Geeking Science: Bystander Effect

I’ve set up a lot of tents in my day. Nearly all in existence take more than one person for the poles. I’ll like to think I would have popped up quickly and helped, but in the video people had also been assigned a task and I always attempt to complete my personal tasks before helping others. I mean, they assigned me a task for a reason.

One of my science loves is sociology, how groups of people interact. Knowing about the bystander effect gives a person the ability to avoid it within themselves and work around it in other circumstances.

CPR classes teaches the participants to point to individual bystanders in an emergency and give them tasks; untrained people don’t know how they can help but when asked to do a simple task, will jump on it.

WRITING EXERCISE: Have something happen with a large group of people present, it doesn’t need to be an emergency. Choose one person from the group; how long does it take for the person to stop being a bystander and what is the tipping point?

***

Inheritance

Everyone was home for Thanksgiving. Grandma making deliciousness in the kitchen with mom, my two sisters, and a cousin who worked in a restaurant relegated to making the gravy. Dad and the rest of the gang snacked, watching the game after the quick touch football game in the backyard ended up being a leaf fight. Twenty-three people in all, fifteen staying overnight, made a very crowded house.

Perfect.

I love my family.

Even Zelda’s two rescue greyhounds which she refuses to board. To grandma pets are family too, so Oil Slick and Leaping Lance shared floor space with the crawler and the two toddlers while grandma’s Princess and Sir Claws-a-lot, Santa for short, laid across the back of the sofa to avoid the tail pullers. Frozen Kitty wasn’t a fan of large groups and hid back in the guest room with Evan, helping the boy read the most recent Lunar book.

I had stolen a chair from the two tables set up yesterday and stuck it between the sofa and recliner to watch the game. My boyfriend leaned on the back. I mean, not my boyfriend, we are roomies, not romantic. He is a friend, who is a boy, and had no one to eat thanksgiving dinner with since his family lives in Florida. When I told grandma, well, you can guess what she said. We both are on the biology track, working towards pre-med research, and the apartment is right next to the Nibset Lab. God, I don’t know how many times I repeated that explanation this weekend. It’s still better than him staying at the apartment staring at the empty walls for the four-day break. Yes, we have pictures, we just haven’t put in the nails between TA, lab work, and classes, so they lean on the walls at floor level where we plan to put them up. Maybe next year.

So Malik bent down a bit to whisper in my ear, “When dinner?” like six million dozen deviled eggs, a vegetable platter, and four types of chips weren’t on the coffee table in front of us.

“Four.”

“Okay.” He stood straight a moment and then leaned back down. “Anything I can do?” tickled my ear.

Not a fan of football I guess. Actually, I know. Basketball he could tolerate, but any other sport bored the crap out of him. For me I watch football one day a year, well, three – Thanksgiving, New Year’s, and the Superbowl – because of school. I played until high school, when the boys got too big for me to tackle. I still miss being a defensive end.

I turned my head to the side to whisper back at him, lips skimming across his shaved cheek. “Do you want to brave the kitchen?” 

He snorted, pulling his head back a little to speak against my neck. “How about set the table?”

“Hm. Aunt Judith usually does that.”

“Which one is Aunt Judith?” 

I really couldn’t say why we were whispering, between the game and the shenanigans the noise approached hazardous levels. But for this answer, my voice became even quieter. “She died of cancer in the spring.”

“Oh.”

Two plays and one commercial break later, the heat from Malik’s body shifted when he leaned down again. “It’s three. Shouldn’t we … I mean, the table needs setting.”

I looked around the room. I saw Dad and Uncle Derek and a couple other adults glance toward the bare tables, quickly bringing their eyes back to the game. The children tumbled and crawled over everything, unknowing and uncaring.

Aunt Judith would normally be putting the finishing touches on the center pieces just about now.

“Yeah.” I stood up and inherited an annual Thanksgiving task.

(words 621, first published 2/20/2018)

Other Cool Blogs: Writer Unboxed Feb 1, 2017

Image courtesy of FreeDigitalPhotos.net

A common recommendation to writers is to read outside their genre. Why? Exposure to other techniques which can enhance writing. Last year I shared a Horror blog revealing the secrets of monsters which easily has application in any genre forms with antagonists like Urban Fantasy or Thriller.

Writer Unboxed guest columnist Donald Maass (of the Donald Maass Literary Agency) wrote how to add A Touch of Romance to any genre. This is not a how-to write romance, but how to add a breath of love to a science-fiction or mystery. Whether the love is unrequited or triangle, young or old, new or mature, main character or secondary, romantic relationships add a level of realism to a story. Writers can exploit the emotional tool to raise the stakes or reduce the tension.

The list of question are perfect. Here are a few:

“Who in your story is single? Who wants love? Who can begin to love that character?”

See the whole list here: http://writerunboxed.com/2017/02/01/a-touch-of-romance/#more-46578. Remember to read the comments – Vaughn Roycroft is especially illuminating.

WRITING EXERCISE: From your stable of characters (either your present work-in-progress or previous flashes and shorts), pick a character not in a relationship and not looking for one. Create a flash where s/he has an encounter where a romance could develop if they choose to pursue the matter. Keep the original genre’s feel unless it is romance then change it up to strongly be one of the story’s subgenres. The point of the exercise is adding a touch of romance to a non-romance.

