pick out your day’s clothes and pack them by group. Roll them up as “Friday”, “Saturday” and “Sunday. Include top, bottom, underwear, socks, etc. This way you just pull them out at the beginning of the day. For me, Friday is laid out Thursday night, to save even that decision even through I am still at home. To reduce physical stressors, make sure the clothes are comfortable, shoes broken in, etc.
  3. Bring a Project – Bring something which allows you to escape the stress feeling. This should be decided in advance and packed. Examples include knitting during panels and reading alone to the side. Having the option available might mean you won’t need it at all. Forgive yourself if you don’t get to the project; and also forgive yourself if finish a Dr. Who scarf during panels to escape the stress feeling instead of paying attention to every word the panelists say. Remember this is a coping mechanism – activating if needed or not activating it if not needed are BOTH okay.
  4. Schedule – I arrive with a matrix. Nearly all cons provide panel schedules in advance (subject to change). Print it out. At the top of each day, write down when you need to get up before dealing with people – I need about an hour before I will step outside the room. Write when you will do your meals. Highlight the things you WILL-NOT-MISS (the two or three panels you are attending the convention for), the things that are Nice To Go To (like panels where your friends are speaking), and mark your preferences for everything else (say, there are three panels, just pick the one you might enjoy the most). It usually takes me about two hours to get my matrix made – but I don’t missing my main choices because I’m curled in a ball when I crossed my stress quotient. I already “paid” the decision-making stress-spoons the week before.
  • Spontaneous Times – Those areas of “marked preferences” maybe could be marked “Spontaneous Times”. Times for just hanging out and talking with someone instead of going to a panel. A time to walk the dealer room, go to a meal with friends, etc. Those non-prime choice times are your spontaneous times. It is okay to plan for spontaneity.
  • Forgive Yourself – Sometimes you are going to missing things, even the WILL-NOT-MISS. It’s okay. You have put yourself into the equivalent of a warzone for your brain. Being there is a win in-and-of itself. If you lose a battle with your issues, all your spoons are gone, and your skin is crawling and another person touching you will make you cry, retreat to your room or a quiet area and do whatever ritual will provide healing. For me, it is reading a book. Once the corpsman of my head declares me okay, I return to the war. But I refuse to accept the stress from not meeting everything on a pre-made schedule. Generals say “no battle plan survives engagement with the enemy”. The schedule was this. Change and modify it as needed. The point of it, remember, is to reduce the decision-making stress, not add to your stress.

Avoid Crowds, or at least the feeling of crowds – Yes, you are in the middle of a huge crowded function. But it is possible to avoid the worst of it. Let the extroverts and the “normal-level” introverts walk down the middle of the hall, rubbing elbows.

