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Editing Rant: Editing Those You Love

Image courtesy of Witthaya Phonsawat at FreeDigitalPhotos.net

One of the hardest aspects of editing is when someone you love asks you to read their work. 

At various times I have: edited close friends (some of whom could write for money and some who shouldn’t), two of my family members (who have potential and needed about as many changes as writers I have edited under contract), teenagers I am mentoring (who need direction on where to grow as writers), and a couple of writers I fangirl over (but still need to be fully edited). Each time is a balance between caring for the person and helping them develop to their full potential in their work had to be found. Like parenting, only without the hugs. Tears, plenty of those, just no hugs.

First problem is dealing with a family member. Whether you are reading their work or they are reading yours, define what is wanted – is this a supportive read (keep going) or a critical read (where am I doing good and what can be better)? Get that defined upfront. Immediately.

Because supportive reads are important. Writing in a vacuum sucks energy (pun intended). Having someone say – “keep going” – may be exactly what they need. This goes for you too – you can ask for a supportive read where they only focus on what is being done well, such as getting 2,000 words on paper in one day. This goes for a family member you are reading for – flutter, hug, and congratulate them on accomplishing something. It is always okay to say “be kind, I’m fragile today”.

Just don’t be fragile every day. Realize some day a critical read will be needed. It might not be this week or this month, but it will be needed.

And family and close friends might not be the best to do the critical read. Not because they can’t be honest. Believe me, my friends are can be BRUTAL. The problem is with writing, they read my words and hear my voice. This is a good thing in writing. If people read your words and hear your voice – that means you have a strong voice. But it also means close friends will put in words which are missing because they hear them all the time; your family will understand short-hand examples because they have the same framework of thoughts, therefore them miss the logic holes in the story.

Which is why an outside editor is helpful. If only women have beta read your book (your mother, your sister, and your best friend), you may want a male editor. If you are a male writer, you may want a female editor. Getting a set of eyes different from those that helped develop the manuscript makes the final product more accessible to more people.

Second problem editing people you love is dealing with developing writers. Similar to family, only without the as-long-as-you-both-shall-live relationship of blood family, finding the balance between “go for it” and “hang on a second” – between support and growth, is a challenge with friends who are trying writing for the first time.

Solutions for developing writers is similar to management techniques – sandwich strengths and weaknesses. Scaffold where they are to where they need to go with exercises and suggestions on what to try. Repot like a plant – provide the right size pot, only do so many changes at a time until they outgrow the pot they are in.

Third problem is editing for established writers you love. Can you turn off the fangirl and concentrate on the writing? They deserve that – the other readers who will be reading their book and falling in love with their writing deserve that. And it isn’t easy, I’m sure everyone has Big-Names which pop into their heads from the book and movie industries who have gotten too big to edit or produce properly. They need to actively seek out people who don’t “yes-men” them if they are going to continue to produce their best work.

It’s okay to be such a fangirl you can’t beta read or edit a writer, but you need to recognize it in yourself and bow out when it happens.

Love is great – but it is an action as much as an emotion. If you can’t help a person to grow in a healthy fashion, show your love by directing them to someone who can. Whether family, friend, or fangirl favorite. Editing and love is about growing better.

Even when part of the growth is tears.

Flash: Pink Strip

The strip was pink. So much for leaving Jeannie at the altar. The revenge planned for so long needed modification. He hated the bitch, but governments get antsy when babies are kidnapped out of hospitals. Cops don’t care if the person doing the taking is the true parent.

Jeannie was not raising a Katz after the humiliation she had inflicted on his sister. The wench was vile.

What could he do to get the babe and not go to prison? How to poison the spoiled princess and save the babe from the goblin queen?

Ah, the beginning of an idea started. Time to buy a rose for the monster-to, er, … mother-to-be.

(words 112 – originally appearing at Breathless Press 6/9/2013 for the 1/22/12 Sunday Fun – See the picture that inspired the story! – As I do not know the copyright permissions, I have not copied it here; Republished new blog format 6/9/2019)

Other Cool Blogs: Magical Words 7/2/2010

Image courtesy of toonsteb at FreeDigitalPhotos.net

To a Bookstore We Go

Back in 2010, Stuart Jaffe wrote a great blog for Magical Words on how to use a visit to the bookstore to understand the publishing industry and marketing strategy by the publishers and the bookstores. Lots of great questions – I recommend to cut and paste and save. The full blog is here under the title Publishing – Learning at the Bookstore: http://www.magicalwords.net/really-i-mean-it/publishing-learning-at-the-bookstore/

The problem of implementing this strategy in 2019 is finding a bookstore. (sad face)

Instead, go to various eBook locations and see what they are doing in your genre section (and nearby sections). How are “also reads” being linked, do they show series for both novels and novellas, what shows up on your recommends when you first log in, etc? See if you can get a friend or even con someone at a Starbucks to help you do the research and set up your laptops side-by-side and see what different things show up. Can you get someone of a different gender, melanin level, or income strata to help you? What book recommends show up in your Facebook feed or social media sites and do they impact yours (and those helping you) purchases? 

