Image acquired from the Internet Hive Mind
If you know me, then you know. Between a large family, several jobs, and diverse hobbies, yeah. For instance, right now, A-to-Z!
Category: Blog
Flash: D is for Distances and Detonations
Image Credit: NASA/Jessica Meir
The aliens, Josh and Kennedy (not their names but the translation of vibe and meaning from their original tongue … again, not tongue but they did have a speaking diaphragm and ligament contraption producing language through pressure waves) watched the nanoprobes return the visuals from a Florida explosion. Humans were throwing themselves off the planet … again.
Did they need to tell Karen or not? She didn’t like getting woken from her cryogenic sleep for nothing, but she also would hate to miss the main event. The very reason their monitoring station took over from the general scientific observation station three hundred years ago when humans got their balloons above the required distance from their natural environment.
But the humans were always sending debris into space, so it could be a false alarm. And Karen, their boss, progenitor, and neurological hub, made it very, very clear about her displeasure the last time they woke her.
Would this one rocket meet up with one of the various space stations the humans had around their planet, or would they make it to the moon? Or would they (vibration of dramatic disbelief) make it beyond the moon?
Kenndy reviewed the incoming transmissions and cross-verified, “Humans are on the rocket this time. It isn’t just a satellite.”
“Or a car,” Josh ran an appendage over his sensory organs. “Why did they send a ground vehicle into space-space and not to a planet?”
“The social scientists said it was a musical prophecy being fulfilled.”
“I think it was a drunk bet. Like every one of these.” He adjusted his position to an input-output station. “’Hold my intoxicating beverage while I see how much dinosaur fuel I need distilled to be blown upwards faster than gravity without dying?’”
“Not everyone lives in a gas giant and can glide into escape velocity over a two-year cycle.”
“They are crazy.”
“They are, the rocket is, aiming toward an elliptical. Running stimulated orbits now.” Looking over the results closely, Kennedy muttered, “So close. So, so close.”
“Really, how close?” Hope tinged Josh’s vibrations.
“Depending on the exact placement, we might be within a digital appendage of the regulation Distance. It certainly will be the furthest they have ever gone before.”
“Do you want to wake Karen or shall I?” Josh asked.
“I woke her the last time.”
“Ugh.” Josh set his stations to artificial monitoring. “Is this the same country initiating conflict in the delta region this year or it is the one in the icy area four years ago or is it one of the others?”
“The one that started the irreplaceable dinosaur remains burning this year.”
“Okay then. While I start cycling the cryogenic chambers, you prepare the ‘we come in peace’ propaganda for them to join the Galactic Union in the … how many languages are still active on the planet?”
“Over seven thousand,” Kennedy let her diaphragm collapse in exhaustion just thinking about it.
“At least there won’t be much change since we last updated them fifty years ago.” Working his way to where the scientists and administration slept, Josh reassured Kennedy, “And don’t worry about locking targets if they react poorly to our outreach program. I rework them every time they start a shooting war using equipment in the upper atmosphere. They are completely up-to-date.”
“Wait a moment.” Kennedy set the elliptical equation running through two additional models. “The computer reports they will be at least half a digit short of regulation in four out of the five predictive models.”
“Centimeters shy?” Josh glanced over the threshold where their boss slept. “Do we or don’t we? How long before they reach the furthest they have ever gone before?”
“Five Earth days.”
“Wake processing is only fifteen hours.”
“Let’s wait.” The two youthful monitors said simultaneously.
“I’m still updating the WCIP messages.” Kennedy said.
“And I will work the resolutions to removing their threat matrix should they be dangerous.”
“They throw themselves off planet via explosions, and” Kennedy waved where their system still recorded the ongoing detonations worldwide even as the humans brushed the greatness to qualify for galactic inclusion, ”that. They are going to be dangerous.”
“After monitoring them for three hundred years, I really would like them to be a little more mature.” Josh said while returning to his station.
“Same.”
“At least the final decision isn’t ours.”
“Thank prosperity for the Karens in the universe.”
(words 734; first published 4/5/2026)
C is for Concern
Image acquired from the Internet Hive Mind
Writing Exercise: B is for Blocked
Photo by Susan Holt Simpson on Unsplash
Today is the second day of the A-to-Z challenge and the letter is “B”. For a writers, what we often face is the beloved Writer’s Block. Something has stopped the story dead.