  1. Arrive Early – If at all possible, arrive at the convention just as it is opening. Get the lay of the land. A huge stressor in crowds is not knowing where things are; getting anchor points in your head – where you want to go, how to get there, let you see the path through the crowd instead of the crowd. Knowing where the bathroom is, where your panels are, where your room is, location of the stairs; all these things mean you don’t have to search the crowd for things, you already know where they are. 
  2. Recon Quiet Areas. Is there a small alcove just beyond the main function area? Are there outside areas where all you will see is the beach or mountains? These are areas you can retreat to later if things get too much, or to take someone for a quiet talk.
  3. No Rush – Most people will stand up as soon as a panel is over and walk quickly out the door to get to the next panel, creating a crush of bodies. You can just sit there until the worst of it is dispersed. I do this on planes all the time; everyone has to leave the plane at some point, and the baggage won’t be regurgitated on the conveyor belt for some time, so I just wait until the line has retreated past the point I am sitting before joining it. Rushing steals stress-spoons and being in crowds doesn’t help. Wait for the room to empty, then join the crowd you can’t avoid out in the hall.
  4. Don’t Stand in Line – This one is particular to my stressors. Asperger has a hard time distinguishing what sounds are important for processing – someone I am talking to directly is being processed in my head at the same level as the conversation on the other side of the room (making me interrupt a lot of conversations with side-comments because I am hearing some part of everything around me; I work hard to control interrupting others, but I know I do it a LOT more than is “socially acceptable”). So I avoid lines. Everyone always talks in them and you have to figure out when to step forward, and pay attention to so many different things. Like rushing to leave a plane or a room, I just sit in my seat and wait for the line to go down. I don’t get the best food at church and office buffets when I wait to get in line until it is only one or two people deep – but I still get plenty of food. For most things, waiting for the line to go down works just fine and I often end up talking to an older person on the side who just can’t stand up for very long. And you can learn the darnest things talking to older folks, plus you can make new friends. Downside, I can’t attend the big media stars at Dragoncon and I am never going to get an autograph picture. It is a price I have to pay to be able to attend the full event and enjoy it; as tradeoffs go, it isn’t bad.
  5. Schedule Your Dealer Room Time – Dealer rooms are setup to feel crowded deliberately. The feeling of fullness give the appearance of an incredible amount of choice; the crowded feeling raises the adrenaline making people more willing to risk money, and therefore spend more. Things feel more exciting so a pretty rock on a stick becomes a must-have wizard wand. A book that would have just caught the corner of your eye as you rushed through, grabs and drags you to the table during the slow progress through the room. Asperger, for me (all spectrum stuff varies between person to person and my triggers are not necessarily someone else’s) means that level of excitement and adrenaline rush normal people feel is reached in the colorful, multi-item room when it is still empty; walking into one during the height of a shopping rush between panels is equivalent to using a Titian Four booster rocket to power a roller coaster ride through Las Vegas. (Note: I can do it as a vendor, from the other side of the table, with limited crowd interaction and nobody at my back. A controlled environment cuts down on the processing requirements.) I shop during panel time, when the amount of people drops. It does mean missing a panel, but the plus side is many merchants are bored and you have time to linger and talk.
  6. Sit in the Best Seat – Choose your seat wisely for panels. For me, having two rows between me and the panelists means the electronic speaker don’t hum with (high pitch) feedback. But if I am more than four or five rows back, I start processing how many people are in the room. Seeing all those people makes me feel crowded. I like to be near the edge of the row, so I feel like I can escape if things get too much. Feeling like you have the ability to escape reduces stress. Or I want to be at the edge of the row against a wall, to reduce the arc of what I need to pay attention to. For some people being against the back wall near a door is essential. For other people, being in the very front row keeps them from seeing all the extra people and helps them read lips – giving their brains additional input on what is being said. Figure out where you can sit to reduce your feeling of “crowded” and “stress”.
  7. Avoid Crowded Functions – Functions which fill the room for me are pretty much a no-go. Opening and closing ceremonies are uncomfortable. I don’t go to the concerts – especially with the electronic feedback created in the poor musical acoustics most con rooms have. The exception is when the concerts are outdoors; removing walls makes things feel bigger. I hover on the outside of the crowd and rock the music.

Additional Hints

  1. Feel useful – Trick your brain into not noticing the crowd. Have something to do. Become friends with a vendor and help them load and unload, maybe sit the table with them. Volunteer at the convention. I find being a panelist is a lot less stressful for me than being a general attendee – yes, talking to a crowd is easier than being in a crowd (I know that is way different from most people, but, like I said, I’m wired differently.) And being a moderator even better than being a panelist; maximizing my prep-work, and minimizes my on-site decisions.
  2. Go with Friends – They can act as your buffer. This can be essential for the first convention. Let them know of your problems; if they are your friends, they might already know.
  3. Let People Know – This one is harder. If your friends don’t know your triggers or coping mechanisms, tell them some. If they are work associates attending a working convention, I know telling them is tough. But if you were traveling, you would let your companions know of food allergies, things that would make you sick – right? This is no different, except that it is. I’m not broke – Asperger is a proper mind-function, just not a normal mind-function. In a world where everyone rides a horse, I have a llama.
  4. Don’t Touch without Warning, but Do Touch – This is for everyone. Hug from the front, giving warning by asking permission. Touch an arm by first, a split second, hovering the hand. Touch for most people is a stressor AND a de-stressor. Humans need touch: long firm hugs, holding hands, someone to lean against at a room party. It’s not knowing the touch is coming and not being able to say “no” when it does that makes it a stressor (especially when already feeling too crowded) rather than a destressor. And remember, the feeling of too crowded can linger for hours or even days after a major stress-spoon occasion – so someone saying “don’t touch me” just might mean, don’t touch me right now – rather than I don’t want you ever touching me. After ConCarolinas, my “Don’t Touch Me” is two days.
  5. Plan to Be Non-Functional After the event – After every convention, I need two week of recovery; Pennsic, a two-week convention, I need two months. My social engagement drops, and those I do attend have virtually no stress-spoons available. Instead of the normal two-to-four hours hanging out, I max at a single hour until I finish my recovery time. Writing dries up, but I read forever. I spent everything I had to be there. I usually get a little depressed, beat myself up because I am not writing and not being my normal not-very-social level but still-a-friend. But this is normal for me, and I have to forgive myself for being normal; this particular coping mechanism is still a work-in-progress.

