Editing Rant: Distances

Map Of Brazil Stock Photo

FreeDigitalPhotos.net photo by Gualberto107

Distances.

Please for the love of goodness know where things are located and how long it will take you to get there with various transportation methods. Normally my rant of this type is about medieval or regency romance type settings in England where a distance can vary from one hour to several days … by horse – to the same location in the same story – when the map says 20 miles on smooth roads originally installed by the Romans.

Today edit is a British author writing about America (rather than the other way around). Atlantic Ocean to Chicago by horseback is NOT five days. Horseback is not that much faster than walking when going through forested areas. And doing it while dodging zombies … well, let’s just say more like five weeks than five days.

Maps are your friends – USE THEM!

Please.

WRITING/READING EXERCISE: If your present work-in-progress or you present read is set in the real world, review distances for things.

Humans walk about 3 miles an hour, 4 miles an hour is a brisk walk and not sustainable over distance (except for infantry on a forced march). Horses go about 4 miles an hour steadily. And travel for both is usually limited to daylight hours – summer has much longer travel time than winter. Caravan and large groups need to start and end the day sooner than a couple of lone travelers. Bikes go 10 to 15 mph, and cars, when they first came out went the ridiculous speed of 20 miles per hour – equal to an easy day’s walk in an hour! (Scientist were worried about our ability to breath at those speeds.)

Writing Exercise: Switch Out Words

Beer Stock Photo

FreeDigitalPhotos.net photo by Idea go

Use Better Words

WRITING EXERCISE: Write a generic scene – no more than 100 words. Then go through and change or add one or two words (no more than that) per sentence to make it better. Then try again, using the same generic start for a totally different genre or feel.

*****

After walking into the bar, a guy sits on a stool. He signals the bartender for a boilermaker. Beer and whiskey appear, and his money gets whisked away. The bartender returns to the girl he was flirting with. The guy knocks back the shot, then walks over to the couple holding his beer. (words 53)

*****

After sauntering into the bar, a guy hops on a stool. Smiling, he signals the bartender for a boilermaker. Beer and whiskey appear, and his meager cash gets whisked away. The cute bartender returns to the girl she was flirting with. The guy knocks back some courage, then walks over to the couple holding his beer.

*****

After walking into the darken bar, a guy mounts a stool. Furtively he signals the bartender for a boilermaker. Beer and whisky appear, and his money disappears. The bartender returns to the working girl he was flirting with. The guy knocks back the shot, then slips closer to the couple swirling his beer.

(first published 1/31/2015; republished new blog format 3/22/2016)

Editing Rant: Naming Things

Quote: The one thing I want to leave my children is an honorable name.

Naming Things
So you are a writer and you have things to name – people, places, countries, animals, monsters, wars, machines, magic spells, conspiracies, historical events, future prophecies. The list goes on and on.

Hints
1) Avoid the name “Will” because it will constantly come up in grammar check as a verb showing up where a noun should be. Just make life easier and avoid this common name. “Bill” works just as well and doesn’t have the issues. (I’ve edited two books with this name so far. Ugh!)

2) Don’t have main character with the same first and last letter in their names. When reading, Ray and Rey ending up looking the same – in addition, this becomes very hard to edit especially when the two characters are talking to each other. Unless you want the characters to blend in your readers mind, try to have everyone start with a different first letter.

3) Make things pronounceable in the language you are writing. Do not just randomly put together letters to create a word – for example “Xchotlogz”. Break out the dictionary and play with real words. This makes the grammar and spell checks easier, and also gives your audiobook voice actor some chance of pronouncing things.

4) You don’t need to be really unique for all the things you name. Remember we have things named “fireplace” and six towns in the state of New Jersey are named “Washington”.  Things are often named after people and enter the language as a word – Sandwich for example – others can be found here – http://mentalfloss.com/article/56282/12-things-you-didnt-know-were-named-after-people). Have fun, but don’t sweat it if you name something “Looking Glass” or “Unihorn.”

THINGS NOT TO DO … be overly cute with naming characters.

REASON FOR THE RANT (this time) – Names for men in the menage a trois erotica: Mr. Hardwood and Mr. Woodsman. The woman is Ms. Amor.

Some winking at the reader is allowed … but there is a line.

WRITING EXERCISE: Write down five words or names and research their origins. Example – Wendy (name), Fireplace (item), South Fork River (location), Unicorn (monster/animal), elevator/lift (machine – and why is it different in America vs. UK). This will help give you some ideas of how things have been named in the real world.

READING EXERCISE: Go through the five most recent books you read and choose the three strongest characters of each. How are the names different within the book (spelling and pronunciation and syllables); are the name easy to pronounce based on the spelling; and how well do you remember each character uniquely? Compare the five books – did the names of the three strongest characters impact you ability to read and REMEMBER the story?

Other Cool Blogs: Magical Words July 14, 2015


Meme: When you realize your first chapter is nothing but an info dump

First world problems meme from the Internet

Magical Words draws from bloggers throughout the publication industry. Previously I have recommended posts by authors, now one from a content editor. Emily Leverett has assembled several anthologies over the years as the primary editor or supporting editor including The Big Bad and Weird Wild West. This woman breathes words and grammar. And her short stories are lyrical masterpieces.

In the post “What I don’t want to see…”, Ms. Leverett covers what she looks for in an opening paragraph when choosing short fiction as content editor; what is she willing to spend her precious time polishing for publication and making money for both the author and herself.

She then continues that even if you have moved the info dump from the first paragraph to the third – THIS IS STILL NOT GOOD ENOUGH. Dole out your information, do not stop the action.

Full blog is here: http://www.magicalwords.net/really-i-mean-it/what-i-dont-want-to-see/

WRITING EXERCISE: Review the first five pages of your work-in-progress (WIP). Any places where you stopped trusting the reader and started filling in all the holes so they don’t need their imagination?

READING EXERCISE: Read the first page of your present book again – at what point are you immersed in the story? At any point thereafter are you slowed down because the author started an information dump?

Another good blog on info dumping can be found in the NaNo Novel Book Camp at this blog entry: https://ellenbrockediting.com/2014/07/03/novel-boot-camp-lecture-3-how-to-avoid-info-dumping/

Writing Exercise: Paragraph Breaks

Blond Girl On The Camomile Field

FreeDigitalPhotos.net photo by Serge Bertasius Photography

The Power of Paragraph
So few people use the paragraph to their advantage. Yes, writing is about words and grammar and punctuation, but white space has power too.

WRITING EXERCISE: Write a scene, 100 words or less and use normal paragraph rules. Take the same scene, but change the paragraph breaks to enhance the story.

******

Matilda (without paragraph breaks)

The boy ran until he hit the crossroads. Looking right, he saw Matilda, the most beautiful girl in town. She would be going to the marriage festival in the city soon. He always meant to talk to her, tell her how he felt. But he was behind schedule, like always, and turned left, restarting his run. He never saw her again. (words 61)

*****

Matilda (with paragraph breaks)

The boy ran until he hit the crossroads.

Looking right, he saw Matilda, the most beautiful girl in town. She would be going to the marriage festival in the city soon. He always meant to talk to her, tell her how he felt. But he was behind schedule, like always, and turned left, restarting his run.

He never saw her again.

(first published 01/23/2015; republished new blog format 2/23/2016)