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Writing Exercise: Just How Naked Are They

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The matching question to the white-box syndrome for scene dressing is “Just how naked are they?” for not dressing your characters. I ran across the following question in the Novel November forums this year:

Clothing Question: I’ve recently come to realize that I never describe any characters’ outfits in my writing – I think as an affect of my old effort to not find myself with the My Immortal old fanfic style of going into far too much unnecessary detail on clothes. But now I never mention it at all, so – when do you describe clothes? How do you know which scenes should have it?

For today’s Writing Exercise, we are going to dress a character, but not by describing what they are wearing like an infodump character description, but dropping the information as part of a scene. The full assignment is below in the normal area. Here is my response (mostly- I did add stuff for y’all):

Genre really drives this. How important are the clothes to the storytelling style?

  1. Romance, very much so: part of the fun is dressing up the characters, especially for balls and special events. Barbie doll time!
  2. Science Fiction, pretty often: special environments on distant worlds may require unique clothing solutions (like the Fermin suits of Dune).
  3. Fantasy, sometimes: For example, riding clothing for special animals – heat resistant for riding dragons. Or the shawls of the Wheel of Time indicating status. Nearly always a wizard’s outfit is described; similarly, a fighter’s weapons and what areas are protected by armor.
  4. Mystery, bits and hints: clues are given by what people are wearing, or the damage done to the clothes. “The left cuff had signs of wear where the right cuff did not, indicating they were left-handed. The stabs were clearly from a right-handed person, so the husband did not do it. But since the majority of people are right-handed, this did not narrow the field far. It only removed the most likely suspect.”
  5. Horror: Most of the time the clothes get described as the gore is splashed on it.
  6. Thriller: A great example is 24 (a television show of a season in 24 hours) – what happens when the character doesn’t have time to change clothes, what happens to their clothes during the action-adventure. The damage to the clothes reflects the physical and mental trauma of the character.

Basically clothes reflect the story, the storytelling, and give information about the character.

That being said, story length can impact the clothing description as much as the genre. For short stories, especially flashes, there is no room for clothing unless it is integral to the story (hence, my stories rarely have clothing description). At the other end of the spectrum, epic fantasy tomes pushing two hundred thousand words each (including appendixes) have all the room in the world and each character’s clothing is described in detail.

A final consideration is tropes which can also be fun: inappropriate clothes for activity; overdressed; climate teleport (winter to summer or summer to winter – a favorite of portal fantasies); clothes as a reward; arsenal attire (weapons are incorporated into the clothing rather than just hidden by the clothing); the doomed disguise; cloned clothing (two characters with the same clothing mistaken for each other); stuck in pajamas; grandma’s gift is * magical * (a cursed or blessed family heirloom received without explanation); the list goes on…

Other people also responded with good suggestions:

  1. “When I describe clothing while introducing a character, it’s more a style or vibe, than a list of clothing.” (An example would be: “The new guy wore black like no other color existed in the world.” Or “For lack of a better description, the teen dressed like a goth dunked in a rainbow. And her personality matched.”)
  2. Using clothes descriptions as characterization is a great idea! I can see it helping me think of when and where to describe it, as I’d be looking for character and plot building details rather than ‘oh i should probably say they aren’t naked’
  3. In one case, a person describe about their POV character reacting to other people’s clothing: My judgmental POV character has tons of thoughts about what people are wearing. The descriptions aren’t excessive, just quick descriptions like “argyle sweater”, “grey fedora”, or “floppy blue hat” alongside the snarky thought. (a lot more description cut out) tl;dr: Clothes are great, describe away because they can be used for characterization and plot relevance.

WRITING EXERCISE: Pick a genre and write a scene of about 500 words (does not have to be a complete story like a flash) where the clothing of a character is described but not the typical “They looked themself in the mirror to check their fit.” The clothing description needs to be in the style of the genre.

BONUS WRITING EXERCISE: Choose one of the clothing tropes above and write a flash (500 words or less) around the trope.

READING EXERCISE: In your present read, dissect the most recent chapter for clothing. Does it meet genre expectations? Is there anything there you would call a clothing trope? How does the clothing match the vibe of the story? How does the clothing match the character and helps define them?

My attempt: Long ago, when I was attempting to write Cons of Romance for Novel November, one of my characters was a cosplayer. Her clothing descriptions, while in costume, were involved. Blog: NaNo Day 5, And so it begins (11/5/2015).

