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Art Project: Cooking – Libum (an Offering)

RECIPE: LIBUM (An Offering)

Roman Recipe – Cato (180 BC), recipe 75
Libum hoc modo facito, Casei P. Il bene disterat in mortario. Ubi bene destriverit, farina siligneae liram, aut, si voles tenerius esse, semlibram semilaginis eodem indito, permiscetoque cum caseo bene. Ovum unum addito et una permisceto bene. Inde panem facito, folia laurea subdito: in foco caldo sub testu coquito leniter.

Translation – Giacosa p. 169
Make a libum thus: Thoroughly grind 2 librae of cheese in a mortor. When it is well ground, add 1 libra of fine flour or, if you want [the loaf to be] softer still, ½ libra of finest flour; mix well with the cheese. Add 1 egg and mix well. Then form a loaf, placing bay leaves beneath. Cook slowly under a testo on a hot hearth.

Cookbook Interpretation can be found on Giacosa pp. 169-170

My Interpretation: For 16 people at a Feast
Equipment

Oven Mixing Bowl Mixing fork
Baking Sheet Measuring cup (dry)

Ingredients

2 cups of Ricotta (15 ounces, since that is an easy purchase) 2 cups of Flour 2-3 bay leaves (fresh or dry, dry worked fine for me)
1 Egg

Process

  1. Mix together cheese and flour.
  2. Add egg and mix well.
  3. Form into one, two, four, or eight small loafs.
  4. Place bay leaves on baking sheet and loafs on top.
  5. Bake at 350 degrees for 30 minutes.

 Comments

  1. Next time I need to attempt without the self-rising flour. Forgot that was all I had in the house. (grumpy stomp)
  2. The flavor is light and fluffy with just the hint of bay leaves. Very nice.
  3. Broke easily into four separate small loaves. They crumble easily. Serving two of the four per table at a feast would work well.

 Bibliography
Giacosa, Ilaria Gozzini, Translated by Anna Herklotz. A Taste of Ancient Rome. The University of Chicago Press: Chicago and London. 1992.

Flash: The Castle of Gold and Silver

Photo by phaendin from FreeDigitalPhotos.net

The Castle of Gold and Silver awaited their triumphant return, shiny brightly in the dark night under the magic lights of the King’s Wizards and the Queen’s Witches across the brick bridge raised by manpower and the Mason’s secret craft. Unfortunately, the return wasn’t triumphant, the young prince and his band hesitated at the edge of the forest, four arrow flights from the display of wealth and power. Luis was never meant to be heir, just a throw-away duke under his two other brothers care, not the one to bring back the bodies.

With night well underway, but the road smooth, he had pushed his men, those few left, the final steps until they could see home. Now the fourteen-year old froze on his mount, the one his men insisted he use while they walked. Francisco, the oldest, cagiest of the five left, had practically lifted the prince and tied him to the seat himself, after many, many threats.

“Home,” whispered Pablo with soul-tired tones they all talked with, aged beyond his sixteen years, a knight by Luis’ hand after he saved Inaki’s body from desecration; Luis hoped his father would approve raising Inaki’s squire. Pablo’s arm had been so mangled by the action, the surgeon removed it, back when they had a surgeon.

“Si.” Francisco agreed, where he held the burro pulling the wagon of their dead.

Leonor cleared his throat. “Do we go forward my liege, or wait until dawn when the gates raise?”

“Wanting to rush back to your wife’s arms?” Miguel teased.

“If you were married to one such as my Sofia, you would be running across that bridge after nineteen months apart.”

“And three days.” Miguel responded, keeping up the day count Leonor had started the moment they had stepped on the bridge to leave with their army-escort for three princes and their two squires and one cranky witch who didn’t like being away from home, off to secure a treaty with the duplicitous Pinedos and the cursed Montana kingdom they ruled.

“I could set up the tent, my liege,” offered Henrietta, the only camp follower who didn’t desert them.

The tent covered the bodies with during the day. Luis hadn’t stomached living under it since they made it inside the Prado nation’s boarders, but he knew this close to home, his loyal band would feel the need to give their prince full honors. Luis shook the fear and pushed back the failure consuming him. “No, tonight we bed inside well-protected gates where we need not set guards.” Glancing at Leonor, who had been teaching him flowery speech, Luis relaxed seeing a nod of approval.

Francisco snorted, but commented, “Well said,” relaxing the knot churning in the young man’s stomach.

The prince gently kneed the horse, bit, bridle, and saddle long lost, only a contraption of leather strips providing a stirrup keeping him seated. He and Dunlap had come to an agreement long ago, once it was clear someone had to ride the horse or the mare would pull the wagon. The brown shaggy creature plodded one foot in front of the other toward the bright lights of promise.

