Geeking Science: Advertising

We Sell It – You Buy It

Advertising is a big business – forget multi-million or even multi-billion. If you are in business, you advertise by word-of-mouth, by business card, by video, by social media, – every means humans take in information to their brains is tapped. It is studied by scientists and con men alike, by people selling you breakfast cereals to the person asking you for a date.

And the Sell factor goes way beyond the simple advertising of putting the word on the street. The Sell encompasses a wide range of tactics including market studies, public relations, customer support, and media planning. Marketing – the creating and sustaining of a Market for the product is every business.

Writers are in business and not only have to sell their product through advertising, but market themselves. I market me, “Erin Penn”, through the website (erinpenn.com), through a blog (erinpenn.blogspot.com), through my Facebook page (https://www.facebook.com/ErinPennBooks/), by going to conventions (events) and attending a writer’s group, by talking to people and helping people get their writing started with advice and connections, by learning editing, and dozens of other ways so people not only know about my books but also about me and my reputation.

One of the easiest ways to connect to people is making the advertising fun. Look at the back of all the children cereal boxes, each has a game reiterating the name and logos of the cereal over and over again – this over and above the toy inside. Fast food puts in play areas and offer fun packages for children, setting up long-term associations with happy times and their food in people’s minds. Beer companies host parties and support sports.

And the military has found the movies. It’s fictional depiction of the perfect propaganda recruiting tool.

If you have read my book (Honestly), you find I both support the military with all my heart but do not turn my eye away from the dangers. The injuries, both physical and mental, sustained by the Troy Nguyen were inspired by like issues from friends who have served, including the loss of leg. I don’t do platitudes of “Thank you for serving”; I sit beside my friends during the Fourth of July and hold their hands while fireworks light the sky and deafen the present they are in with the noise of bombs exploding in their past. I believe in the military and support it; I also know the cost of freedom must be paid with every generation and I will not cheapen it by glossing over the cost. You will find characters from the military appearing again and again in my flashes and published works. And, I promise, they will always be human – good, bad, hero or villain – at the end of the day, they are human.

That being said, and remembering this is a Geeking Science Post, one of the ways the military tapped into the science of marketing and advertising last year is Wicked Cool. This cross-branding method is up there with the Heroes television show-comics-mobile-app-social-media mix. Goosebumps covered my arms when I first watched this video from the Pop Culture Detective. Science is Wicked Cool and this Geek’ed me out!

The ending is something every writer should inscribe in their minds, for this is a tremendous power and responsibility.

Fiction can be a very powerful and very effective way to influence people’s actions and attitudes.” – Jonathan McIntosh, Sept. 28, 2016 (Pop Culture Detective: Military Recruitment and Science Fiction Movies)

 

Book Review: How to Write Magical Words

Book Cover for How to Write Magical Words

Book Cover from Amazon

BOOK BLURB ON AMAZON

How to Write Magical Words: a Writer’s Companion is a non-fictional collection of writing advice from the Magical Words blog participants.

A compilation of essays originally published on MagicalWords.net, a popular writing blog with thousands of regular followers. Distilling three years worth of helpful advice into a single, portable volume, it contains nearly 100 essays covering such wide-ranging topics as:

– Getting Started . . . Again
– Creating Characters in Small Spaces
– Storytelling Tropes: Belief
– Binding Character and Narrative: Point of View
– Word Choice and Pacing
– Metaphors, Similes, and Analogies, Oh My . . .
– Writing Action Scenes
– The Beginning of the End
– Developing Your Internal Editor
– Artistic Choices and the Market
– Business Realities for the Writer

Many of these essays are accompanied by comments and questions from the blog’s readers, along with the author’s response, making this volume unique among how-to books on any subject.

The core members of Magical Words — David B. Coe, A.J. Hartley, Faith Hunter, Stuart Jaffe, Misty Massey, C.E. Murphy, and Edmund R. Schubert — have experience writing and editing fantasy, mysteries, thrillers, romance, science fiction, non-fiction, and more. This group is uniquely qualified to cover the full spectrum of writing-related issues. How To Write Magical Words: A Writer’s Companion is a book that belongs in the library of anyone interested in the craft of writing, the business of writing, and the writing life.

 

MY REVIEW

How to Write Magical Words is a very good how-to writers book. But face it, there are dozen such books out there.

