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Other Cool Blogs: Neil Gaiman May 12, 2017

“The impostor syndrome does not become you.”

Something I said recently to a fellow writer at a con – someone who had multiple publications in a variety of genres through large, small and self published means. He didn’t feel he had the right to speak about writing on a particular topic on a panel because he had only published one book in that genre and it was co-written.

The Imposture Syndrome eats at you as a writer or artist. “I’m not good enough.” “Everyone knows I am faking it.” “Why do people think I can ‘adult’ this?” “I didn’t learn this in school.” “I’ve only done it once.” … the list of the internalized dialogue goes on and on.

Thanks to our culture, it’s worse for women than men, but no one is safe. Even if you have been a published author for years and years. Even if you were the point of a very long spear of people getting you to a remote location.

Neil Gaiman’s anecdote really brings this home. You can find it at his blog here: May 12, 2017.

So when your impostor syndrome flairs up, remember the malady is common … and tell that inner voice it doesn’t become you.

Writing Exercise: Born Sexy Yesterday

In May, the writing exercise took a trope and made it unique. Often writers take a troupe, flip it, and use that as a social commentary. After all, tropes exist because of expected action and situations, and expectations are instilled by society. So today I would like to take one of the more unquestioned one – Born Sexy Yesterday, and ask people to flip it around.

Born Sexy Yesterday is about an uneven power dynamic to a relationship, a teacher-student situation where the student has absolutely no knowledge and the teacher has all control of dispensing that knowledge, and then initiates a romantic or sexual relationship with the student during the instruction. Colonialism performed it when military leaders took the local (conquered) girls; sci-fi does it by having women emerge in fully realized adult female form with an untrained mind.

Born Sexy Yesterday is nearly 100% related to the woman being the weaker half of the relationship. The few times you see it with men, it’s played for laughs. I think the reason is, in American Society, women are the primary caregivers of children and it gets creepy thinking about making a play for a child-mind. They have been told by the culture to take care of the mentally young and ill. Men don’t have the training of “don’t touch children” banged into them beyond “check the ID for jail-bait”.

WRITING EXERCISE: So here is the writing exercise, write a story with the Born Sexy Yesterday trope turned on its edge. With the woman the teacher and the male the student but fully realized naive adult male (at least 24), but don’t play it for laughs. Make it as sexy and acceptable as Splash and Fifth Element, but with the guy needing to be dressed, hugged, and kissed. In this particular case the relationship must remain hetero, because the object is to study the socially ingrained dynamic American (and like) societies presently have. This is a social commentary piece. You can work it in high fantasy, sci-fi, urban fantasy, or other genre, even humor, so long as the relationship itself isn’t where the humor comes from. For example, in Splash much of the humor is based on her naivety, but the love developing between the Ordinary Joe and the Born Sexy Yesterday was not played for laughs. You might find it easiest to write the piece with the standard male-female setup and then reverse genders after the initial bit is complete. Aim for between 500 and 2000 words.

Further information can be found in the link below from Pop Culture Detective and from TV tropes: Born Sexy Yesterday.

Flash: Balance Sheet

Photo by Igor Ovsyannykov on Unsplash

Rating: Mature (Language)

“I’m going to kill him; I’m going to kill them all.”

“Really?” Watching her youngest storm up the wooden steps onto her porch, Daphne Gigante rocked her chair forward to set down her needles on top of her knitting basket. The half-done mint green scarf matched the purple one around Albert’s neck. “Calm down.”

“They disrespected me.” Albert muttered while he paced along the boards. “Ain’t nobody disrespect me.”

“So you are going to kill them all?” Daphne shook her head, considering whether to move the conversation indoors. She glanced up and down the street, placing each vehicle and person into friend or foe status. Everything within three blocks was recognizable. Cops really hated surveillance during the winter; the cars got cold when they couldn’t run the engine for heat without giving themselves away.

“Yep.”

She snorted at that simple statement as he stopped moving, legs spread and fists on his hips facing her and the front door instead of watching the street. “Yeah, that is going to learn them all some lessons.” She adjusted the afghan on her lap, tucking the edges back under. The blanket had moved when she had laid the knitting down.

“Fuck yeah.” Albert sneered in triumph, his black eyes sparkling.

“No it ain’t.” Daphne spat. “Sit yourself down right now son.” She waved at the short stool on her right, not the second rocking chair on her left.

The five foot ten inch nineteen year old glared at his mother before he resumed pacing between the small seating area and the white painted railing.