Book Review: Strange Fruit

Amazon Cover

Strange Fruit, Volume I: Uncelebrated Narratives from Black History by Joel Christian Gill

BOOK BLURB ON AMAZON

Strange Fruit Volume I is a collection of stories from early African American history that represent the oddity of success in the face of great adversity. Each of the nine illustrated chapters chronicles an uncelebrated African American hero or event. From the adventures of lawman Bass Reeves, to Henry “Box” Brown’s daring escape from slavery.

 

MY REVIEW

Strange Fruit was a poem written by Abel Meeropol and sung by Billie Holiday. One of the cultural memories of Black American History which white America lacks but needs to become aware of.

Ever read a comic book with a bibliography? Strange Fruits is a graphic novel by Joel Christian Gill about nine tales of black folks (researched and pulled from obscurity). Some of them are traditional hero winning the day, but others like Theophilus Thomas, chess master, ends with questions or heartbreak.

White America cuts tales short so winning leaves a high, a success, an accomplishment – no need to seek further justice as the winning was won. Black tales witness the temporary achievements, but leave no doubt that the system hasn’t been completely fixed. The war isn’t over, and may never be over. Battles need to be fought every generation.

Mr. Gill starts with “Henry ‘Box’ Brown” – an upbeat traditional tale, followed by a glimpse of people overcoming with “Harry ‘Bucky’ Lew” and Richard Potter’s Greatest Illusion. The tales then twist and turn, like your gut when faced with the triumph and question of “Theophilus Thompson” and the complete destructive heartbreak of “The Shame” and “The Noyes Academy.” The creator of the graphic novels returns to the triumphs and questions with Marshall Taylor and Spottswood Rice. And finally Bass Reeves, another hero traditional tale, but ends with giving a hint of appropriation. – It’s not enough to outlaw reading and writing, and destroying communities and education systems, Jim Crow and his ilk need to take the few stories saved and make them their own. It’s time to claim the tales back.

A great series of stories shaped together into a single, satisfying narrative.

Art: Embroidery – Biscornu

TIMELINE: September 1, 2025 – October 15, 2025

September 1, 2025 – My local MODERN embroidery guild is working on Biscornu for September and October. It’s a strange eight-sided three-dimensional shape made from two flat embroideries. They are usually used as pin cushions but also can be used from weights and decorations. The guild wants them to be worked on Aida or linen and provided four different cross-stitch patterns – of which I liked none. (I don’t really like the project, but it is small, my first time working a guild project with this group, and the finishing technique does look interesting.)

Onward to an internet search! I finally found a biscornu pattern I liked, mostly. I am going to remove the center work because why do embroidery where the buttons are going to cover the embroidery? It might be needed for strengthening of the fabric; we shall see. Materials and equipment used. A “dull” embroidery needle – these are specifically made for working with Aida cloth so you don’t destroy your fingertips. Since I am working in Aida cloth, I will not need embroidery hoops. I found two squares of Aida in my stash about the right size – finished should be about four inches? One of the Aida is ivory and the other white. I found two matching buttons among my button box that I am willing to sacrifice to the stash-clearing project. The threads are leftovers from cross-stitch and canvas-work kits – threads from unknown sources and dye lots, but standard cotton embroidery floss of six threads twisted; I will be using three-threads on the stitches.

The color choices are going to be very random and the top and bottoms will not match. I did like one of the pattern enhancements on the suggested designs, so I will be incorporating that as well, space permitting. The pattern stitches are cross-stitch and running-stitch; the assembly will include backstitch.

9/1-22/2025 (total time spent 9 hours; 9 overall) 9/1/2025 First picture is the gathering of materials after the internet search and the stash diving to get materials for this learning project. 9/15/2025 Second picture is after three days/nights, total of about four to five hours. Time count is wonky because I have two conventions to attend in two weeks and things blur. 9/22/2025 Third picture is after another three days/nights, and another four to five hours. I’m really enjoying the challenge of choose the right colors with enough leftover thread to finish an area and not run out.

