Arts: Embroidery – Blue Cross-Stitch Pieces Continued

TIMELINE: August 3 – 28, 2025

August 3, 2025 – I decided to clear out the blue cross-stitch projects as part of my clearing out of the stash. I have five pillowcases and four dresser scarfs (one of which I finished and can be found under the July 29, 2025 post: Embroidery – Cross-stitch Dresser Scarf).

The pillowcases only have embroidery along one side, rather than four, so I decided to start with those first. I will be taking pictures every three days.

First picture is the cover photo. Second picture is the chart, the four inch embroidery hoop (it needs to be that small to maneuver inside the pillowcase), and a picture of the DMC thread 809 (light blue) and 798 (dark blue). The cross-stitch is worked with three threads and the additional stitches will be worked with 2 threads. Third picture is the design printed on the fabric. It is about 13 inches long and 6 inches wide. The ink will disappear if water hits it. I don’t know how these have survived all these years. I believe I picked them up at A.C. Moore (which closed in 2019).

         

A picture of four of the pillowcases and all the materials together.

8/5/2025 (total time spent about six hours) – Third day of project. Sewed the normal one hour on 8/3. On 8/4, I took a little extra time (about 1 and a half hours total) to complete the dark blue stitches on the first pillowcase because I had a phone meeting the next night and if I got that done I could do the embroidery during the meeting because I would not need to pay attention to the chart. 8/5 Over two hours and a half hours of phone meeting, I got a LOT of the light blue done and then I started the pillowcase’s dark blue. I got three more meetings this month, and if I get all the pillowcases prepped with the dark blue cross-stitches at night when I can pay attention to the chart, then I can knock out the light blue during the meetings. The dark blue on the second pillowcase is from one hour of work after the meeting was complete.

     

8/6-8/11/2025 (total time spent about six hours – 16 overall)8/8/2025 The first picture captures the work completed 8/6-8/8 (one hour a night, about). Yes, that is a fifth pillowcase. Guess what I found while cleaning stash? That is right another one. Makes me wonder if I got yet another one for a total of three pair, or if I just have five pillowcases. 8/11/2025 (two pictures) Just a little bit of the final pillowcase left to complete. Then I will work on the LIGHT blue leaf patterns. There are five on each pillowcase. Once that is done, all the things left to do will not need the pattern for reference – all the cross-stitch will be light blue and all the rest (stem, leaf, and satin) will be two-thread dark blue.

           

8/14/2025 (total time spent about three hours – 19 overall) – 8/14/2025 Three days, about an hour each, of sewing, completed the dark-blue 3-strand cross-stitching as well as the two-strand light blue stitch of leaves. The first picture is the overall shot. The second picture is just the dark blue cross-stitch and the light blue leaf stitch. Final picture is what a pillowcase looks like with the light blue cross-stitch complete. Getting close to having one done!

         

8/17/2025 (total time spent about three hours – 22 overall) – 8/17/2025 Three days, about an hour each, of sewing, and one of the pillowcases is complete. How I approached this to start was first get two of the pillowcases light-blue cross-stitch knocked out. Now what I am trying to do is work on the more detailed dark blue two-strand stitches (stem, leaf, and satin) in the quiet by myself at night, and work on the light blue during meetings. This upcoming week I got four meetings, so I hope to knock out the rest of the light blue cross-stitch there. First picture is all five pillowcases. Second picture is what a completed pillowcase looks like – yes! one is complete!

8/21-27/2025 (total time spent about twenty hours – 42 overall) – Meeting week. Like, lots of meetings. 8/21/2025 First Picture is a four-day mark. I had a meeting each of those four days where I worked on the project for a little over an hour each time, plus the normal evening work. Total hours is more like ten between all sources. Two of the pillowcases are now completely done. 8/24/2025 Second picture is back to the normal three-day cycle, but two very long meetings this time of about two hours each, so seven hours worked. I also did more stash clean and found a SIXTH!!! pillowcase. In the picture, on the left side is one folded and one displayed completed pillowcases. Then on the right side are two completed cases on the bottom (the original four I started with project with are now complete); I have completed the light blue on the third case and am working on the light blue on the fourth case. I believe I will finish this project this week. Just need to do the embroidery, then a wash to remove the preprinted design. 8/27/2025 Third picture. Another three-day cycle of just three hours. Five pillowcases complete, only finishing dark-blue lines on the sixth pillowcase. Almost there. It has been a month.

          

8/28/2025 (two hours, including hand wash – 44 hours overall) – Last of the embroidery is completed!!! First picture is a round of handwashing all six pillowcases to get rid of the pre-printed design. Second picture is what the underside looks like. Third picture is everything complete.

