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Artist Spotlight: Brenda Cooper

Amazon Cover

Brenda Cooper has caught my imagination with two of her amazing short stories: The Ghost in the Doctor (Westward Weird anthology) and Trainer of Whales (the Future We Wished We Had anthology). One had some awesome MacGyvering and the other focused on the sociological divide between the Hippocratic Oath and the tribal leadership requirements of a Medicine Man. Clever, thoughtful, challenging.

Living in Washington state, Ms. Cooper has authored nine science fiction and fantasy books, which are influenced by her environmental and futurist interests. Most of the full novels are multi-book series including Edge of Dark (The Glittering Edge Book 1) and The Silver Ship and the Sea (Fremont’s Children Book 1).

If you are looking for a new science fiction writer, you may want to pick up one of her books.

Her website is: http://www.brenda-cooper.com/

Flash: Orchid Monks

Image courtesy of Danilo Rizzuti at FreeDigitalPhotos.net

Worm-hole was nearly complete. Vincent looked longingly at the caffeine pot set to start as soon as the power returned to general colony control. In the meantime, he activated the final exchange, this one directed to their sister colony in the MarkNineZebra sector.

“Oh thank the Grounds it is finally Wednesday. Everest, you got to help us!”

The communication specialist jumped in his chair at the unexpected verbal contact. His hands danced over the control console to activate the microphone. “What is wrong, my friend?”

“We have an infestation of those orchid monks. Already glass structures have been raised. How did you get rid of them?”

“Ah, let me send you the contact information for the extractor we hired.” After calling up the contact IP, Vincent quickly tacked on the databit to the agricultural exchange, marking his addition for immediate unravel.

The wormhole exchange and quantum computers provided instantaneous information transfer. “G-G-Grounds and Air! You hired a dark mercenary.” The woman at the other end sputtered with shock.

“I know, I know. But we tried everything and only this worked” Vincent reassured eyeing the information exchange countdown. Only seconds remained. “Use him, please. Yu’gl and only Yu’gl can prevent florist friars.”

(Words 201; first published 11/17/2019)

Editing Rant: What Genre is This?

Image courtesy of vibhin periye at FreeDigitalPhotos.net

I’m slush reading again. On the third or fourth page, I’m still trying to get a handle on the genre – is this a farce? is the author really trying for a comedy or are they really this bad? I pop over to look at the cover letter/email, nope, no clue there … wait! This is really a science fiction story, not a fantasy? You’re kidding me.

When writing, let the reader know what genre you are writing by the end of the first page. Even for mash-ups a western sci-fi or romance-paranormal. This can be done with how you introduce characters, or action, or just things in the scene.

Carol checked her make-up and interview outfit one last time.  Stepping out of the car, she grabbed the lint roller and ran it over her skirt. Her other self always leaves cat hair after the clowder meets, and the white hairs clung to the black fabric. Klaus Enterprises was a dream job, and she was interviewing with the man himself.

The bar was dark. Carol’s eyes drilled in, the cybernetics adjusting quickly to the light levels, searching for a captain to get her off this hell planet.

The body bleed out long before Carol had been called in. She studied the chalked outline and amount of blood. Not a vampire this time.

Define the expectation, only a hint is needed. But deliver a reassurance to the reader the inside of the book matches the cover. I’ve read books where the first half was a coming-of-age story and then it became a romance (cover: man being held by two women), where a solid sci-fi military suddenly adds vampires in the last three chapters (cover: spaceship over treescape), and where a western-steampunk ends up actually being a space opera (cover: colors). While genre flips are okay, too sudden a flip turns off readers. Foreshadowing helps. Just a line here or there can provide the worldbuilding background, so when the steampunk ends up in space the reader goes, “yeah, I see that” not “where the heck did that come from and how does it connect with the first half of the book?”

With Amazon samples and bookstore first page reads, setting genre expectations from the get-go can hook a reader. Not verifying the genre can kill sales.

Blog: End of an Era

Today I am publishing the last reprint of flashes from my first blog, from now on all flashes will be new. Time to push new limits!

For 2020, a new text flash will happen the first and third Sundays and visual flashes will happen the second and fourth Sundays, with the fifth Sunday being 2000 words. I don’t know if I am going to do special themes or topics as yet. Time will tell.

Enjoy the ride,

Erin