(Words 520; First Published 5/27/2018)

Other Cool Blogs: Luna Press Publishing August 6, 2017

Acquired from the internet hive mind

Attending Conventions

It’s that time of year again. Conventions are lined up non-stop between now and September. Writing, comic, science fiction, and media conventions are available year-round, but the summer is THE season. ConCarolinas, ConGregate, Pennsic, and DragonCon all are calling to me, and I am certain some are calling to you brave blog follower.

The question is affordability. 

I look at my purse and my deadlines, and the numbers of my budget and time commitments dance in my head into the negative. What can I afford? And what are the costs for not attending? Last year’s DragonCon brought a huge upswing in my editing; even Pennsic, a non-writing convention, brought me a new author. But, at this time, my attending conventions doesn’t break even. On the other hand, the networking from conventions is slowly bringing me crossing that magic line of profitability like nothing else has. The biggest expense and the biggest benefit go hand-in-hand.

The pros and cons of conventions are well defined in a post by Luna Press Publishing, a UK publisher: Why Do Authors Need To Go To Cons? 

I’m going to go reread it and recheck my time and money budgets.

WRITING EXERCISE: If you have never attended a convention, choose a local writer’s convention to go to this summer. If you are attending conventions this summer, update your website with where you are attending.

Not sure where to find a local convention – a good place to start is googling conventions and then searching on your state. Here is the wikipedia science fiction convention list here: https://en.wikipedia.org/wiki/List_of_science_fiction_conventions. Or write in the comments below your state (and nearest city if you live in a very big state) and see what suggestions other people have.

Writing Exercise: Action

Image courtesy of marin at FreeDigitalPhotos.net

Action is center to many genres such as Urban Fantasy and Thrillers and an important aspect to many others like sword and sorcery fantasy and military science fiction. To write action well, like everything else about writing, takes practice. Tools in writing can help bring the action into a more visceral experience for the readers.

No need to explain blow-by-blow, unless the main character actually has time to think these things through. Usually even well trained, actually especially well-trained, individuals do not think so much as act.

One of my favorite scenes in the newly published Storm Forged is about someone taking martial art classes getting in his first fight after the lessons began but he is still at the intermediate stage where one is thinking instead of acting, and he is faced off against one of the student-teachers who got themselves drunk – who doesn’t need to think.

“Go home, Turk. You’re drunk.”

“It’s all your fault, your fault.”

“What is-”

Turk’s stance shifted just a bit. He slipped into Flashing Wings, his fist striking straight at me. I blocked and stepped back.

“Turk, stop now.”

Marcel stood off to the side, paralyzed.

“It’s your fault.” He charged in, Gathering of Snakes led to Glancing Lance to Reversing Circles to something I hadn’t learned yet and me slamming into the concrete wall. I felt something in my shoulder tear. Pain flared hot, a sudden fire through my head and shoulder.

Quick and to the point. Short sentences. Barely time to think. He would have been better off not thinking. This one scene impact two full chapters from its fallout. That is also important to action, not only does it need to snap, it needs to have a reason to exist, to move the plot forward.

A.J. Hartley goes into this deeper in Magical Words with “Writing Action Scenes”; the post can be found here: (remember to read the comments).

WRITING EXERCISE: Choose a genre you don’t normally write in and create an action scene. What part is the hardest – getting the location of the people right throughout the scene, getting the POV observations right, keeping the damage carrying throughout, making the reader feel the heart pound, etc?

READING EXERCISE: Break down an action scene from your present book – it doesn’t have to be a fight. How did the narrative change for the action sequence? Did the POV limit what knowledge was available about the scene? Do the results of the scene (win or lose) get carried forward in the book?

Flash: External Dialog

Image courtesy of podpad at FreeDigitalPhotos.net

Every day I wonder, wonder.

Every day I go about my business, going crazy and stuff. Why do you ask?

Why are you crazy?

I really don’t want to be.

But you are. Crazy that is, right?

If you say that I am.

I’m in your mirror, so I pretty sure you are.

But everyone talks to themselves.

But not everyone hears the answer.

I don’t want to be crazy.

Then don’t be.

It isn’t that simple.

Why not?

Because …

Don’t roll your eyes and shrug at me.

This. This, exactly!

Not an explanation Original Man.

I can’t even.

Or odd. Try again.

*

Come on.

i.i.don’t.want.

Want what.

To be alone anymore.

Great song.

Not helpful.

Sorry. … But it is a great song.

We’re done here.

Okay – see you tomorrow! Oh, and brush your teeth.

(finger)

Back at you!

(Words 142 – first published 5/20/2018)