Geeking Science: Space Archaeology

Leg Of Medieval Scottish Warrior Stock Photo

Image Courtesy of Serge Bertasius Photography at FreeDigitalPhotos.net

Vikings in Spppace

“Space Archaeology” (giggle). I love the juxtaposition of outer space with a science closely involved in mud and dust for the gravity-bound. 

In early 2016 Sarah Parcak used her special software imagery to discover a possible second Viking landing site in North America. You can read about it here “Did Alabama space archaeologist just help rewrite history of Vikings in North America” (written by Kelsey Stein on April 2, 2016).

You may have seen the information when it first came out. It was a big deal, especially among those interested in human history.

What really caught my attention was not the Vikings in North America, but the full implications of the software. Folks this is BIG! 

(As a computer geek, anthropology geek, science fiction geek – all types of geek – I am so geeking this geekdom!)

So let’s start with with the “special software”. Most of us are aware, at least peripherally, archaeologists have been using satellite imagery to comb the planet for digging sites. They have been limited to places with little to no vegetation – desert areas – and sites with large stone structures – pyramids and Roman stone & concrete roads.  Basically easy to spot stuff that just happens to be covered in sand. What Dr. Parcak’s software imagery processor has done is shift the paradigm.

The software goes over vegetation areas, the more the better, and looks for something “off”. Straight lines of color, geometric shapes created by differentiation in growth patterns, and other non-organic patterns in the organic materials. The areas are marked on the map and shunted over to human eyes for further review, and finally to human bodies for digging. What forms these vegetative differences? Not huge stone structures, but a dirt wall fortification, long-rotted timbers creating soil differences, and a couple hundred pound rocks moved around. Basically organic materials long claimed by the forest and jungle, but the history remains hundreds of years later because plants grown a tiny bit different in those locations.

Suddenly we can look for human history anywhere on the planet. South America, except for a few ancient stone cities, is a mystery waiting to be revealed. Africa, home of humanity, can be search for in the desert, savanna, and jungle. Huge Asia, from steppes to shore, can be explored. Egyptian and Mediterranean history move over, we are going to see if you are really the cradle of civilization. You got lucky because of the sand and stone clearly wrote your cities locations, now we may find the second-on-the-mother’s side cousin-cities you forgot to write down.

Now the real geeking maximum.

Imagine this software exploring other planets! Before we were limited to industrial markers to find aliens, figuring large roads and cities may be visible from space. But what if the sentient species hasn’t gotten beyond mud huts and stone tools. Would we even notice them before taking over their world?

The answer now is YES! We will find them even if they hide under hundred-mile tall trees.

Discovering a possible second Viking site in North America is nice. But the software which made it possible has some real legs to it; I can’t wait to see what else it does.

Author Spotlight: Calandra Usher

 "The Book of Dean" Cover

Book Cover from Amazon

Calandra Usher has fiery intensity, sometimes warm and comforting and sometimes a protective wall of  light and heat. An amazing author and artist, I’ve had the pleasure of getting to know her through a writer’s group and seeing her as a panelist at conventions. When I read her books, I can hear her voice reading directly to me.

Her first series, entitled The Gospels of Cal’ela, focused on the Four Horsemen and has supporting short stories. One of the short stories is available on her website: Pestilence (11/6/2022 note: the website seems to have been discontinued). The series had a lot of rough edges, especially the first self-published book, but, as she learned the craft and found her voice, her intensity came through pitch perfect. By the middle of the second book, I really started believing the pseudo autobiographical presentation. I tried to pace myself in the reading, really I did; I ended up reading the urban fantasy series in about a week.

She is working a new series on Selkies and should have that out sometime in early 2017 knowing her. It’s in the editing phase, all 200K of it. She may be at it a while. Umm, not that I stalk her on Facebook to find out when the next book is coming out or anything. The nice thing is she wrote it all at once, so the books should be released in quick order as editing is completed. 

 

Flash: Face Off

Rating: Mature

The face in the mirror was a stranger. Still, only two days had past. It could grow on her as soon as she figured out how to shave.  Stacy lowered the silvered surface and nearly jumped out of her new skin. “Trey! What are you doing here?” She whispered.

The handsome warlock closed the door behind him, banishing the sounds of the hospital and preventing mundane eyes and ears from observing what they shouldn’t. He smiled and Stacy shivered. Despite her nearly sixty years practicing, she had never had his professional smile aimed at her. Shit.

“Visiting a friend.” He touched the coma patient in the second bed on the head and hand before pulling curtain closed between the beds.

He touched her forehead, taking a moment to dig fingers into the black curls. His coal eyes softened a moment. Then Trey took her hand in both of his. For the first time his grip didn’t completely swallow hers. She felt what seemed to be a spider tread breaking between her fingers. Stacy arrested her new green eyes from investigating the enchantment.

