Other Cool Blogs: Magical Words 3/3/2011

Product vs. Project
Two major processing methods exist to produce stuff, and the concepts hold equally as well for physical/manufacturing (industrial) as for ethereal/information (technology). 
Product provides mass production the ability to have individuals (or machines) to specialize; the object being produced is moved through the line. At the beginning of the line is all the dissembled items and at the end of the line is the finished delivery product. Production Line never ends, several items are always in process at varying stages. Fixing and streamlining a production line tends to be easy because the same thing is being done all the time; you can see where the holdups and bottlenecks of the process are and management can adjust them until the “slowest” part of the line becomes a different part. Each slowest part gets fixed in turn, until everything is as efficient as possible under the present technology and needs of the production line. The downside is production never ends. Each day is more of the same.
Most chores within a home are products. Making meals three times a day goes from groceries restocking through dishes dried and put away. Sweep, mop, and dust once a week. Mow, weed, and pick up branches. Never-ending tasks, but needed for survival. Just like heartbeats and breathing. A school year is another product task line – the student body moves from kindergarten through senior year.
Projects, on the other hand, are one-off tasks. Once done, they are done. But making them more efficient is nigh impossible, because the bottleneck on one project might not be the bottleneck holding up finishing the project on another. In information technology, most items being produced are projects. 
We are about to go into the “project” time of year for homes. Thanksgiving dinner requires a different group of materials than usually is in the house; Christmas presents need to be bought; Halloween costumes need to be decided on. While we may be using last year’s blueprint as a guide, the costumes and presents must be new, and the T-day dinner is nothing like normal food production and throws the normal meal production line into turmoil for about a week. Within school, there might be special projects to break things up for the teachers and students.
Where does writing fall into this? Well, BIC (butt-in-chair) every day would be product line, as is draft to second draft to cleanup to beta reading to editor to publisher to book. Writing a series might have one book in draft stage while another is with the editor and one about to come out and marketing is needing done.
But at the same time, every story is different. If genres switch up, mysteries have a very different process from romances in the skill and tools needed.
Diana Pharaoh Frances wrote about dealing with the Production vs. Project (though used different terms) issues of writing in “The Truth About Writing Books” in Magical Words (3/3/2011):
Most people are either product or project oriented by nature and/or training. By tapping into the mind-set that works best for you, you can harness a business model that best suits your energy production.
WRITING EXERCISE: Create a business model for your product/project nature.
My attempt
I’m a project person. I like thing done. Some personality types like things undecided and are most comfortable with something always flowing. I’m working toward done. I check in my head how long something is taking, look how far I still have to go, and know about how long I have until finish. Like everyone, I always under guess-tamate, but I’m working toward something.
So for my books, I need a project to finish. Unfortunately, right now I’m completely “ooo, shiny” – moving from one idea to the next with my project windows in hours, not weeks. I need to crack down and create a weeks-type project process. And now – with holiday package season kicking off for the post office and tax season around the corner – that isn’t going to happen. Soon though. 2022 will be the year! 

Other Cool Blogs: Magical Words 8/21/2015

Glad to see I’m not the only one to go on editing rants.

The best part, to me, of John G. Hartness’ post of “Rude Truths about publishing and writing – Part 347” from Magical Words 8/21/2015 is his first point.

Kill Adverbs. Stabby, stab, stab.

Not only does he tell you why to kill them, but how to kill them.

If you got an adverb + verb combo, just make the verb more powerful. Search on “ly (space)” and start knifing the adverbs.

He has three more points – A trident maybe? Anyway, read all of them here:

Other Cool Blogs: Magical Words (Self Care)

Self-Care Everywhere
It’s con season, or would be if the COVID wasn’t an issue. I thought I would touch base on a few of the things we need to do to keep healthy at conventions (and at other places too).
1. Drink water – We don’t do it nearly enough, especially on long con days followed by a bar tab night. Do not start the night dehydrated, otherwise day two of the con is really gonna suck. And if it is a long convention, like DragonCon, you won’t make the distance.
And remember, it is also important to drink water when typing or longhand writing your manuscript. Drink water while editing, etc. We are bags of mostly water, and we need to replenish is constantly. Water is a primary go juice for your brain, beating out even sugar.
Additional note: When flying, the air on planes is being dehydrated, therefore dehydrating you. Pour water down your throat to recover, otherwise you will have a travel dehydration headache. Not a happy place to be when you hit the ground running into the first panel of the convention.
2. Eat regular – At a con, with panel after interview after contest, it is easy to forget to eat. Put it on your schedule. Pack snacks. The candy at the artist alley is not enough. Protein and other long-time digestive substance is required. A good protein-laden breakfast will push you further than coffee and a box of donuts.
And, again, while writing, EAT. Do not skip meals to find more writing time. The brain chews through about 20% of the day’s calories even though it is only 2% of the weight. Active use kicks up the calorie count, just like muscles burn more when actively used. And while it is tempting to pour sugar on it – that is a surge-and-crash method. Long-term at the keyboard needs fiber like apples and protein like cheese.
3. Make friends – The publishing industry is a tough gig. You need friends. Especially in the middle of a pandemic. Build that support network. The network is both keeping in touch with the industry – finding out about changes in self-publishing, when anthologies are looking for submissions, and what agents have openings – AND keeping in touch with humanity. The first is silver and the second is gold. The first allows you to be a writer, the second allows you to live.
Other self-care and attending convention tips can be found in the following Magical Words:
9/6/2011 – Misty Massey – Eating at Con –
5/20/2015 – Tamsin Silver – Con-Prep (aka organized chaos) –
6/4/2016 – John Hartness – Making Money Mondays – Mental Health & Money 
6/13/2016 – John Hartness – Making Money Mondays – More Revenue or Lower Overhead? –

Other Cool Blogs: Magical Words 9/25/2014

Photo by Cullan Smith on Unsplash

Artisan or crafter? Is writing about spending time with a muse or opening up a toolbox of experience? Is editing trimming and sanding the edges for the perfect narrative, or applying timeworn ideas learned as an apprentice?