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About the campaign:
#HoldOnToTheLight is a blog campaign encompassing blog posts by fantasy and science fiction authors around the world in an effort to raise awareness around treatment for depression, suicide prevention, domestic violence intervention, PTSD initiatives, bullying prevention and other mental health-related issues. We believe fandom should be supportive, welcoming and inclusive, in the long tradition of fandom taking care of its own. We encourage readers and fans to seek the help they or their loved ones need without shame or embarrassment.

Please consider donating to or volunteering for organizations dedicated to treatment and prevention such as: American Foundation for Suicide Prevention, Hope for the Warriors (PTSD), National Alliance on Mental Illness (NAMI), Canadian Mental Health Association, MIND (UK), SANE (UK), BeyondBlue (Australia), To Write Love On Her Arms (TWLOHA) and the National Suicide Prevention Hotline.

To find out more about #HoldOnToTheLight, find a list of participating authors and blog posts, or reach a media contact, go to http://www.HoldOnToTheLight.com and join us on Facebook https://www.facebook.com/WeHoldOnToTheLight

Writing Exercises: Book Blurbs

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Ready to talk blurbs?

Because stringing together 40 thousand, 70 thousand, or even 100 thousand words is not enough. Nooooo. Now you must condense your story to a marketing hook of 600 words or less.

And I am not talking your elevator pitch to sell to a publisher, though this is related. If you choose to self-publish, you will need to create a book blurb. Since you are acting as your own publisher, you need to do the marketing too.

The first interaction of your book with a potential reader is the cover. People really do judge a book by its cover, and you can find out more about this under my blog on Cover Art here.

Now that the reader has either picked up your physical book or clicked on the thumbprint, they are going to look at the blurb. Congratulations, you have reach stage two of the marketing interaction with your potential paycheck.

I know, “paycheck” sounds crass – but that is what this is about. Getting paid for the hundreds of hours of work you have done on spec. Call them client, customer, reader, consumer – at the end of the day, they are the food on your table and the roof over your head. Otherwise you will be working for “exposure” – the frostbite in the winter and the sunburn during the summer when you don’t have a roof over your head.

Now to grab that walking meal ticket with the “blurb”. One to three paragraphs telling people how your manuscript is like everything they like to read, and then one hook telling them how it is different.

Here are some example blurbs I wrote based on books I have read.

“For Emily, the Zombie apocalypse was just the beginning of her problems. Then Death came to collect her, but lost his horse on the way. Now both of them are walking back to find the afterlife through a zombie America. Road trip anyone?” (Things to like – main character is female, Zombies, Death with a touch of humor, urban fantasy. Hook – follow the journey.) The Company of Death by Elisa Hansen

“New writer Sam Worth’s debut YA novel marries her well-know fanfic style with an original world of her own creation. Discover a world where everyone has powers, but none of them are the same. Getting the book report in on time gets complicated when abilities start manifesting.” (Things to like – new author to discover, YA, someone you might know if you like fanfic. Hook – being in school when powers come out.) Book will be unpublished; the author has decided she isn’t ready yet.

“In the manner of Douglas Adams, The Last Volunteer is comedic science fiction at its best. Bip is volun-told to warn the world about The Massive Ball of Death. Crossing the Plains of Forever Cold, the Oceans of Large Monsters, and infiltrating the Country of the Mad Emperor is far more than a simple stroll in the park, and Bip has an aversion to exercise.” (Things to like – comedic sci-fi genre; Hook – main character is lazy?)  The Last Volunteer by Steve Wetherell

“A cross between the Hunger Games and the X-Men, Storm Forged is a YA superhero story in a dystonian world.” (Things to like – Similar to things I already like, superhero and YA. Hook – none stated, bad publisher. See the full blurb. It does have a hook, but buried three sentences from the end.) Storm Forged by Patrick Dugan

When writing blurbs you can focus on you as a writer, your style, your genre, the plot, or who it might appeal to.

Once you have a couple of blurbs that you think work, test market them. Does it appeal to members of your target audience? Does it appeal to a broader audience? If you are fifty-something and writing YA, you need to verify the blurb appeals to both the YA readers and the YA buyers – ie, the teenage readers and the parent buyers.

