Art Project: Cooking – Libum (an Offering)

RECIPE: LIBUM (An Offering)

Roman Recipe – Cato (180 BC), recipe 75
Libum hoc modo facito, Casei P. Il bene disterat in mortario. Ubi bene destriverit, farina siligneae liram, aut, si voles tenerius esse, semlibram semilaginis eodem indito, permiscetoque cum caseo bene. Ovum unum addito et una permisceto bene. Inde panem facito, folia laurea subdito: in foco caldo sub testu coquito leniter.

Translation – Giacosa p. 169
Make a libum thus: Thoroughly grind 2 librae of cheese in a mortor. When it is well ground, add 1 libra of fine flour or, if you want [the loaf to be] softer still, ½ libra of finest flour; mix well with the cheese. Add 1 egg and mix well. Then form a loaf, placing bay leaves beneath. Cook slowly under a testo on a hot hearth.

Cookbook Interpretation can be found on Giacosa pp. 169-170

My Interpretation: For 16 people at a Feast
Equipment

Oven Mixing Bowl Mixing fork
Baking Sheet Measuring cup (dry)

Ingredients

2 cups of Ricotta (15 ounces, since that is an easy purchase) 2 cups of Flour 2-3 bay leaves (fresh or dry, dry worked fine for me)
1 Egg

Process

  1. Mix together cheese and flour.
  2. Add egg and mix well.
  3. Form into one, two, four, or eight small loafs.
  4. Place bay leaves on baking sheet and loafs on top.
  5. Bake at 350 degrees for 30 minutes.

 Comments

  1. Next time I need to attempt without the self-rising flour. Forgot that was all I had in the house. (grumpy stomp)
  2. The flavor is light and fluffy with just the hint of bay leaves. Very nice.
  3. Broke easily into four separate small loaves. They crumble easily. Serving two of the four per table at a feast would work well.

 Bibliography
Giacosa, Ilaria Gozzini, Translated by Anna Herklotz. A Taste of Ancient Rome. The University of Chicago Press: Chicago and London. 1992.

Art Project: Lacis

Lacis Project – Lady’s Room Door Hanging

Originally conceived in 2004, I complied the design from patterns found in Renaissance Patterns for Lace, Embroidery and Needlepoint: An unabridged facsimile of the “Singuliers et nouvezu’=pourtraicts” of 1587 by Federico Vinciolo and Patterns Embroidery: Early 16th Century by Claude Nourry & Pierre de Saincte Louie. The project comes as two wall hangings; one will be a Lady’s Room door hanging showing Spring and Summer and the other will be a Lord’s Room door hanging featuring Fall and Winter. Pages from the book where I transcribe the patterns include FV89 (Spring), FV90 (Summer), and CNPSL61-63 (letters).

The full pattern for the Lady’s Room is 127×378 squares. The pattern has 8 major segments including the top and bottom borders, plus the right and left borders which are being completed as I work my way down the design. I actually started the first wall hanging in May 2011 and completed the top border in September 2011.

The project then was set aside as I worked on other things, like writing, moving, job hunting, etc. In March 2017, I have decided to make a concerted effort again on the project and put a week of 2 to 3 hour nights into it after doing taxes. So after 20 more hours, I got a second border section done. At this rate, it I don’t get distracted again, I should have this completed in mid-June and can start work on the Lord’s Room door hanging. (I got distracted – so it has stalled out again.)

Materials being used: Store bought mesh (unknown material) and Cotton Crochet thread size 10 (due to cost – I am going through a lot of thread).

Tools used: Large tapestry needles, scissors, and a 12-inch embroidery hoop.

 

SEPTEMBER 2011 PICTURES

Top Left Corner
Left Corner for Top Border
Middle Design for Top Border

First Border Completed (Sept 2011)

MARCH 2017 PICTURES

Second Border Complete (March 2017)

Art Projects: C&I Time

In September I broke out my pens and brushes for the first time in years and really went to town in making a few beautiful pieces to give out as awards in the Society for Creative Anachronism. Below are some closeup shots.

 Completed on the September 23, 2017, the “J” scroll was inspired a 1410 Italian manuscript, The Prayer Book of Michelino da Besozzo.

Art Projects: Smocked Aprons

Smocked Aprons as Prizes

On Saturday the 24, my local SCA group held its annual event. The lunch is a potluck, and I had a .Brilliant.Idea. late last year to supplement the potluck by hosting a cooking competition. The cope-de-resistance to get people to enter items for other people to eat is having a kickin’ prize. November last year I started making four possible aprons for people to win. Not just any aprons, mind, but smocked apron, with drawn hemwork, all done in linen and by 100% by hand.

Out-of-my-ever-lovin’ mind, I was. I needed four aprons because the local cook’s guild has four colors of aprons for their ranking and, of course, I had to have one in each color because I didn’t know who would win.

All but one were completed in time for the event. Guess which color I needed for the winner? Bingo, the one undone. So I took the apron to DragonCon and sewed like a fiend in the backrow in panel after panel after panel – from Science to Space, Writing to the Apocalypse (maybe more literally then just the panel’s name). Then I did the last bit at home in time to deliver the prize to the woman the next time I saw her after she won. Go Me!

All the aprons were done in Honeycomb smocking and had Hound’s Tooth as the first row of drawn work. Red and Green also got lines of Interlacing.

Art Projects: Drawn Thread

Drawn Threadwork made my May

This month I taught a class on Drawn Threadwork. Related to the class I ended up making a couple of towels as examples, to work beside my students, and to drum up additional interest in the class.

First towel completed (May 19) – 15 hours

I love Drawn Thread embroidery because of its speed; this 17 inch by 30 inch towel took under 15 hours to complete when many of my embroidery projects can take over 100 hours. The four lines of drawn threadwork include Hound’s Tooth, Interlacing (Variation), Zig-Zag, and Interlacing (Basic).

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Second towel completed (May 26) 
The lines are as follows(top to edge of fabric) – Hound’s tooth bottom; Hound’s tooth top; drawn thread 2 lines; drawn thread 4 lines; Double ladder interlace (6 gather for each ladder); drawn thread 4 lines; drawn thread 2 lines; Zig zag; Hound’s tooth top.

All white fabric untouched are 6 lines wide. All gathers are 8-thread gathers unless stated otherwise.

 

And enough of that for a while. Hopefully my students enjoyed the class as much as I did prepping for it.