One way or other, you are taming fire. That ethereal beautiful dangerous useful fire of ideas into a story approachable by others.

Read R.S. Belchers take on the process, “Taming Fire” from Magical Words 9/25/2014:

I’m more crafter than artist, based on my other arts and Mr. Belcher’s description. Becoming a better builder of worlds through words every day is a nice goal. I’m not a setting the curtains on fire type of gal.

How about you? Artisan or crafter?

Other Cool Blogs: Payday – Do Authors Make the Big Bucks?

Photo by Sharon McCutcheon on Unsplash

Payday – Do Authors Make the Big Bucks?

Y’all see that picture of money up there. That looks like a lot, until you realize they are all one dollar bills. About 30, maybe as much as 32. Do authors and editors make the big bucks? Refer to the above.

There is a reason nearly all writers (over 80%) who can sell professionally (meaning they made money on their writing at least once), have day jobs. I do taxes, which just finished (May 17 – can we stop going into extra inning for the taxes? I’m so burn out). My lean months are about to begin. Fortunately, I have picked up a weekend package delivery job during the pandemic; it’s not like I can attend conventions right now, so why not? My lean months are not going to be as lean as normal.

Most full-time writers have spousal support, in that their spouse has a VERY good full time job which offers health insurance and  enough pay regular bills get met. (Price) The writer (usually the male in my experience) is the stay-at-home parent while also writing. 

For the most part, writing careers are like sports careers. Everyone learns to do sports/writing in school. Some show early promise and get extra support and instruction. In high school, those better than average join the special teams – if their schools have the funds and their family has the time to devote to special teams. In college, further breakout happens – partially by skill, moreso by money and privilege to give time for training and health support, starting with the chance to go to college instead of jumping into earning money for food, shelter, and clothing.

Then the constantly narrowing pipeline tightens once more into pro sports, the adult career options – baseball, football, soccer, swimming, running, golf. And broken out from regional to national teams. A few superstars exist, paid tens of millions, but most of the team and the staff make much, much less. And the majority of those from back in high school, in the better than average group, most play sports on weekend with friends earning nothing. Maybe they do a marathon or something special to help raise money, and pay for the privilege. Some actually find a slot that gives them a day-job-with-sports overlapping: coaches, sport therapists, teachers, etc.

That constantly narrowing pipeline directs writing as well through native skill, monetary support, training opportunities, and availability of careers. Writing breaks out to bloggers, and newspaper writers, and fiction short story writers for anthologies, and editors of all sorts, and other support staff, as well as the highest prestige title “novelist”. Some of these categories produce enough work, like coaches, they can double as a day job, but most are, at best, part-time jobs. 

Most writers find something that lets them “play” on weekends writing; sometimes the writing “hobby” even brings in a little cash. And then there are superstars. But they are as rare as sports superstars, without the endorsement deals.

I managed to find a reviewing job along these lines – it’s not my first gig, or even my second gig, but it is a gig that when combined with my other 8 jobs manages to pay the bills. Specifically, in this case, my book bill, which is big enough having it partially supplemented makes a difference.

A survey of 5,067 professional writers showed a median income in 2017 of $6,080, with just $3,100 from book income alone (Nicolas, Steger-Strong). These are people who have been at it long enough to network into a professional organization. So “college graduate” level sports people. And bringing in less than half of a minimum wage job. And more than half of what they do make is from something related to writing instead of writing itself.

Like the editing and reviewing I do. Other options include blogging and ghostwriting. If you are an artist, web design and cover art can be added to what you do for others. (Rades)

So does writing pay the bills? For nearly everyone, no, it doesn’t. Does it pay some of the bills? Maybe, it could.

Some people garden, some people ski, some people bowl, some people do community theatre, some people do marathons. And some people, as their vocation outside of their day occupation, write. 

Bibliography

Nicolas, Sarah. “How Much Do Authors Make Per Book?” Book Riot. 2021 May 11. URL: https://bookriot.com/how-much-do-authors-make-per-book/ (last viewed 3/18/2022)

Price, Kalayna. “Full Time Writer? Leaving the Day Job VS Leaving the Career.” Magical Words. 2011 June 14. URL:

Rades, Alicia. “8 Smart Ways to Supplement Your Fiction-Writing Income.” The Write Life by selfpublishing.com. 2016 Sept 9. URL: (last viewed 3/18/2022) ** COMMENTS ARE ALSO USEFUL 

Steger Strong, Lynn. “A dirty secret: you can only be a writer if you can afford it.” The Guardian. 2020 Feb 27. URL: https://www.theguardian.com/us-news/2020/feb/27/a-dirty-secret-you-can-only-be-a-writer-if-you-can-afford-it?CMP=share_btn_fb