But not from seven different authors, each giving what works and doesn’t work for them. A tool that might work for one might not work for you – but with seven different people throwing out examples and hints, at least one set of tools will fit your needs. Faith’s metaphoric examples, David’s technical knowledge, Misty’s beginner’s enthusiasm and doubt, Edmund’s editor’s perspective … each author brings something unique to the table.

The best part for me was the Self-Editing section. As someone interested in self-publishing and not yet able to pay an editor – this is the true gem of the book. Describing crutches, and the difference between revising and copyediting, and how to revise dialogue. All gems. “BIC and Rewrite Tips” is something I am going to read through every time I complete a flirt from now on. In fact this book as a whole just became a must-read after completing each of my books and before I post it to Amazon.

(BIC means “butt in chair”)

The only issue is book covers the first 3 years of the MagicalWords.net blog – 2008 to 2011, and the section on “Business” is getting a little long in the tooth. Vanity press and POD is covered, but not the true self-publishing now available. For that you need to monitor the magicalwords.net blog and attend sci-fi/fantasy writer’s conventions such as ConCarolinas and DragonCon. The business has changed so much in the past three years and will continue to change dramatically for the near (and maybe far) future. 

(Review originally written on June 24, 2013)

Blog: The Genders of Urban Fantasy

Bonus blog today. I figured since I waxed poetic, or at least ranted and pooled information from a lot of other bloggers and websites, about the uneven treatment of genders within genre, I should touch base on Urban Fantasy. This fantasy sub-genre focuses on fantastical activity (werewolves, psionists, vampires, elves, spellcasters, etc.) in a contemporary setting, usually in a big city like New York. Some sub-sub-genres include Historical Urban Fantasy (Thieftaker Chronicles series by D. B. Jackson starring a wizard set in revolutionary Boston) and Suburban Fantasy (Witch Way to the Mall(an anthology) edited by Esther Friesner). Closely related to Urban Fantasy is Near-Future Sci-Fi, where a story is set in nearly modern times but the fantastical elements have a scientific bent.

I love Urban Fantasy, but have found it to be very gender-divisive. While some series are “generic”, for example the Dresden Files series by Jim Butcher and Deadly Curiosities series by Gail Z. Martin, most are either clearly “female” or “male” sub-genres. The female subgenre has romance (or at least heavy sex), usually with two love interests, the woman kicks-ass, rarely needs help, and has magical powers of her own. Nearly all males of the story are defined by their relation to the main character, often portrayed sexy but needing the woman through some mystical link. (An example would be theAnita Blake series by Laurell K. Hamilton.) The male version usually has one female love interest, but the true love is guns and explosives. The stories have lots of violence. The lead character is larger than life, but came from “every-man” beginnings like accounting before magic intrudes on his life. All women are defined in their relationship to the main character, and the first description is not about personal competence but what they look like…how sexy they are. (An example would be the Deacon Chalk Bounty Hunter series by James R, Tuck.)

Both versions have a lot of wish-fulfillment, feature loners, and are unrepentantly sexist. The male version read like old westerns or spy novels and the female versions read like supped-up bodice rippers and, again, traditional spy novels. And everything about them is a guilty pleasure.

Sometimes the authors take the sexism too far. When none of the women in the Male Urban Fantasy have agency (the ability to act on their own) and all exist as sex objects, and the story is basically glorified gun porn, plus the Alpha Male walks over everyone in the story because his mission/opinion is the only one that matters, nothing about the story is likable or identifiable. In the female version of bad Urban Fantasy, when all of the men are weak and let the female treat them like crap, the story is basically self-empowerment of one female who belittles or demeans even her female friends, and magic solves all issues, again the story becomes unreadable.

Am I going to stop reading “female” version Urban Fantasy? Not likely, but then I will also continue to read the “male” version and the “generic” version as well. I enjoy the strong agency of the females in Female Urban Fantasy and the exceptional fight scenes in the Male Urban Fantasy…and the cool magic all around. I do wish more authors could find a way to create a powerful main character without belittling the opposite sex – Ms. Martin and Mr. Butcher in their “generic” versions prove it can be done.

Any comments or thoughts on Urban Fantasy by gender split? Have you noticed the difference? Does it bother you on an emotional or intellectual level? If only one, why do you think it appeals to your emotions/intellect but bothers your emotions/intellect?

Urban Fantasy Heroines cover art breakdown

Image acquired from OrbitBooks – Link to original here