         

9/22-26/2025 (giving up on time tracking) – 9/22/2025 (picture 1) – A closeup of the nearly complete red-side for the biscornu. I needed to add the running stitch to make the difference between the pink thread and the white Aida cloth pop. 9/26/2025 (pictures 2 and 3) – Another three or four days of work. I think it was four, with a meeting. Anyway, I made certain to take a picture of the completed green side. The small checkerboard is the first of two borders. The borders will be mindless, so I am saving them for meetings. As before, I am using leftover thread from other kits, so the pattern gets rather random. It is the same exact patter for the two, I just am using what thread I have available and mostly matches what I am doing.

           

10/1/2026 – Checkerboard border (in black) and backstitch borders (in brown) are now complete. Next is assembly and I am waiting on the guild meeting to walk me through the making of the special shape.

10/16/2025 – Meeting happened. Two flat objects have been converted into a three-dimensional object. Below is the top, bottom, and side picture as well as a video of the object. Note no sound to the video.

           

 

Carlsbad Caverns

Back in May, I took a road trip with my mom so she could visit family members. Since she is unable to sit for long periods of time, we broke up some of the longer legs of the drive with visits to museums. I previously covered the TTU Museum in my blog with its quilt, watercolor, and borderland art exhibits. We also swung by the Roswell International Museum, which is mostly a reading experience. Taking pictures of large chunks of texts only works if you are going to turn some of them into stories (yes, I took some photos there too).

To break up the ten-hour trip back (before stops to eat are counted), we took a small side trip to Carlsbad Caverns since it was at the half-way point. (Well, more like 40-60, but better than a full drive in one day, which mom cannot do anymore.) She stayed above ground, visited the exhibit in the air-conditioned visitor center for the park, and watched a movie about the caves. I went below ground.

And I decided to do it the hard way. Yes, they have an elevator for the 750 foot descent and return. But I felt the need to “earn” the right to see the beautiful caves, despite having an arthritic hip. I came prepared with a cane, camera, and jacket (the caves hover at about 52 degrees F). During the ranger indoctrination of the “NO TOUCHIE!!!” speech (things that takes tens of thousands of years to form cannot handle tens of thousands of people touching them every year), the speaker directed the “please don’t go down the 20 degree, over a mile long path, with switchbacks and uneven footing if you have ANY walking issues” to me, sitting on the bench in the instruction area, and the man beside me with a prothesis for a leg. I don’t know if he did the walk or decided the elevator route; the 20 degree incline could be an issue. I hope he did what he needed to do to best enjoy the caves.

           

The first three pictures describe the descent, shows the opening of the cave system, and the holes just inside the cave opening where the cave sparrows live. The opening walk is covered in bird droppings (as opposed to bat droppings out of at the bat cave entrance).

           

Seven hundred and fifty feet down is a killer on the calves. My legs were shaking after 0.4 miles – only 0.85 miles to go!!! (And then another 1.25 miles for the Big Cave on “level” “ground”.) Most of the descent is ramps; there is one area of steps. The slippery areas where the water is still dripping and forming stalagmites on the floor, also made gripping the handrails harder. And because of the constant switchbacks, the handrails alternated sides, making using the cane challenging as I constantly changed the hand gripping the cane and the hand on the rail.

           

It’s impossible to appreciate just how VAST the caverns are and how big the formations. The first formation in the above picture is larger than my house. Thirty or forty feet high and nearly as wide. Created one drip at a time. The second picture is of soda straws and other stalactites structures. Depending on how much minerals there are and how fast the drip dries, the cave formations vary between smooth to popcorn-texture like that captured in the third above photo. There is one scenic-overlook that lets one view nearly half a mile of the Big Room in one shot.

The mountain is hollow, your brain thinks. How can something so infinite be empty and full at the same time. Again there is no way to capture the feeling or the features of the cave. The dim light challenged my camera. These few pictures are the best ones I took and the one on the right here is from my camera-phone, which I took so I could do a quick post on Facebook when I came out of the cave.

Well, that is it for the cave pictures, but I also got a good group of pictures of desert flowers and planets. Spring time in New Mexico is beautiful both under and above ground. I found the Ocotillo especially colorful.

          

The desert was so green and alive with dozens of different plants.

           

Finally, the architecture of the park administrative buildings fit in well with the landscape and made me want to grab paints. I am not a landscape painter, but for Carlsbad National Park, I might become so.

           

 

Museum Visits

  1. Y is for Yesteryear (4/29/2025)
  2. Museum Visit: Watercolors and Paintings (5/29/2025)
  3. Museum Visit: Borderlands (7/31/2025)
  4. Carlsbad Caverns (10/30/2025)