Voice – Sing Loud

Late night conversations between writer-editor types:

Person A: I have a book keeping me up all night so I’m too tired to actually write it. … And I’m convinced it sucks.

Person B: I guarantee it doesn’t suck. You don’t write suck. And if it’s keeping you up all night, that means your brilliant Writer brain is processing it, so it’s only getting better. Courage, goddess, courage!

Person C: Hugs. Ever had those moments when you read other people’s words and you’re like “my stuff doesn’t sound anything like this?” And you start feeling like you’re not a real writer?

Person D: Oh. You mean a day that ends in -y … Yep.

Person B: All the time. But as the only agent I ever loved told me once when I was having that same crisis, “You can’t write that author’s book. But they can’t write yours, either.”

Person C: I feel like I’m so boring in comparison though

Person B: 1) You almost certainly are not boring; 2) this is the first draft; you’ll be tightening it up and making it more exciting later; right now, get it on the fucking page

Erin Penn: There have been people who books I read that make me not write for a time (Darren Kennedy is one), but at the end of the day, they don’t have my voice and I don’t have theirs. My music isn’t their music – they can’t sing the songs I sing. Sing loud – sometimes you will sing row-your-boat, and sometimes it will be bohemian-rhapsody.

Any song sung requires practice – from first draft to final performance. And the first time, singing a new song sucks.

But remember, no one needs to hear the practice. Only the witness the final performance.

Writing Exercise: Understatement, Sarcasm, & Litotes

Photo by Muneeb Syed on Unsplash

Final writing exercise for Figurative Language for this year. We haven’t scratched the surface in how to enhance your writing using the imagery of words to paint pictures and engage readers. Today we will tackle three related ways of shifting what you write to mean something else entirely.

I’m going to start with sarcasm, because, if you have spent any time as a writer, you likely have a more solid grip on sarcasm than a regular paycheck. Sarcasm is meant to mock, and often means the opposite of what is written. This makes it challenging to work into a narrative because the reader needs to understand that you mean the opposite of what you wrote. It should only be used lightly in middle grade, when children start understanding sarcasm and shouldn’t be used in chapter books or early reading materials at all.

Sarcasm comes it multiple types: self-depreciating, deadpan, brooding, and juvenile.

Find out more here, since I know everyone likes links: https://examples.yourdictionary.com/examples-of-sarcasm.html

Litotes use negative terms to affirm. “You’re not wrong.” is very popular right now, and I find myself often using it on Facebook posts. Litotes are bad English, with two negatives making a positive. A high school English teacher will call out litotes appearing in non-fiction essays and ask students to rewrite for clarity. Their decision isn’t the worst but does leaves an interesting literary device out in the cold. 

And last and certainly least, understatement. Instead of blowing out of proportion or giving a factual account, the narrator or character of a fiction piece will downplay a description of a situation.  An example would be someone discovering their best friend becomes a werewolf during the full moons and describes the situation as “she needs to shave sometimes.

WRITING EXERCISE: You know the drill, write a paragraph giving two examples of each type of figurative language: Sarcasm, Litotes, and Understatement – for a total of three paragraphs. My attempts are built into the above posting. Comment below and let me know if you want to exercise more figurative language types.

Writing Exercise Series of Figurative Language
Metaphor and Simile (6/22/21)
Synecdoche and Symbolism (7/27/21)
Personification and Oxymoron (8/24/21)
Understatement, Sarcasm, & Litotes (9/28/2021)

Series inspired by: “Figurative Language: Why and How You Should Use it” by Zara Altair. ProWritingAid 6/11/201

Flash: Naturally Nocturnal

Photo by Grace Kelly on Unsplash

Ugh, too early. Why is the day-moon so fucking bright?

I roll over in the covers more tangled than normal. I had spent the night running around the house like crazy. But everything got done and out the virtual door. I deserve at least five days in bed for that miracle.

I raise a hand to run through my hair.

Aaaaand paw meet fur.

Shit, not again.

(words 67, first published 9/14/2022  – from a picture prompt for a Facebook writing group. Aim is about 50 words)

Purrson Series

  1. Naturally Nocturnal (9/26/21)
  2. Purrson (10/2/22)
  3. Phylactery (12/4/22)

Other Cool Blogs: Liana Brooks (8/1/2019) – Subplots

Photo by Waldemar Brandt on Unsplash

For flashes, things are short and sweet. Only one story arc, one plot is needed.

For better short stories, a character development change and a plot makes a full narrative.

For novellas and novels, a sub-plot or two is needed on top of the narrative plot and the character development plot.

As you know, one of my favorite authors is Liana Brooks. Recently she has been reading author backlists. It’s something I do too. I don’t recommend it for everyone, but seeing the first attempts to explore an idea or writing genre can be instructive on how to make your own writing better. If nothing else, it helps you realize that “best-seller” spent 20 years learning the craft – which can really help if you are comparing where you are right now to someone with twice times your experience. You don’t expect a new hire to do what someone with 20 years experience will do; don’t beat yourself up with these comparisons.

But, I digress. What Ms. Brooks discovered is the earlier manuscripts didn’t have subplots, but the later products did. Experience led to stronger stories … which need subplots because they support the slower part of the story.

Need the thriller tension to slide back a couple notches, then have the parent-child family dynamic come out – a “side-quest” with the parent needing something from their adult child. Something from the side-quest may feed into the thriller later, like a car running out of gas because it had been used for the parent’s errand, or it may carry over to future books in the series, such as the parent bringing danger to our protagonists doorstep, or the subplot may just be something extra that could be cut if you book exceeds word count or pad things out is your word count is a little shy of genre expectations. The important things is to weave more into the story than just bare bones point-A-to-point-B plotting.

The full posting is here: – “It Is A Truth Universally Acknowledge That All The Great Novels Have Subplots” – Liana Brooks – August 1, 2019 – https://www.lianabrooks.com/it-is-a-truth-universally-acknowledge-that-all-the-great-novels-have-subplots-repost/

Book Review: A Big Ship at the Edge of the Universe

Amazon Cover

A Big Ship at the Edge of the Universe by Alex White

BOOK BLURB ON AMAZON

A crew of outcasts tries to find a legendary ship before it falls into the hands of those who would use it as a weapon in this science fiction adventure series for fans of The Expanse and Firefly.

A washed-up treasure hunter, a hotshot racer, and a deadly secret society.

They’re all on a race against time to hunt down the greatest warship ever built. Some think the ship is lost forever, some think it’s been destroyed, and some think it’s only a legend, but one thing’s for certain: whoever finds it will hold the fate of the universe in their hands. And treasure that valuable can never stay hidden for long. . .

 

MY REVIEW

Book club read.

The last time I read a science fiction story with racing done this well is Piers Anthony’s “Hard Sell”. “A Big Ship” certainly is NOT the pod race from star wars inserted for coolness of the visuals.

One of the focal character is a race car driver with all the selfishness combined with team spirit regularly seen in NASCAR and other racing styles. I love her developing out of a childhood-celebrity isolation into adulthood. Best character development arc I’ve seen in a while.

The other POV (point of view) characters is a washed-up up ex-military who landed on the wrong side of the war. The juxtaposition between their two value systems and life experiences provides tension in-and-of itself. (Adding the Illuminati level bad guys takes the tension to galaxy-spanning levels.)

I also really enjoyed the science-fiction magic world. Everyone is born with one magic gift – some at high levels and some at low levels. The high-level rare types are sought out just like specialized high intelligences in this futuristic tech/magic base.

Great characters, with development, great plot, and great worldbuilding.