Writing Exercise: Show Don’t Tell

From the Internet Hive Mind

Earlier this month, I shared a Magical Words on the need to tell instead of show, when telling keeps the story moving. Today’s writing exercise is flipping that advice to the more traditional Show Don’t Tell.

Carrie Ryan, in a Magical Words post from April 16, 2011, wrote about “The Reader Experience”.

Both Faith Hunter and Carrie Ryan’s advice center around the reader. When showing, not telling, a writer is immersing the reader into the characters and action. When telling, not showing, the “camera” is pulled away from the action, letting things happen offscreen or, at least, more impersonally. My attempt at the Writing Exercise for the Tell, Don’t Show advice has a person getting out of the vehicle, climbing their front steps, and opening their front door. Not usually something necessary in a story at all. Ms. Ryan gives several examples of Tell vs. Show examples for when showing is better than the telling.

Again the URL is . Be sure to read the comments so you can understand “Experience, don’t dictate.”

WRITING EXERCISE: Write something as a TELL instead of a SHOW that should be a SHOW, and then rewrite the same something as a SHOW. Finally explain why SHOWING was necessary in this case.

My Attempt

Tell instead of Show: I felt invaded, not only by the dead body in my living room, but also by the killer. There had to be a killer based on the three bullets holes neatly spaced across the chest black with crusted blood.

Show instead of Tell: My lunch pail and purse dropped to the floor, and my stomach dropped even further bringing me to my knees. I cover my mouth, gasping for breath, tears of panic teasing the corners of my eyes. Pressing my mouth, I push all emotions back inside. I force myself to break eye contact with the glazed sightless dead eyes, dragging my watery vision across the dead body with three neat bullet holes in its chest to my purse. Risking everything, I lift my hands from my mouth, take two big gulps of air and dive in with both hands, searching for my cell phone. 9-1-1. As I hit the second one on the screen, I realized I knew the body, which meant I also knew the killer.

Answering the question: As before, showing takes longer than telling, but the emotions are necessary.

Show and Tell Series
Part 1 – 8/3/2023
Part 2 – 8/22/2023

Magical Words: Show, Don’t Tell – Except When You Tell

From the Internet Hive Mind

One of the hard and fast rules of writing is SHOW DON’T TELL … except when it isn’t.

Showing takes time. A lot of time and words. And if what is being shown is boring or slow, well, maybe a quick tell is better.

Faith Hunter wrote a Magical Words post on 9/1/2010 which provides some guidelines for breaking the rules … and writing as to guide the reader through transitioning the borders of rules and rulebreaking. “Rules of Writing: Show, Don’t Tell, (Except When You Tell)”

Rule number one of When NOT to show is “Transitions”. Read the blog post for the rest.

Full URL is:

WRITING EXERCISE: After reviewing the blog, write something that should be a TELL instead of a SHOW as a SHOW. And then write the same something as a TELL. Why is the Tell better than a show in this case?

My Attempt:

As a Show: The distance from the car to the front door contained only seventeen steps, not counting rounding the car. Since I parked backwards, that wasn’t as much of an issue as most days. The minivan took a while to walk around, at least four steps, more like six. I hopped out of the front seat, closed the driver’s side door, opened the passenger door, dragged out my lunch pail and purse after the long day of work. The front steps brought my quick walk to a pause. Age charges a toll, and the knees collect most of it. While I’m much more confident walking up the step than down them, gravity and balance strangely work in my favor mounting the trivial three steps, a pause to verify all the skills I need to walk up is still warranted. Yes, my body is willing to not be disrespectful of my inner vision of youth and verve today. One, two, three steps. After juggling the keys out of the purse while holding the lunch pail and the screen door, I unlock my front door and step inside. That’s when I notice the smell.

As a Tell: The long day at work gave me exhausted fits unlocking the front door while juggling my purse, my lunch pail (so I could save money to pay off my mortgage before I die of the old age my knees say I already reached), and the screen door. I’ll claim concentration on the task at hand as an excuse to my dying day for not noticing the smell. Someone else had reached their dying day sooner than me, and I don’t live with anyone. And yet, my living room contained a dead body.

Telling over showing: How I parked, walking from the car, all of that doesn’t matter to the story. The story is the dead body. I do need a little exposition to setup the character, but not 190 of them. Two sentences of 67 words is much better – even gave me room for two more sentences to set up the story premise after the character introduction and description. People pretty much know what it means to come home from a long day at work.

Show and Tell Series
Part 1 – 8/3/2023
Part 2 – 8/22/2023

Writing Exercise: Every Ten Pages

Photo by Glen Carrie on Unsplash

Faith Hunter, the writer of the amazing Jane Yellowrock series, talks about how her normal rule-of-thumb is being impacted by her long-running series (then at a measly eight books) in a Magical Words post from January 28, 2014.

“Something has to happen every ten pages.” is her go-to rule-of-thumb.

Only then is the reader pushed through the story with the “I can’t put this book down” feeling.

The URL is

She say for a mystery, that is how often the clues need to hit, for a romance, that is how often the romance needs to move forward.

Unlike most writers who dream of writing novels and moan about cutting down to short story length for special projects, I’m the opposite. My natural writing form is poetry. And not just any poetry: Tanka – five lines. I’ve managed to up it to flashes, and last year I had a break through in writing series of flashes. Now I’m aiming for short stories … or, bless my heart, novellas, which are actual sellable products.

The “every ten pages” is beginning to become a reality. Interesting enough, most chapters in genre fiction published works are around 10 pages – coincidence? 

WRITING EXERCISE: Look at your present WIP (work-in-progress) and see how often the major plot has a jump forward. Does it match the rule-of-thumb? Is there a slow part of the book? How many pages between plot-moving action is that?

READING EXERCISE: Find an author, one whose books you can’t put down. Not necessarily a favorite because deconstructing someone’s writing lets you see their formulas and that makes the reading less fun. Anyway, for this book, write the beats down – does something happen every ten pages?

 

Magical Words: Less is More

Photo by Laura Kapfer on Unsplash

ConCarolinas starts tomorrow, and I will be at the Mothership helping sell Falstaff Books or at panels learning how to write, edit, and sell books, because I want to make a career of this crazy business. Selling, of course, is the key. I can create forever, but to be a career, I need to make money at that. And like most authors, selling isn’t my strong suit.

But John G. Hartness is great, not only at selling, but explaining how selling works. In the March 7, 2016 Magical Words post, “Making Money Mondays – Less is More”, he explains how to pitch a book when hand-selling at a convention. (URL – http://www.magicalwords.net/john-hartness-2/making-money-mondays-less-is-more/)

Most writers jump into a long description, but people at a con are there to buy and buy a lot, so they need to buy quickly and move on to the next table. One needs to remember, you aren’t TELLING them a story, you want to make them PAY for it. Elevator pitch.

For example – Honestly, a novella erotic romance between a single mother and her landlord’s son. A Stella Gets Her Grove Back moment. (Honestly by Erin Penn is available on Amazon, by the way.)

Does that sound like something you want to read. Then pick it up on Amazon. Again, the URL is: https://www.amazon.com/Honestly-Erin-Penn-ebook/dp/B00CLJCW9K.

And that is an example of SELLING the story instead of TELLING the story.

Come by ConCarolina is you are in the North Carolina area Friday or Saturday (or Sunday, though I’ll be at the post office that day, *sob*) and buy some books. We’ll love to see you.