A Smith and Wesson semi-auto pistol jumped in Daphne’s hands, the light of the laser sight dancing across Albert’s center of mass. “I said sit. Don’t you go speak about respect and disrespect me.” Her voice was a calmly lethal as the weapon.

Albert quickly hunched down on the child stool, struggling with his long legs until they ended up crossed in front of him, half keeping him from toppling off the chair.

“Now you ready to listen or do I need to pound you some sense into your thick skull.” She pantomimed striking his head with the grip.

“I’m listening mom.”

Daphne slipped the gun under the blanket, wiggling a bit because the metal weapon had taken some of the ambient air temperature while out. “Right. You don’t go killing randomly.”

Albert surged up, growling, “It ain’t random.”

“I’m talking here.” The gun reappeared, and this time the red dot aimed at his jean’s zipper.

Albert sat right back down, scooting the stool for a better angle to watch his mother’s face.

Giving him an evil eye, Daphne waited until he stopped moving before tucking the gun away again. “You don’t go killing randomly, you hear me?”

After a couple seconds of silence, Daphne cuffed her son lightly on the ear. “Answer me when I am talking to you boy.”

Albert swallowed before asking, “Now?”, the sneer and gangster confidence long gone.

“When else, smart mouth?” Daphne reached for her knitting, confident in her ability to control the situation now the teen anger had been removed. “Do you hear what I am saying?”

“Don’t kill randomly.”

After arranging everything to restart, she gripped the needles in her left and gently stroked her son’s cheek with her right. “Good. This is why you’re my favorite, aside from being the only one not in prison.”

Clicking needles filled the void in conversation for a moment.

“You kill precisely. Got that?” Daphne said conversationally as she started the next row after glancing up and down the street again.

“Kill precisely.”

“You kill too much and people start expecting it.”

Albert nodded.

“You kill too much and it cheapens the killing.”

His thick eyebrows met. “Are you talking economics?” Watching her watch the street, Albert tried to read something in the bland face of the woman who executed her own husband at the order of the mob boss, ten years before she took the fucker out and fixed the gang to her own extracting standards while he was in high school.

“Yeah, supply and demand shit.” She paused in her knitting to stare into his eyes. “Listen up boy, you kill all the time, and you flood the market. Killing becomes like fast food, cheap and quick and you don’t want that. When you kill you want it to mean something. A gift, only a very nasty gift. Got that?”

“Umm.” Albert tried to break eye contact. He didn’t want her to think he was challenging her. But he couldn’t, until she dropped her gaze to her knitting, then he blinked several times.

“Beat up people all you want. Scare them.” Her calm, mother-knows-best voice continued. “But only kill them when you absolutely got to.”

“Because killing gots to mean something.” Albert hoped he had the right answer.

“That’s my boy.” She paused in her knitting to stroke his cheek again. “Now go get some of your buds and hospitalize those blancwoggs.”

Hopping up, Albert nodded at his mother and strode to the front steps.

The clicking needles stopped when he reached the bottom stairs and turned toward the O’Dare house. “Don’t get caught sweetie.”

(Words 862 – first published 8/20/2017)

Geeking Science: Solar Eclipse on Monday August 21

Solar Eclipse

Image courtesy of zirconicusso at FreeDigitalPhotos.net

Oh, no – The Dragon is Coming!!!

On Monday August 21st, a solar eclipse will be visible coast-to-coast. North Carolina will be covered from 1 pm to 4 pm with the height about 2:45

NASA has a website dedicated to Solar Eclipses – find out more about what is coming here: https://eclipse.gsfc.nasa.gov/solar.html

Author Spotlight: Marion Zimmer Bradley

Amazon Cover

Coming home from Pennsic, I thought I would do an Author Spotlight on the woman who named the Society for Creative Anachronism while she lived in Berkeley California. When the college-related group of medievalists needed a name to rent a park, Marion Zimmer Bradley came up with the name on the spur of the moment. Her SCA name was Mistress Elfrid of Greenwalls, and she was instrumental in getting branches started in the New York area.

Her most famous work is The Mists of Avalon, and you can see the impact her time with the historical reenactment group had on her writing. Nothing like being able to talk to men and women who actually put on armor to make things more believable. After all, write what you know. As she concentrated on her work, her time in the SCA got less and less. Her other series include Trillium and Darkover. Her impact on the fantasy genre was extensive.

As well on those who live a slice of The Dream in the real world.