Other Cool Blogs: Magical Words March 23, 2009

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Chapter Breaks – Stepping Stones in a Story

“Why Divide Your Book Into Chapters?” was asked of the Magical Word crew in 2009, and David B. Coe responded giving insight into how books are structured.

The most direct answer is seeing all those words strung together without any breaks exhausts a reader before they even start.

The working answer is writers get exhausted thinking about writing all those words at once. For plotters, outlines and chapters can walk hand-in-hand.

The more subtle answer is dividing the work up provides clues and prompts to a reader’s mind which can be exploited by authors. 

Breaking down the basics from the post:

  1. Maintaining narrative flow: POV changes, jumps in time
  2. Escalating narrative tension: changing narrative threads, critical beats/cliffhangers
  3. Keeping readers interested: provides breaks to take care of business, gives chunks to think about as a unit
  4. (From Comments) Selling points: editors ask for a chapter, being able to offer the first chapter for free
  5. (From Comments) Editing for word count: helps visualize word count
  6. (From Comments) Voice: length of chapter can affect the narrative voice, helps focus
  7. (From Comments) Serialization: offering the story via podcast, magazine, etc requires breaking things into narrative chunks but remaining true to a complete novel.

If you would like to read the full post and related comments, go here: http://www.magicalwords.net/david-b-coe/why-divide-your-book-into-chapters/

Flash: Scrimshaw

Copied from: https://en.wikipedia.org/wiki/File:Nantucket_Whaling_scrimshaw_E.Burdett.jpg
This work is licensed under the Creative Commons Attribution 3.0 License.
Photograph taken at Nantucket Whaling Museum, Nantucket, Massachusetts. September 15, 2008

“Can’t you buy anything?”

“Sorry buddy, but these are all standard and I got plenty.” The shop owner’s voice laced with barter avarice. “Unless you are willing to come down in price.”

“I am only asking a quarter what I paid for them.”

The deeper male voice managed to keep the whine of desperation back, but Felicity could hear the fear of grounded spacer clawing its way out of the too heavy, and yet too empty belly. She knew the answer even before the owner gave it, and she could tell the spacer knew it too. She glanced up for the stock, mostly in recognition of the man’s ability to keep the panicked dread clamped down.

Wow, now that is someone who didn’t skimp on zero-G exercises. Arm muscles bulged a bit as he gripped the scrimshaw case. Black hair was beginning to grow in, so the man was losing hope. At least five days growth. The clothes hung just a little on him, so he hadn’t been grounded too long. Most likely why he still had scrimshaw to sell. His box looked banged up, so he wasn’t some newbie whose captain left as a lost cause before the novice blew up the ship. Her eyes wandered over the portside overalls, becoming more interested in the puzzle the grounded spacer represented – and admittedly his looks – than the store stock, until she noticed the series of loops on the left side attached to two forks.

Wait, a harmony? They never have trouble finding work.

“I pay a tenth of market price for used goods. Sign says so out front, Jack. You get a quarter for unique pieces.” The seller moved his assessing equipment below the counter. “Ain’t much comes through here, but I can sell used goods to people who come to this backwater hellhole.”

“I got one handmade.” The harmony stroked his case. “A Candlewood, he … I … I got to eat.”

Hard-edge sarcasm destroyed the comradeship sales pretense the shopkeeper had welcomed Felicity into his store. “You got an Abbot Candlewood?”

“No, no, his brother, Clevon Candlewood.” The engine specialist held his box protectively against his board chest.

The merchant paled a little. Everyone knew the Candlewood’s ability to make scrimshaw beads. Some made their living from the beads, while others just did it as a pastime. While Abbot was prolific, Clevon was the better artist by far, but he did it between terraforming gigs.

“You got providence?”

Tears streamed down the guy’s face. His head jerked in a nod.

“Hold up.” Felicity didn’t realize she was going to speak until her clear contralto broke the venue. The two men turned as one. “A Clevon Candlewood you say?”

The harmony shuttered. Baring his desperation to a land jackal was one thing, but in front of a fellow spacer…

“The keep here can’t give you what it’s worth, needing to pay gravity charges. I’m willing to give passage to the Paradise Links for a Clevon.”

“Passage ma’am?”