If you normally write romance, add a touch of horror to your romance instead. For a character who has the world on a string, create a flash with an encounter which adds a bit of scare.

Writing Exercise: Mealtime

Image courtesy of marin at FreeDigitalPhotos.net

Lots of my stories revolve around food and mealtimes for a reason. Aside from sleeping, the majority of humanity’s time is spent dealing with caloric intake – preparing food, eating food, cleaning up from food. You may say, what about working? So on the job, the worker starts with his morning coffee, then has a mid-morning snack, followed by the lunch conversation (eat out, order in?) and then lunch, maybe an afternoon snack, and finally thinking about preparing dinner (what is in the house, is a grocery store run needed, or will take out do). And the reason why people work: (1) roof over the head and (2) food on the table. Instead of spending all day out in the field growing food, industrialized people now spend all days in a building making or selling stuff to get money to buy food. Food = survival. I think I can say humanity (as a whole) spends about half to three-quarters of its waking hours devoted to it.

Everyone has a different relationship with food. A different favorite food, a different favorite meal, meals cooked by certain people, food eaten for certain holidays, comfort food, power food, … the list goes on.

Food can even drive a narrative or provide information through show instead of tell.

In the flash “No More Cheeseburgers“, the mom, Heather, uses cheeseburgers as a metaphor for planetary loss providing Gilbert a means to grasp the inconceivable and act.

In the final chapter of Honestly, the following paragraph on food shows the comprises people make becoming a couple.

A big pot of Vietnamese beef pho simmered on the stove. Unlimited pizza for lunch and a home-cooked dinner was the payment offered for help moving. She stirred the noodle dish. She <Kassandra> was tempted to add a little more cilantro and fresh basil, but Troy was cooking. They had reached a truce for meal preparation, he didn’t mess with her chili and barbeque and she didn’t mess with his pho and xoi. Salads and hamburgers were fair game.

In neither case did I consciously plan food to provide an underpinning to the plot, but food is a part of life.

WRITING EXERCISE: What is your present main character’s (MC) favorite food? What is his/her favorite meal? What is the go-to comfort food? Why?

Create a short scene where the MC is either preparing or eating food. What do you learn about the MC from the scene?

READING EXERCISE: In your present read-in-progress find three examples of food being planned, consumed, or cleaned up. How does the food scenes advance the plot, provide character development, or reveal a back story?

Other Cool Blogs: Pop Culture Detective May 29, 2017

After watching Doctor Strange, I felt strangely let down. At first the character development and plot were strong, but about half-way through they were thrust aside for wiz-bang magic battles. So I rattled the change in my pocket and bought a ticket to see Fantastic Beasts and Where to Find Them which had all the wiz-bang magic battles and special effect, plus never letting up on characters and plot. I found the hero more engaging and sexy than the aloof, arrogant Dr. Strange.

A vlogger breaks down why Fantastic Beast is amazing; why heroes do not have to be bullies. Even as adults, the American culture still worships the high school popular jocks and pushes aside heroes who care for others, who stand up and say “no” quietly. Who Will Not Be Moved. Who offer a gentle caress instead of a fist. The police officer who helps a boy find his way home is as much as a hero as a police officer who shoots at a hostage holding bank robber.

We forget this truth too often.

WRITING EXERCISE: Review your various short stories and characters. Do you have any quiet heroes or heroines? Do you like them more or less than your superpower, warrior heroes? Are the only strong, quiet types old people offering sage wisdom? Are they all female or are some of them male? Once your review is complete, take a character from your present WIP and put them in a situation where they are a quiet hero. Write a flash of 500-1,500 words. How difficult was the flash to write?

READING EXERCISE: Find a children’s book where the hero (this one should be masculine) does not use direct opposing force to “win the day”. If you have children of a particular age you read for or recommend books for, the children’s, middle grade, or YA book should be age appropriate for the minor. How many books did you have to go through? 

Other Cool Blogs: Magical Words May 13, 2014

Image courtesy of Sira Anamwong at FreeDigitalPhotos.net

Characters Who Matter

Found it! I remember this post – it has hung on the edges of my mind as a MUST for writing since the first time I read it. Now I have it again, and I am not letting go (mwahahaha).

But I will share.

Darynda Jones. Magical Words May 13, 2014. How I Make My Characters Unforgettable.

A lot of people talk about characters needing likability. More importantly, reader need to connect to the character before anything happens to make them disconnect. Disconnect too soon and they won’t read. Don’t have a disconnect and the narrative becomes boring instead of tension driven; readers do not want Mary Sue, a perfect person.

What Ms. Jones defines is how to get that connection and how soon.

<A writer> must create empathy BEFORE introducing any negative flaws in <the> character, anything that will distance us from the reader.

There are five ways to create empathy: (Need to use AT LEAST two of these.)

          Sympathy
          Jeopardy
          Likability
          Power
          Humor

Read the full post here: http://www.magicalwords.net/specialgueststars/darynda-jones-how-i-make-my-characters-unfogettable/