            

DONE DONE DONE – One of the pillowcases with a pillow

Blue Cross-Stitch Pieces Series
Blog 1: Cross-stitch Dresser Scarf (7/29/2025)
Blog 2: Blue Cross-Stitch Pieces Continued (8/31/2025)
Blog 3: Cross-stitch Dresser Scarfs – The Sequel (TBD)

Arts: Embroidery – Cross-stitch Dresser Scarf

June 19, 2025 – I broke out my threads and needles again. I am working on a printed cross-stitch piece.  The first and second picture show the designs. The first picture is design printed on both ends of the dresser scarp. The second is the one printed either side of the middle.

This is the full length of the piece.

6/24/2025 – I have finished the cross-stich on one side. I still need to do the loops, stem stitch, and satin stitch., I am using DMC thread 809 (light blue) and 798 (dark blue). The cross-stitch is worked with three threads and the additional stitches will be worked with 2 threads.

7/5/2025 – Deep into the stem stitch, satin stitches, and the loops.

7/8/2025 – Finally complete the project! (Just needs a wash and iron)

Displays – end, side, full length

 

Blue Cross-Stitch Pieces Series
Blog 1: Cross-stitch Dresser Scarf (7/29/2025)
Blog 2: Blue Cross-Stitch Pieces Continued (8/31/2025)
Blog 3: Cross-stitch Dresser Scarfs – The Sequel (TBD)

Y is for Yesteryear

I’m traveling for the end of A-to-Z, adding a level of difficulty for visiting people (sorry folks), but today I got the perfect “Y” while visiting a museum. The Museum of Texas Tech University has a temporary exhibit “Thread of Tradition: Erlandson Collection of 18th and 19th century quilts” through mid-August, and since Lubbock was on the way to where I needed to go but about the distance I would need to take a break, I grabbed the opportunity. (Other temporary exhibits include Watercolor and Symbols of the Borderland, which I will post on a later date.)

I’m going to start with the most unusual of the quilts. Some of my A-to-Z visitors may be aware of the Victorian tradition of saving hair of loved ones. Usually the created mementos were things like hair wreaths or hair jewelry (rings, etc). In this case, Eliza Burt Walton of Chesterfield, New Hampshire attached netting holding coils of hair to the quilt. The center block is inscribed “This album is composed of tokens of remembrance from old friends, associates and school mates in Chesterfield, New Hampshire, October 1854”

The pieced blocks all bear names and are set on point. I love the square edges creating a diamond-like fringe.

 

     

This first quilt was an Album quilt. This is when each of the blocks is a unique design. I took pictures of two more album quits. The first is a 1862 applique quilt, where red squares are in the corner of the sashing between the blocks. The second was created in 1846 by Esther S. White of Lancaster County, Pennsylvania. She was a Quaker. I love the green sawtooth boarder and the symmetry of the motifs.

   

 

I did several up-close looks at the stichwork. The ones marked with pencil and/or pen make me feel better about my skill set. (Yes, that really is pencil marks) — I also got a close-up of where four pieces of cloth come together.

         

Two designs elements fascinated me: Princess Feathers and Double T. The name Princess Feather comes from the similarity of this motif with heraldry that honored the Prince of Wales and is a variation of “Prince’s Feather.” The circa 1860s quilt was created by (or for) Margaret Kearney from Auxvasse, Missouri. The Double-T pattern doesn’t have as rich a history, but the pattern is just as distinctive. The quilt was made for Elizabeth “Lizzie” P. Smith Heckard and her husband David Heckard, likely by Lizzie’s mother. (“Lizzie & David 1905” is quilted near one corner.) I personally would never attempt the Princess Feathers – I’ve done enough similar designs in applique and it is not easy, but the Double-T could be fun.

         

Several of the quilts are just out-and-out beautiful with their flowers. Below is a brown silk coverlet embroidered with the initials “E.B.” and the year “1836”, likely documenting the maker or who it was made for and the year the piece was completed. This exuberant summer spread of pinwheels and flower motifs has many eye dazzling details all sewn on an unusual dark background. And beside it is a Rose of Heaven appliqued quilt. The grape clusters are padded over and above the normal expected on quilts. The name associated with this quilt is Sara Dorliska Armsbury who either made this in Adams, Jefferson County, New York, or it was made for her. The rose wreath is a typical applique motif but the border of large grape leaves and small clusters of grapes is unique.

       

Next up is a medallion quilt. Like typical medallion quilts, this begins with a central pattern and builds out with borders.

The card beside the quilt read: The family history that come to the dealer with this quilt was that it was made by Eliza Woodfield Hagaman of Toms River, New Jersey beginning in 1874 with the October 16th birth of her daughter, Ellen Malsbury Hagman, and finished by the girl’s wedding in 1898. The website Find-a-Grave states that Ellen married Otis E. Hyers (1873-1960) in 1987. The bridal quilt gives many clues to when it was probably constructed. The fabrics as well as the use of a 3-ply thread and absence of any machine stitching suggest an earlier time period than the supposed 1874 start date. Eliza was born in Leicestershire, England and came to Pennsylvania about 1843 as a toddler. The England frame style construction suggest that the quilt could have been made by her mother, or her mother could have influenced the style Eliza chose. It is possible that Eliza began the quilt earlier than 1874, always planning to give it to her first-born daughter, who turned out to be Ellen.