Ask around, how does the casual reader find information versus a veracious reader versus someone connected to the industry?

Does being city or suburbia affect what they look at – and how their market share is reached?

As a writer, editor, or someone in the industry, you might want to do this exercise every year or two – since technology is changing that fast.

WRITING EXERCISE: Do a Market search and get a general feel. Next, guess based on the past, what changes you think you will see in two years? What techniques are equivalent to “book cover out” and “end display” within a bookstore and within eBook book websites, and what do you think they will become? Record your findings and guesses somewhere so you can track changes over time. Repeat in 2021.

Book Review: When the Villain Comes Home

Book Cover from Amazon

When the Villain Comes Home edited by Gabrielle Harbowy and Ed Greenwood. Published by Dragon Moon Press.

BOOK BLURB ON AMAZON

Heroes can save the world, but villains can CHANGE it. 

We’ve assembled a great mix of science fiction, fantasy, and speculative fiction. Come with us while we explore villains of all stripes — sons and daughters, lovers and fighters, minions and masterminds, in this giant volume of thirty great stories by award winners, rising stars, and bold new voices. With masterful tales by: Camille Alexa, Erik Scott de Bie, Chaz Brenchley, Eugie Foster, David Sakmyster, Marie Bilodeau, Richard Lee Byers, K.D. McEntire, Peadar Ó Guilín, Jim C. Hines, Ari Marmell, Karin Lowachee, Jay Lake, Julie Czerneda, J.M. Frey, Clint Talbert, Rachel Swirsky, Tony Pi, Leah Petersen, J.P. Moore, Ryan McFadden, Todd McCaffrey, Erik Buchanan, Gregory A. Wilson, Rosemary Jones, Gabrielle Harbowy, Ed Greenwood, Mercedes Lackey & Larry Dixon, Chris A. Jackson, Steve Bornstein

 

MY REVIEW

An anthology of 31 stories. 

As always, an anthology is an un-even collection of skills set and stories. This one is about villains returning to an origin point they somehow thought of as “home”.

The concept presented in The Sunshine Baron by Peadar O Guilin is still freaking me out; as often happens in fantasy, the land lives and dies by the Hero-King, such as Arthur. Can you imagine the suffering under the Ruler of the Land when he is a selfish, gutless, self-serving Crown instead? I need to imagine no more; Peadar O’Guilin provided the perfect example when this villain is returned home.

Villianelle by Chaz Brenchley shows that villains can return to their roots to start growing again, though the base plant never changes.

Anyway, whether they are bad guys, worse guys, monsters, killers or just thieves, each of these villains must return home again. For some that home was heaven and others hell; most glimpses of home helps give the reader understanding why the character became a villain. Those at home were monsters (Oranges, Lemons, and Thou beside me), or maybe needed protecting from monsters (Hunger of the Blood Reever).

A fun read, mixing fantasy and sci-fi, a little heavy on the superpowered at the beginning.

Trigger Alert – two of the stories have rape. Not unexpected in a Villain anthology.

Flash: Slow Learner

Photo from freedigitalphotos.net

 

Trouble. The minute she walked through the door. It followed her wake like a noxious cloud of perfume. For a second you almost like it, the scent, the situation, her, then it just overwhelms. If she stays around long enough, you almost get used to it. When she leaves, you breathe freely and realize just how bad it got.

I dated the woman for fourteen months, nine days, four hours. And now she stood at my door yet again after two hundred days, seven minutes of clean breathing. I hadn’t bother filling the void she left. Some holes are meant to be empty and the one she had left was one.

She needed help. When hadn’t she? I stood with the door half-open, me propped against the slab, blocking the way in, debating how stupid I was about to be.

Because … damn it.

I drown in her blue eyes. And the door opens just long enough for her to slip in.

(words 162; first published 3/23/2014; republished new blog format 6/2/2019)