Blurb writing is like cover art – they are both specialized and stylized versions of their creative parents. People may be good at writing and need someone else to write their blurb, just like an watercolor artist might be better off paying for art from a superhero illustrator when writing a supervillian romance.

WRITING EXERCISE: Take you present WIP and write two blurbs for it with different focuses – one concentrating on selling it through genre or a comparison to other products out there and the other focusing more on the manuscript. Show to five people and see which one appeals more. Ask them why – but don’t argue. LISTEN. This is about selling to people you might never meet.

READING EXERCISE: Explore blurbs. Choose three genres and crawl through your favorite bookseller online or in a brick-and-mortar. Pick up three books of each genre – try to have them from different publishers as a publisher will often have one or two blurb specialists. What things do the books focus on with their blurbs? (the writer, the genre, like products, the plot, etc) On a four point scale, how much does the blurb sell you the book (do not take into account the cover) – 1 – no interest/not going to buy; 2 – might buy if had more money, time, and a smaller to-be-read pile; 3 – going to save up money and come back, someday; 4 – buying, going to walk out of the store with this book.

BONUS EXERCISE: After reading a book, write a blurb for it without looking at the original sales blurb. Now compare. How is your focus differ from the original? How do you think it changes the sales approach? (Extra – you can post that blurb you just wrote as a review!)

Editing Rant: Belief Coins

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Have I talked about Belief Coins before? I don’t remember – but let’s talk about it again since clearly some people aren’t getting the message.

Too many suspension of beliefs ruins a story. A writer gets only so many coins to play for suspension of belief.

Depending on the “store” you are shopping in, some of the suspension of beliefs are on discount. For example, in the romance genre you can have love-at-first-sight (Insta love), not needing to go into work, and easy adjustments over class divides. Science fiction offers faster-than-light travel and gun battles on space stations. Thrillers allow for traveling across the globe without problems with passports, inner city traffic rush hour can be easily bypassed on side roads, and people can go without sleep or food for days (they may sit down to eat, but it is always, always interrupted). Cozy mystery, the main character can interfere with police investigations without getting arrested. Erotica gets to getting it on quickly and friends support a sexual situation without questions. 

But those Belief Coins have to be earned for the breaks with reality. Everything else needs to work without a suspension of belief. A romance where the characters go without eating? A science fiction where friends support a Insta-love sexual situation without questions? A thriller with gun fights in the middle of rush hour and the police don’t respond? A cozy mystery where a space alien is the killer? You darn well better give the reason these things are happening. Yes, you can explain them, but you don’t get to wave a magic wand and make them disappear. If you have read romances, you know how many times a sex scene ends with – “you hungry?” (and a stomach growls).

Know the tropes of your genre – these are the discounted Belief Coins. When I sit down to a werewolf romance, I expect InstaLove of true mates when they scent each other. I don’t expect an Earth vampire to end up operating a spacecraft in the middle of an alien-attacks science fiction story.

A recent erotica I read had the follow items needed for Belief Coins: two men love the same women and don’t have a problem with each other (discount coin); insta-sex (discount coin); rich men relationship with poorer women no problem for any of the parties (discount coin). Three coins is a lot, but doable, especially with the erotica branch of romances.

Things that broke the bank: (1) inter-racial. Normally this is okay since the cover advertised it. But the racial factors were ignored entirely – the two (very rich) men going after a black woman, never mentioned her color except once. Her skin color made no impact on the story. The genre of inter-racial romance still requires some sort of acknowledgement of overcoming – even the erotica version. Fetishizing the difference is one branch in the erotica tree; another branch is just acknowledging people of all colors can love each other. But in either case, it is integral to a inter-racial romance. (2) rich level. The men drop $2 million dollars without blinking. While their jobs of hotel architecture rakes in some money, it doesn’t do it at that level. Owning the hotels, sure, but not the working folk making them – even the white collar jobs.

And that last one is what really broke the bank. Their job did not match their wealth levels. Both of the men had “come from normal beginnings” and just got lucky with their jobs – by their mid-twenties. Nope – thrown out of the story. If one had come from money, okay, but not normal guys still working their way up in the world.

(Fact Check: Just looked up the window of salaries for architects – about $50,000 to $150,000 per year in 2019 with the average about $90,000. To drop $2 million without blinking, I’m thinking a person needs to have at least $50 million in the bank. Or an income of around $20 million a year.)

Even eroticas need a foot in reality. Even wizards, aliens, vampires, super spies, viking kings, and dragons need to be real in some manner.

Spend those coins wisely.