“Yeah, you would use my bunk when I’m on duty, and food would be rationed and typical zero-g gruel, unless you work a little, but we could contract something out.” The shopkeep looked ready to interrupt, but she had a regular run and often picked up a bead passing through. The route was far enough off the main many of his mass-produced pieces were discontinued and she was able to fill in holes in her collection. The man was a jackal, an honest one because his providences were always spot on, but he still was a dirt breather, and he was easily distracted by the cash of the now. “You can wrap me the Mother Goose Cupboard and transfer the ownership file to this chip.” She tossed a thin blue stick to track providence of the artwork. Both the bead and the stick would be added to the box clamped under her bunk.

“Oh, I can work. Still got all my tools.”

“On you? Cause I lift in two hours, burn starts in one, and we got to get you to close all your books and open the ships before leaving.”

“Yes ma’am. Carrying everything on me now.”

Felicity reassessed his outfit. He had to have sold everything else. Only two forks didn’t bode well for an experienced harmony. He had loops for eight. But she wasn’t hiring him to keep her ship flying through the discord, just offering transport.

And maybe bunk space. He wasn’t crew, so, for once, that option was open. Unless he signed on for something. His sculptured arms looked strong enough to hold her all night. She shouldn’t have offered the work possibility; she hadn’t been properly lifted since, damn, since before she got her stripes nine years ago. Only one or two dirt breathers at a Links. Could she sneak in bunk requirements if he was only on for three stops or would that be unethical? You know the answer to that Felicity. On the other hand, if he was full harmony – she would need to find out his certification level – that would put them equals according to spacer guild rules. Nah, with two forks best she could hope for is a failed apprentice. Still harmonies tended to play outside the rules; she also heard they always found the right note to hum for a woman.

(words 890; first published 11/13/2013; republished new blog format 12/2/2018)

 

Book Review: Athena’s Daughters Vol 2

Book Cover from Amazon

Athena’s Daughters Vol. 2, an anthology published by Silence in the Library (presently closed).

BOOK BLURB ON AMAZON

Maze running executioners, menopausal super heroes, psychic scientists, precog nuns, sentient crows . . . These are just a sampling of the diverse ladies that will enthrall, excite, and entertain you in this anthology of science fiction and fantasy stories written by women.

 

MY REVIEW

A well-balanced, diverse anthology.

Second of the Women-centric anthologies from Silence in the Library and a much faster read at *only* 330 pages of manuscript fiction and 21 stories. The volume still suffers from the unevenness of skill is present in all anthologies, especially since the editors make a point of developing new writers as well as using some amazing “anchor”/mature writers. Also, again, amazes at the DIVERSITY of characters – Hispanic, black, Asian, white, old, young, middle-age, straight, gay, and doesn’t impact the story. These are stories about women, all females, the full-spectrum of the bearers of double-X chromosome. And the stories themselves range from science fiction to fantasy, past to future, sad to joyous, one-shots to a side story in an established series. 

Now to the standout stories
“The Killing Garden” by Carrie Ryan – An amazing character/sociological piece the editors put at the very beginning of the book. If you read nothing else in this anthology, read this historical drama.

“Red is the Color of Mother Dirt” by JY Yang – A political sci-fi. A wonderful sociological study (and anyone who has read my reviews knows how much I love great worldbuilding), which is amazing to find in a short story. So little room to create a whole world while also introducing and developing characters and telling a complete story. Ms. Yang did this all with grace.

“The Black Mamba and the Leopard” by Alison J McKenzie – A folk-myth fantasy-thriller. Loved the main character and her problem solving skills. Not quite the must-read of the Killing Garden, but close. A five-star story in my opinion.

“The Miraculous” by Tess Tabak – Written in second person. No, really, second person. I’ve heard about stories like this, but never seen one. And the story is about what happens after the Zombie Apocalypse you just survived. Did you ever think loneliness…monotony… would be the biggest issue? You understand the main character very well by the last sentence.

“Hot Flash” by Antha Ann Adkins – Another excellent superhero origin story (with an amazing illustration). And I thought only teenagers had the hormonal instability to set off a superhero mutation. 

“Crow Bait and Switch” by Tish E. Pahl – A cuddly, creepy sci-fi. ‘Nough said.

Now read the book!