Writing Exercise: Narrative Voice

Acquired from the Internet

A recent edit, I told an author that while it is okay to use “Alright” in dialogue, “all right” is needed for narrative.

Their response: “I continue to not understand this rule. There are all kinds of slang that is now accepted in the dictionary. Why is this a line in the sand?”

And my response to their response: “This is the difference between narrative voice and character voices. Narrative is more formal and “general” structure; while character voice gives you insight to their upbringing, education, personality, and occupation through word and grammar choices. One of the aspects of narrative is to be more understandable across the board; by using slightly stiffer word choices, it reaches more people. I hope this makes sense.”

Narrative is (slightly) more trustworthy. Dialog is through several filters: what the character KNOWS, what they have processed (UNDERSTAND/BELIEVE), what they are willing to SHARE with others, and what they are willing to SAY to others. In addition, dialog is more steeped in culture, education, and socialization. Narrative shares more and is more precise in the sharing.

“I had a great time,” she told her friend who paid for the trip, thinking to herself she would burn in hell before going on another cruise. The seasick patch was not effective enough.

“Y’all ain’t from around here,” the waiter asked, picking up the sweetened teas. No one had warned us ice tea came pre-sweetened in the South.

Information shared through narrative rather than dialog can have a completely different impact on the reader, as well as accessibility.

“Over here,” the real estate agent lead us yet another room. It was our fourth house that day. “Is the main bedroom, what used to be called the master bedroom. There is a bathroom with two sinks, the tub and toilet as you can see are separate.”

Like Jim or I want to brush teeth side-by-side. Whoever came up with that bizarre couple idea needed their head fixed. Oh, great, two more doors to open and close when I need to rush from the bed to piss when we try from our second kid. I looked at Jim, his brown eyes were glazed over. “Thank you, Sherry, I think we need to think things over for a bit.”

“I haven’t even shown you the best features, yet.”

Because dialog and narrative have different rules and different presentation, a tool you might want to try when writing is flipping narrative and dialog. Dialog running dry – maybe the information being share in dialog is better in narrative. Need to slow down the action (and dialog fall under action), switch the information being share through characters speaking to a more passive narrative – it will strangely both move faster, because dialog had a lot of structure supporting it, and slower, because it isn’t as immersive.

WRITING EXERCISE: Explore sharing different information between narrative and dialog. While working on this think about how is narrative voice different from the rest of the story structure. Should the character hide something in dialog but not in narrative? Are different emotions shown between the two? For the exercise itself, write a scene with dialog and narrative then flip the scene changing the information shared in dialog to that shared in narrative and vice versa. Show your results below in the comments.

My attempts:

“Alright, I can’t lie. The seasick patches were shit,” I explained. “I won’t ever step on a ship again in my life.” My friend’s face fell. I wanted to tell her I had a great time with her, and I wanted to thank her for the chance to see the Caribbean, but we were always brutely truthful with each other.

I gasped, after taking a sip of my ice tea. “What on earth? Did you dump a pound of sugar in here? Take this away and bring us iced tea; we can sweeten it ourselves to our taste with these little bags here.” I waved at the packets on the table. The waited looked at us in horror.

The real estate agent showed us the main bedroom. “Sherry, this is our fourth house today. Put a fork in us, we are done. And who in god’s name wants to brush their teeth beside each other? Nope, I’m outta here.” Jim, my long-suffering husband followed me out the door. Behind us, the real estate was shouting something about the best features of the house and how they could help us as we expanded our family.

 

Writing Exercise: V is for Voice

Photo by João Marinho on Unsplash

Find your voice. In writing, in singing, in the world. Candence, rhythm, volume, smoothness, word choices – these are your own and no one else’s. Claim them.

Your Voice might change between blog posts and novels, talking to adults in a professional environment and children on the playground, singing blues or rock. But still, at the core, it’s your Voice.

It takes time to find your Voice. Understanding. Writing a lot of words or singing a lot of different songs. My voice has children and playfulness, short phrases haphazardly put together, and then weird asides of scientific thought.

