Writing Exercise: Sharpen the Beginning

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Sharpen the beginning.

So the problem with editing, I’ve been told, is over time you start having problems reading for enjoyment. Today was my first powerful example. Reading a (free) book from Kindle. The first three sentences are:

The great beast slid through tall, dead grass. The wind had led him here. It wanted to show him something.

And in my head is my inner-editor screams “a major editor of anthologies told me he often doesn’t make it past the first sentence.” Where did the first question begin – not, “what is the great beast” but “what did the wind want to show him.” That was the hook to encourage a reader to read the next sentence – and it is the third sentence. For the anthology editor and others, this manuscript has already been tossed aside.

So remember, make the first question which draws the person to the next sentence be immediate. Or at least make the first sentence interesting. Do you want your work tossed aside after just a sentence is read? An anthology editor has 14 slots and gets 400 submissions; s/he doesn’t have time to read everything to the end.

WRITING EXERCISE: How would you change these first three sentences to bring more punch?

My example:

Sliding through the dead grass, the great beast followed the wind. It wanted to show him something.

What is yours?

An alternative challenge is take your present work in progress and rewrite the first sentence or paragraph so the reader has an immediate question to answer – Who is this person, what are they doing, what are they running from, etc.

Other Cool Blogs: Privilege

Magic the Gathering Cards

MagicCards From Ebay

Many people recently have been talking about Privilege. I ran into two very good examples which helped me grasped the topic better.

One in visual form, “What is Privilege?” , a YouTube video available here: https://www.youtube.com/watch?v=hD5f8GuNuGQ

And the other a blog by Liana Brooks, which she basically broke it down into gamer card game rules like Magic the Gathering, Pokemon, or Munchkin: http://www.lianabrooks.com/playing-the-privilege-game/.

And if you have spent anytime on the Internet, you likely have run into this example of how to teach privilege in a classroom setting: http://www.buzzfeed.com/nathanwpyle/this-teacher-taught-his-class-a-powerful-lesson-about-privil#.bkJvG22VK.

I think what I liked most about Ms. Brooks example is it meets the last instruction of the classroom setting – to use your privileges to achieve all you are capable of while still advocating for those behind you. The challenge, of course, is doing it in a constructive manner.

WRITING & READING EXERCISE
I often leave writer and reader exercises. Today I have a different challenge. 

First, write down your privilege cards. For example: Internet Access, Ability to Read, etc. Use the above links to get a feel for them. Maybe include bonuses you have worked on (read above middle school level). Then sometime this upcoming weekend consciously use one of your privilege cards (as described by Ms. Brooks here)  to help someone whose deck is stacked against them in a situation. (Basically a “one good deed” challenge on steroids.)

ACTUAL WRITING EXERCISE
Take you present work-in-progress main character and create a list of the character’s privilege and bonus cards. Then create a situation where his/her privileges would make them fail to win the “hand” (situation) being played.
… If you are unable to do so, you character may be too powerful. Just something to think about. You may need to switch genres to get this to work – for example your character is a superhero, but you put them in a urban noir situation.

Writing Exercise: POV

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POV Study
WRITING EXERCISE: Write a scene of 100 words or less. Write is again from a different POV – change to first, second, third person, change the third person, change from close third to omniscient. Whatever floats your boat.

*****

Adam in the Boat 1

Spinning between eddies, the boat never gained the shore despite Adam paddling over the side with his one good hand. The fight, then the storm, had left him bruised, battered, and barely capable of movement. Daylight was approaching, bringing promise of more sunburn and dehydration, with a slim chance of discovery on the abandoned winter beach. Adam will die in that boat if nothing changes. (words 65)

*****

Adam in the Boat 2

Grimacing against the pain of broken ribs, Adam rebraced against the side of the shattered boat. He dangled one arm down in the cold sea water, using his last strength to push against the eddy current keeping him achingly close and forever far away from the twilight shadowed beach. If his other arm worked, he would swim for shore, but the grisly compound fracture made his arm only useful as a maggot breeding ground. Two days he had watched the abandoned winter shoreline tease with promise of solid land, skin blistering under the sun, lips bleeding through the salt-crust under moonlight. He had started losing time. Time his enemies were using to get away. He dared not go unconscious again. He would not wake up. (words 125)

*****

My choice change – omniscient to close third

(first published 2/5/2015; republished in new blog format 4/19/2016)

Editing Rant: Distances

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Distances.

Please for the love of goodness know where things are located and how long it will take you to get there with various transportation methods. Normally my rant of this type is about medieval or regency romance type settings in England where a distance can vary from one hour to several days … by horse – to the same location in the same story – when the map says 20 miles on smooth roads originally installed by the Romans.

Today edit is a British author writing about America (rather than the other way around). Atlantic Ocean to Chicago by horseback is NOT five days. Horseback is not that much faster than walking when going through forested areas. And doing it while dodging zombies … well, let’s just say more like five weeks than five days.

Maps are your friends – USE THEM!

Please.

WRITING/READING EXERCISE: If your present work-in-progress or you present read is set in the real world, review distances for things.

Humans walk about 3 miles an hour, 4 miles an hour is a brisk walk and not sustainable over distance (except for infantry on a forced march). Horses go about 4 miles an hour steadily. And travel for both is usually limited to daylight hours – summer has much longer travel time than winter. Caravan and large groups need to start and end the day sooner than a couple of lone travelers. Bikes go 10 to 15 mph, and cars, when they first came out went the ridiculous speed of 20 miles per hour – equal to an easy day’s walk in an hour! (Scientist were worried about our ability to breath at those speeds.)

Writing Exercise: Switch Out Words

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Use Better Words

WRITING EXERCISE: Write a generic scene – no more than 100 words. Then go through and change or add one or two words (no more than that) per sentence to make it better. Then try again, using the same generic start for a totally different genre or feel.

*****

After walking into the bar, a guy sits on a stool. He signals the bartender for a boilermaker. Beer and whiskey appear, and his money gets whisked away. The bartender returns to the girl he was flirting with. The guy knocks back the shot, then walks over to the couple holding his beer. (words 53)

*****

After sauntering into the bar, a guy hops on a stool. Smiling, he signals the bartender for a boilermaker. Beer and whiskey appear, and his meager cash gets whisked away. The cute bartender returns to the girl she was flirting with. The guy knocks back some courage, then walks over to the couple holding his beer.

*****

After walking into the darken bar, a guy mounts a stool. Furtively he signals the bartender for a boilermaker. Beer and whisky appear, and his money disappears. The bartender returns to the working girl he was flirting with. The guy knocks back the shot, then slips closer to the couple swirling his beer.

(first published 1/31/2015; republished new blog format 3/22/2016)