Other Cool Blogs: Magical Words April 11, 2011

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Success

Starry-eyed teens in love with writing, new writers with a nearly finished manuscript at home, and people flashing and shorting their way to their first anthology all have something in common. They need to define when they succeed.

Writing is a tough business. Most success is measured in money. By that measure, few writers ever succeed.

David B. Coe, who by most writers’ measurements is successful, touched on this topic in More on Success and Rejection during a 2011 Magical Words posting.

When I talk to people interested in writing, I tell them to define their success now. Record it.

Otherwise when moving up in the publishing world they will continue to compare success to the level (or levels) above where they are, never seeing the success of the journey they made. The object of recording a first level of success is celebrating when reaching it, then setting another one – like graduation from high school then moving on to a first job or college.

Success in the writing world for a beginner isn’t about huge stacks of cash or being a best seller on the New York Times list. That is like telling a T-baller to shoot for the Hall of Fame, ignoring the millions of other T-ballers and the hundreds of other success levels between. If you only care about the fame and fortune, find a different aspiration. 

What goals would be a good first success? It depends on the person. For some, the writing goal is to complete a story, others is acceptance by a publishing company – any company, others it is having a real book with their name on the spine, others it is selling one book to someone else, and still others having a book signing is when they feel the success. Once a goal is clearly defined, choosing a path between self-published and traditional becomes clearer, or whether publication is needed at all.

Remember other people’s goals and success is not yours. For someone, they may want to make a living to be successful, but that might not be you. Getting a single book completely written, sold, edited, and published is pretty awesome.

Don’t be afraid to aim low. Taking a step on a staircase isn’t self-defeating – trying to jump up to the third story in one leap is.

Figure out what your goal is.

I’ve posted some of mine over the years. Starting a blog. Completing a self-published book. Setting up a website. Being a guest at a convention. Getting published by someone else. Participating in an anthology. Each goal isn’t big, but I have reached them. Future goals include getting more books published, getting into more anthologies, and editing a best-seller. 

WRITING EXERCISE: Create one simple goal to reach for this year. Does it depend on stuff entirely under your control or do others have an impact on it? Example: submitting to five anthologies is under your control, being accepted by one isn’t. Although, one (being accepted by an anthology) isn’t going to happen without the submission. Define your simple goal with activities entirely under your control; you can add a bonus for results requiring responses of others to your activities.

Other Cool Blogs: Magical Words July 9, 2010

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Beta Readers

Your opus is complete, over sixty-five thousand words which you know … well, hope … connect together for a story. A few of your friends and family members have offered to help you by reading your stuff. Beta Readers! You’ve been told you need them so you sign up the ten of your nearest and dearest who have volunteered.

George, Carrie, and Anne tell you it’s the best stuff they ever read and sure to be a best-seller. Miller and Evans never get back to you. Ingrid sends back several pages of things which need fixing to make your science fiction story have a proper romance; you aren’t writing a romance. But Marc, Simone, Duck, and Margaret responded with vague things about “I think something is wrong somewhere after the beginning.” and “The big fight didn’t make sense.” and “Some characters need work.”

For the future, mark the first five off your list. You don’t need fans reading your stuff; you need critics who get back to you. Ingrid should write her own book if she thinks the world needs more romances. The other four, well, they need some guidance.

Fortunately guidance is at hand thanks to a Magical Words post written by AJ Hartley on the ABCs of Beta Readers. When the blog group created, “How to Write Magical Words: A Writer’s Companion” this post picked as a best-of-the-best and Mr. Hartley made a minor modification with the letter “D” making it even better (see page 220 of the book).

Give your beta readers the ABCDs and ask them to only write the letter as they read through:

A = Awesome. This part is really, really good.

B = Bored now. I’m about to put down the book if things don’t pick up soon.

C = Confused. I backed up, re-read, and … huh?

D = Don’t Believe It. Girl, this is worse than the D&D game where we all had +5 weapons at first level. Dude, I don’t know how you cook, but bread takes more than 10 minutes to rise.

Previous posts on Beta Reading can be found: here.

Editing Rant: Choose the Moment

Wrong place, wrong time

Acquired from the Internet Hive Mind

There is a Time and Place for Everything

Use of adverbs to describe timing was covered in the last Editing Rant

This Rant is on WHEN things happen in a plot. I’m talking about Content Editing/Macro issues, instead of my normal Line Editing issues. Why do writers put inappropriate actions during a ticking clock scenario? I’ve run into this predicament multiple times in eroticas and romances.

 

Example one: Family member has been injected with (a silver) poison and has less than a day left. The shape-shifting couple doesn’t even know where the person who has the antidote lives. What happens next? You would think internet searches, contacting friends, getting the police involved, taking the family member to the hospital? Nope, sex which results in an argument and the couple, after a physical battle since werewolf’s emotions often result in physical battles, end up in totally different parts of town after she throws him through the window and runs off. Half a day later they make up and THEN they start looking for the person who has the antidote.

Facepalm

Acquired from the Internet Hive Mind

Example two: Trained military personnel, crossing jungle terrain to attack a compound, get separated from the main group during an ambush. While catching up with the others, the couple gets overwhelmed with thinking this may be “the last time” and stop to have sex. During a military operation, after they have fallen behind their group, on a rescue of civilians, with a ticking clock of sunset. Best of the best military, hand-picked for their professionalism and abilities.

Acquired from the Internet Hive Mind

Example three: A superhero story (the one I am dealing with now). Repeat and rise – Ugh! One does not stop to have sex delaying rescue of loved ones WHO ARE BEING TORTURED TO DEATH and you know because the supervillain is broadcasting the pain via ESPer abilities. Maybe if the sex scene was moved directly in front of the discovery of family members needing rescue, but not after … even if the main character thinks this may be the last chance with the hottest babe/bod in existence. Anyone who is that selfish is not someone I can identify with or want to be around. I am guessing other readers might feel the same way as me, but how do I, as a line editor, tell the author this? I don’t. I can’t. It’s too late to change anything on the content level when it hits my desk.

Acquired from the Internet Hive Mind

Yes, eroticas and romances are about when couples get together and get it on, but they are also about how the couple stays apart. Romantic tension can go hand-in-hand with Thriller tension. It’s a personal favorite genre mix of mine; in fact, I love it more than the typical romantic tension builder of a spat between lovers driving them apart. Circumstance within the thriller can provide double duty of the ticking clock tension and “cock-blocking” tension. If a wedge needs to be driven between the couple to cool the sexual action while building the emotional connection, the action-ride of the thriller works wonders.

I think eroticas and romances are the worse offenders of killing a ticking clock with inappropriate actions, but I have seen other examples in mysteries and horror.

WRITING EXERCISE: Come up with a ticking clock scenario (hostages, parent dying in hospital, dinner burning in oven, etc.) for a character, then put him/her in a situation where they will be highly tempted to go off-track. Why or why don’t they act on the temptation? If they go off-track, should the ticking clock explode?

READING EXERCISE: Think of a book which ignores a ticking clock situation to have an inappropriate action. Did it bother you? Why or why not?