In November, a person reached out with a question: “I’m writing a futuristic/sci-fi political drama which I was keeping fairly grounded to genre. But now that the main plot is picking up, I need something to happen to motivate my MC, kickstart her into action. So far, my favorite idea is her getting cursed. Which is very much not the tone for a futuristic/sci-fi political drama. I’m still early in working everything out, so not a big thing, but it feels a bit silly to be stuck (for weeks!) debating a curse mixing up the genre. Any help will be welcomed.”
I said it sounded like two things were happening:
- You want your MC to start taking action.
- You are going for a quick fix, which you know is wrong for what you want to write.
The result for the author was writer’s block. They were stuck because they were trying to drive the story where it didn’t want to go. I’m going to go out on a limb and say, after exhaustion, this is the most common type of writer’s block. Either consciously or unconsciously your story is telling you “don’t go there.”
In this case, the author was introducing an element which didn’t fit the story and they knew it. More often the writer’s blockade is unconscious; they have to have the character hit a story beat so they are making their character act against their nature and the seething-ocean of story creation refuses to throw up words to crash onto the screen.
If something is wrong, then maybe a different approach is needed. I gave three suggestions because each writer and each problem to be solve needs a different approach; writing is NEVER a one-size-fits-all solution.
The Problem: The MC is lacking agency or action, so how to get her motivated to interact with the plot?
Solution One
If motivation is wanted, goals can help. What does she value – short term (today or in the couple of days), medium term (wants to accomplish this month/year), and long-term goal? How are these compatible and how to do they clash – for example, don’t want to cook tonight so want to eat out but also want to save money for a house – the medium goal of getting a better job doesn’t apply at the moment. But that can kick in because while out at the restaurant, she sees a “now hiring” at the establishment next door to the restaurant.
Then, with the typical meanness of an author giving trouble to their characters, you CRASH all her motivations and make her reevaluate her life. Releasing she didn’t have enough money to even by a pizza slice because prices just went up, she walks into the job interview and gets abducted by aliens.
Meme I created after the SAGA 2023 writer’s conference
Less overt, while eating at the restaurant, she overhears something related to the city job situation which she then investigates.
Solution Two
The curse is a stick method to getting the character to interact with the story. They have no choice in the matter. If the stick method is throwing up a writer’s block, maybe try the carrot method. The goal solutions list in Solution One is one method to discover carrots and sticks particular to the character goals; sticks with goals can be they had been thinking about leaving work and something forces them to stay or leave. But other sticks can be of the more common variety: an accident or general life event. Other carrots could be an invitation to a party or seeing their favorite candy on sale. In general, the inciting incident which changes the status quo of the MCs life can be a carrot or a stick. Most authors go for sticks, because most people don’t change their comfortable status quo until something makes it uncomfortable. Using a carrot can be a change of pace to get the MC moving; the stick method can be saved for the dark-of-soul moment. If you have hit a complete block, brainstorm a dozen or so sticks and an equal number of carrots, both at least ten in number and some can be really crazy, and see if any work at getting the character motivated.
Solution Three
Maybe the character isn’t the right person for the story you want to tell. The third option is to interview the character. If the story is fighting you, sit down with your character(s) and have a chat, it can be on paper or in your head.
Ask them why they don’t want to go along with the story. Ask them if they want to do it (the action required to get to the next part of the story), what DID they want to do. Would they be willing to return back to the plot after that sidequest? How does the sidequest fit in to the main story? Ask the MC if she doesn’t want to be part of the story you are trying to write, if she can recommend someone else. You might get an answer, well, duh, I hate to travel but my baby sister ran away three times while we were growing up. “Can’t it just be you?” “Nope, it is my sister and her best friend.” (Yes, they are imaginary, but we build them to feel real, and sometimes “someone” related to the MC build is the one the story is actually about.)
WRITING EXERCISE: Work with one of the solutions suggested to better understand a character from your present work-in-progress (WIP) or dig out one of your failed stories which had hit a writer’s block. Either do a goal spread for short, medium, and long term; do a carrot and stick brainstorm of at least ten carrots and ten sticks; or sit down and have a conversation with the characters about what they want to do and why.
A is for Abyss
Image acquired from the Internet Hive Mind