If when people say, “I heard you read when I read your novel.” your speaking and writing voice are the same and it’s coming through (yay!). But sometimes the speaking and writing voice are completely different. As is genre changing things up and your different characters might have different personal voices (wait, no MIGHT – they SHOULD have different voices).

Kalayna Price has a wonderful blog posting “On Voice and Timing” in Magical Words (10/1/2011). URL: http://www.magicalwords.net/kalayna-price/on-voice-and-timing/

WRITING EXERCISE: Think about your writing voice and write down what you know about it. Is it short and sweet or long and detailed? Political or fluffy or introspective or…? What writing strengths do you have – dialog, action, characters, etc.?

Now, write one paragraph with a voice aimed at Fantasy (your choice of Urban, High, Sword & Sorcery, etc.) and a second one for  “real life” type genres (Murder Mystery, Thriller, Horror Contemporary, Disaster, Romance Contemporary, etc.). Have the scenes in the paragraph be similar number of characters and situation. How did the Genre Voice change the paragraph … and what things remained the same between the two scenes that could be your underlying voice and how does that match up to your initial thoughts about your voice?

Voice – Sing Loud

Late night conversations between writer-editor types:

Person A: I have a book keeping me up all night so I’m too tired to actually write it. … And I’m convinced it sucks.

Person B: I guarantee it doesn’t suck. You don’t write suck. And if it’s keeping you up all night, that means your brilliant Writer brain is processing it, so it’s only getting better. Courage, goddess, courage!

Person C: Hugs. Ever had those moments when you read other people’s words and you’re like “my stuff doesn’t sound anything like this?” And you start feeling like you’re not a real writer?

Person D: Oh. You mean a day that ends in -y … Yep.

Person B: All the time. But as the only agent I ever loved told me once when I was having that same crisis, “You can’t write that author’s book. But they can’t write yours, either.”

Person C: I feel like I’m so boring in comparison though

Person B: 1) You almost certainly are not boring; 2) this is the first draft; you’ll be tightening it up and making it more exciting later; right now, get it on the fucking page

Erin Penn: There have been people who books I read that make me not write for a time (Darren Kennedy is one), but at the end of the day, they don’t have my voice and I don’t have theirs. My music isn’t their music – they can’t sing the songs I sing. Sing loud – sometimes you will sing row-your-boat, and sometimes it will be bohemian-rhapsody.

Any song sung requires practice – from first draft to final performance. And the first time, singing a new song sucks.

But remember, no one needs to hear the practice. Only the witness the final performance.

Other Cool Blogs: SimpleWriting.com – Voice

Voice – what is it? The special sauce of authors which make them stand out in the crowd. But what is it, exactly?
Leah McClellan gives one of the best explanations I have ever read in “Writer’s Voice: What is it and how to develop yours” for simplewriting.com. Please note that this article isn’t timestamped, but the earliest article is from 2013. Also note that the website is not “https” – it’s only “http”, so your protection may say it isn’t secure and safe. Great article, but visit with caution.

Other Cool Blogs: Magical Words 5/17/2011

Image courtesy of Stuart Miles at FreeDigitalPhotos.net

Circling back to April’s posting on voice, Misty Massey had an excellent followup in Letting Your Voice Be Heard about her struggles to find her voice. Initially, she was scared of its formality, and her agent confirmed her worst fears. She fought with her writer’s voice, afraid to let it shine, to let others see it.

Then she found it.

That is the thing, unlike everything else a writer has to develop, skills which need to be gained – voice is always there. It needs to be uncovered, lifted above all the formal learning and how one “should” sound. It just is.

Once found, it can be sharpened and polished.

As always read the comments, each shows a different author’s approach to voice. And there is an additional commentary about how voices can be influenced by gatekeepers such as your editor.

Again the post is: http://www.magicalwords.net/misty-massey/letting-your-voice-be-heard/

Other Magical Words posts on Voice can be found here:

(6/16/2008) Finding Your Writing Voice by David B. Coe –

(1/18/2010) Writing Your Book, part II: Finding Your Voice by David B. Coe –