She licked her lips. The new body didn’t have an overbite so she no longer bit her lips. Strange how some things are body-related. Her twisting stomach and hardening dick indicated that fear and attraction were not so limited.

“Thanks for coming by.”

“Couldn’t help it.” Again the professional smile; the black eyes had no emotions. “When Thanatos drops by and asks me where someone from my ward is, I get worried. When he mentioned he needs the answers for two different demon clients, who are each claiming to be missing a soul promised to them, I get really worried.”

“I c-c-can explain.” Stacy stuttered in fear, still not comfortable with forming words in her new mouth.  “I was young and stupid, and I meant to pay them back before I died.”

“And how did that work for you?”

She tried a smile that never failed to turn the nurses into mush. “It doesn’t matter. I have a long time now, another whole lifetime, to get things the way they should be.”

“Actually you don’t.”

“I didn’t steal this body! It was empty when I found it. “

“And it will be empty again within the year. Sorry Anastasia, you got at least a month and no more than a year.”

Stacy gasped. “You knew! You knew I could body hop!” She hit him hard, pleasantly surprised at the thunk her male body could land. Then weakness took her. The body had been in a coma for over a week before she found it; she had claimed total amnesia with the doctors since she had woke it up. She needed time to regain its strength.

Trey easily grabbed her wrists. “And you are to tell no one how you did it. Anyone you tell, I will have to kill. Anything written down, I will have to destroy.”

“Why?”

“Because this path always leads to the dark.” The Warden sighed. “Stacy, I’m sorry. I will give you until Samhain and then we will close things. If you feel yourself slipping away before then, come to me sooner. I can make the passage easier.”

He dropped the wrists and started towards the door.

“Damn you Trey!” Her tenor voice carried. “I don’t want it easy. I want this new life! I damn well earned this new life!”

The door opened and Trey’s professional demeanor was complete again. “See you in October. Don’t make me come and get you.”

 (words 588 – originally appearing at Sunday Fun on Breathless Press 12/16/2012 based on a photo there. Could not find permission so did not copy it – first published 12/16/2012; republished new blog format 8/14/2016)

Editing Rant: Be a Dear

People Speaking POV Stock Photo

Image Courtesy of Stuart Miles at FreeDigitalPhotos.net

Characters need to sound different.

After everything is written down in the initial spew of words – go back over the dialogue and decide how the characters sound. Are they from different parts of the county? Different education levels? Different jobs? How do they communicate? Is one a leader? Get a feel for who they are, write down a few quirks, then go back over the dialogue.

Character speaking quirks also applies to nicknames – not everyone uses them, and they definitely should not be the same for everyone. One book I edited had males and females, whether 70, 40 or 20, use the endearment “Dear”. Everyone. Every.single.character. Not “sweetie”, “hon”, “lovey”, “buddy”, but every affectionate diminutive between lovers, parent-child, or pals was “dear”.

People are different – do more than just hair color, eye color and height!

Patterns of speech are driven by many different aspects of a character. You can give insight to a character or situation just through dialogue. 

What assumptions would a reader make about the following?

“Hey hon, what’s ya order?”

“Sir. Are you ready to order?”

In both cases, someone is taking a food order at an eating establishment. Both start with an attention getting mannerism, followed by a request. Yet I bet you have totally different visions on how the food server is dressed, what they are holding to take the order, what the restaurant looks like, maybe even how their hair looks and what type of napkins are on the table. All from 5 or 6 words of dialogue.

Book Cover for Honestly

In Honestly, after I was finished the initial pass I went back and decided to create some differences so people could know who was speaking without any dialogue tags. Troy does not use contractions, being bi (tri or quad) lingual adds a precision to his communication. He is naturally very formal. The only time you will see him use contraction is speaking one-on-one with a child.

On the other hand Terrell’s speaking is explosive and highly related to either understanding something or sharing information. I changed some of the more complicated words he used to simpler constructs, plus adjusted the languages of those people talking directly to the young child.

As for the main character, Kassandra uses different terms of endearments when speaking with her son and her lover. I adjusted language for age of the characters, cultural backgrounds, and education levels. While doing that some of the actions of the characters changed as I discovered education levels and different upbringings. Learning how my characters talked taught me more about who they are.

WRITING EXERCISE: For you present work-in-progress (WIP) choose a chapter and review the dialogue. Or write about 200 words with two characters talking. Do their word choices match their profession? How about their age? How about whether they grew up in a rural or urban environment?

READING EXERCISE: For the book you are reading find a section of mostly dialogue. Based on the two or three pages what information do you learn about the characters based on their speaking word choices alone.