     

I also took pictures of another medallion quilt. In this case, the picture of the description card was not legible, so I don’t have details on this one. But seeing two versions of medallion quilts can help one get a feel for the design. You can see the herringbone design used in a border of one of the Album quilts; this time the design is red.

     

Last, but not least, especially to me, is a Hexagon quilt. Why this one is important to me is I inherited a hexagon quilt my grandmother made in New Mexico. Unlike these presentation quilts, that one was hard-used and I have been repairing it by replacing the damaged hexagons, appliqueing new pieces over the worn-out ones. Someday I will be done fixing it. When I do, I should post the results here.

Meanwhile this beautiful Hexagon red quilt is a great way to finish off the yesteryear blog. Take special note of the quilted border.

From the museum’s card: This striking red and white quilt was likely made via the technique known as English paper piecing where fabric is basted around a paper backing to create the hexagon shape. The border treatment is unusual for an English paper pieced quilt but solves the problem of how to handle the edges of a hexagon quilt. This border treatment is almost exclusively found on quilts made in Maryland. The use of this pattern – a hexagon – for inscribed names is rare, likely because the pattern is time consuming and there isn’t a lot of space to sign.

   

     

The beauty and the work of quilts is amazing.

Museum Visits

  1. Y is for Yesteryear (4/29/2025)
  2. Museum Visit: Watercolors and Paintings (5/29/2025)
  3. Museum Visit: Borderlands (7/31/2025)
  4. Carlsbad Caverns (10/30/2025)

Embroidery: Quick History of the Sewing Needle

Photo by SUNBEAM PHOTOGRAPHY on Unsplash

While I haven’t had much time to work on my embroidery, I’m still interested in the artform and the tools which go with it. The central tools for embroidery are thread, cloth, scissors, and the all-important needle.

Where did it come from and how long has it been around?

Initially furs were worn, likely as ponchos with holes cut for head and arms. The dangly fabric surely got in the way, so strips of leather would be used to tie it closer to the body.

Let’s be honest about human nature for a moment. The minute the ancestors-of-our-ancestors got beyond cutting holes and added strips, design started. Need to wrap the legs – are you going to use a spiral, crisscross, or horizontal tie-offs all the way up? Belt the waist or the torso? Heck, where to cut the holes, how to wear the ponchos. Most people wear clothes because of need, but there will always be those people who take it to the next level and make that fur LookGood.

Next giant step forward is punching holes in the fur with awls and running those leather strips through. Now design can really take off.

Then we get the magic. Putting a hole in one end of the awl making … a Needle!

These appear at different times in different areas. Did they start in one place or were they invented time and again. The mix of material making needles, the length of the needles, and locations they have been found indicates invention time and again. But humans travel, so maybe one genius moment and the rest copycats, but, for our present-time, it doesn’t matter. The fact is, it happened.

The glorious Eye of a Needle!

Around 80,000 to 100,000 years ago humans started wearing clothing and nearly immediately (at least by 76,000 years ago) bone awls existed. China had needles by 45,000 years ago. (Pagano, 2019) Made short and long, curvy and straight, thick and thin, needles clearly were used for more than just boring assembly of cloth. In and of themselves, there is a beauty too – simple bone to precious ivory, plant leaves (pine), thin wood, stone, and as soon as metal is smelted, copper, bronze, then iron. Each age in turn.

When I sew, I am sharing a history reaching back longer than there has been written history.

 

Bibliography

Carr, Karen. “Who invented sewing? History of clothing.” Quatr.us. 2017 June 8. https://quatr.us/central-asia/invented-sewing-history-clothing.htm – last viewed 12/12/2022.

Pagano, Jacob. “Sewing Needles Reveal the Roots of Fashion”. sapiens.org. 2019 Jan 25. https://www.sapiens.org/archaeology/fashion-history-sewing-needles/?fbclid=IwAR24WO6qK2mtgei90dnpKo1HQPqi4s3KRg-5V-h5YJalcRCiRf7Zi-qESlc – last viewed 12/12/2022.

Wikipedia. “Sewing Needle.” https://en.wikipedia.org/wiki/Sewing_needle – last viewed 12/12/2022.

 

Art Project: Green Apron 2 Complete!

In the middle of tax season, I managed to grab the 20 hours needed to complete my Green Apron project (started in 2017). The embroidery forms include smocking and drawn thread. All hand-stiched using green linen thread.

The top is worked in honey-comb smocking. I just love how honeycomb looks.

 

 

One of my favorite historic pictures is from Durer where you can see honeycomb smocking peeking out at the waist.

 

The big part of the apron is the drawn hemwork along the bottom. The five rows took forever to prep the bars. Once the bars are done, drawnwork is done in a handful of hours. Like most everything in the world, prepwork is the secret – the hidden part of the iceberg. But the results are worth it, don’t you think?